The first summer was peaceful, and the grass didn't rest.
Water stays in the morning and evening, and the clouds are repeated.
Zhou Lan is very tired, but Kuang is very poor.
There is steady flow after Sichuan, but Jason Wu does not send it.
Sail for quarrying, hang seats to meet the sea and the bright moon.
The rise has no clue, and the virtual boat has surpassed it.
Loyalty and light-heartedness inspire others, and they are eager for help.
Unfortunately, there is not enough fame and fortune, but what suits you can be ignored.
Please attach a public statement, but thank you for your deletion.
Make an appreciative comment
After the trip to Nanting (see You Nanting), Xie Lingyun began his journey of seeking success in Yongjia. On the one hand, mountains and rivers can't really soothe the bitterness in his heart, so during this time, the word "tired" often appears in his poems; On the other hand, however, the scenery always gives him new feelings, which makes him lose his balanced mentality, at least get vent and tend to a temporary balance. It is in this wandering that he established his position as the originator of landscape poetry, which may be unexpected by himself.
Chishi is located in the southeast of Nanyongning (now Yongjia, Zhejiang Province) and Angu (now Ruian, Zhejiang Province), about dozens of miles away from the county seat and adjacent to Wenzhou Bay in the east. Maritime navigation, usually considered as a place name, is actually a business. According to the Song Dynasty's Yongjia County Records, "Sailing boats surround the mountain, the land is used to the sea, and there are many ships, so the mountain is named after sails", which is located in the north of Angu County. The so-called sail land of spiritual luck should be in this mountainous area. However, Ji Zheng didn't say that there was a place name "Oceanwide", so the word "Oceanwide" should be regarded as a verb-object structure. The title seems to refer to visiting Chishi and then sailing at sea. The focus of the poem is on the sail sea, and swimming in Chishi is just an introduction.
The whole poem is divided into three levels. The first level of the clause is "Kuang nails poor hair". It is written that you are tired of swimming in the red stone, and then you want to sail in the sea. As the second level, from the sentence "behind the ship" to the sentence "virtual boat", I am writing about the situation of sailing and the change of mentality. Below the sentence "Zhonglian" is the third level, that is, wandering and thinking, which carries the purpose of adapting to the weather and protecting one's life safety. The change of mood is the main thread running through the whole poem.
The sentence "Keeping Summer" echoes the poem "I am tireless in youth, I have seen Zhu Ming move" in You Nan Ting, which not only points out the holiday season, but also shows a complex mood that cannot be comforted. You Nan Pavilion was moved by the scenery. Judging from the iteration of spring and summer, it is deeply sad that the prime of life has gone and he is sick in Sri Lanka. What is said here is that it is early summer, the weather is finally refreshing and warm, and the grass has not withered because of the arrogance of the sun. It can be seen that the poet seems to have recovered slightly from the sadness of his previous poems. In particular, we can notice that "the fragrant grass is still in its infancy", in fact, the reverse is "Li Sao" and "I am still in infancy before I am old, and I am afraid that the thrush will sing first, making my husband's grass not fragrant". Then, in "Masturbation", we can see Xie Ke's arrogant character of "courting officials". However, this relief can't last long. It's monotonous to swim around the red stone dozens of miles to the south outside the county, and the change of rain or shine and the appearance of clouds have lost their freshness because of frequent appearance. This trip to the seaside has been exhausting, and more importantly, they are faced with a barren land in the far north and a poorer and northerner sea. Some people think that "Kuang Nai-poor" is a poet who is full of lofty sentiments and bent on going to sea. But the word "Kuang Nai" clearly means "tired". Before seeing the sail sea, the poet was in a bad mood.
However, when the boat entered the sea along the harbor, the wonders suddenly became clear and the water was like a mirror. After crossing the Chuanjiang River, the river is safe, and eight poems in Chaoyang Valley with eight feet and eight tails are green and yellow. Although autocratic, it is also "quiet" at this time, as if everyone is welcoming the arrival of poets. So he rowed on the sea of Zhang Yunfan, and casually took this stone flower, which was shaped like a turtle's foot and as big as a mirror-a white full moon. When he looked up and looked back, the sea was boundless, and his mood was as empty as sitting in a canoe.
Looking at the sea from a distance, the poet's feeling must be the same as that of Hebo in Zhuangzi Qiushui, which really opened his mind and swept away the accumulated troubles. So, he wanted to travel, pursue the ancient times, and then realized the truth of life: there were all kinds of hermits at sea, helping Lu Zhonglian who retired after his career was successful; And in the year of Childe (see King Zhuangzi Qin), he was above the river and his heart was under Wei Que. Although the shapes and traces are similar, their interests are quite different. The latter is just a false hermit with a false name, which is out of place with Zhuangzi's "Don't be a martyr" (Autumn Water). Just as Lu Zhonglian said, "I am rich and trusted, and I would rather be poor than belittle the ambitions of the world", which is in line with the truth of "returning to nature". Compared with the two, the poet seems to be wary of his conceited life in the past. He is willing to remember a passage that Taigong Ren taught Confucius in Zhuangzi Sanmu: "Cut the straight wood first, and the spring will be exhausted first." If you show your talent, you will be appointed by heaven. Only by "cutting the scars and damaging the potential", bathing in the snow, and filling the inside with humility can we remain healthy all year round-just like the sea, bottomless and boundless, but as flat as a mirror. At this point in the poem, the situation completely conforms to infinity.
Fang's "Zhao Wei" once pointed out that Tong Zhuang, this poem takes the meaning of both "Zhuangzi" and "Autumn Water". The poem takes Hongshi as the guest, sails and sails as the main body, and takes the combination of "Zhou Lan is tired and poor" and "no mood, empty boat is outside" as the turning point, expressing the spiritual sublimation caused by seeing Wang Yang in the lyric of the landscape, and showing the structure of the poem.
The reason for this poem is naturally reflected in the natural and exquisite journey of landscape writing. "Sailing for quarrying, hanging seats to meet the sea and the bright moon", seafood is rare, and seeing the poet sailing in the warm wind and the sea of tranquility is full of comfort, then the idea of being suitable for the public will naturally arise. Bao Zhao's comments on Xie's "Born Lovely as a Baby Lotus" ("Biography of Heather") refer to this language feature that Chinese is full and overflowing, elegant without hurting cleverness.
A good poem about summer: Why do you hate that Fang Fei has gone? Natsume is charming.
From Qin Guan, a poet in the Northern Song Dynasty, "The Dark Sun in March"
Festivals promote each other's new ideas, and spoony children keep spring.
Why don't you like wheatgrass? Xia Mu is cute.
Make an appreciative comment
Qin Guan's "The Dark Sun in March" is full of philosophy and contains "rational interest". "March is a dark day", that is, the last day of March in late spring. After this day, it means that the season has entered summer. The sadness of spring is self-evident to people with keen feelings. But this poem, however, does the opposite and writes new ideas. "Promoting economy" is a natural law, which is beyond human power. Because metabolism is the law of iron that runs naturally! And those "spoony children" want to "keep spring" and don't want to let it go. In this way, people's frustration when spring is about to pass away is vividly written. For the last two sentences of the poem, I turned out new ideas and made full preparations.
The last two sentences are shocking, such as the sudden peak, which makes people wake up. What is there to miss when spring is gone? "Summer Wood" of "Yin Yin" is also "cute"! The poet's optimism, boldness and open-mindedness are vividly on the paper!
An excellent poem describing summer: it rains at home in Huangmei season, and frogs are everywhere in the grass pond.
From the Southern Song Dynasty poet Zhao Shixiu's "Guest"
Mei Huang Shi, every family was flooded by rain, and the pond was covered with green grass and frogs.
It's past midnight, and the invited guests haven't come yet. I tapped the chess pieces bored and shook the wick of an oil lamp.
Make an appreciative comment
The first sentence "It rains at home in Huangmei season" explains the environment at that time. Huangmei season is a rainy day in the south of the Yangtze River. After a long summer, plums turn from green to Huang Zhi, commonly known as Huangmeitian. At that time, it was raining in Mao Mao. As the saying goes, "Flying freely is as light as a dream, and the continuous rain is as fine as sorrow." For vision, it is a deep comfort. As for the rain beating on thousands of tiles, it is from far and near, gently soft, with a trickle down the tile trough and eaves, and all kinds of tapping and sliding sounds are closely woven into a net, as if "whose fingers are massaging the helix", and the mood is unusually quiet and serene.
In the sentence "Frogs are everywhere in the grass pond", the poet's attention naturally turned from rain to nearby, and frogs came and went, setting off the tranquility around at that time. Imagine, if it is not inner peace, it is anxiety and irritability. Why do you know the sound of insects and the new green screen window tonight?
Let's look at the third sentence, "I have an appointment to stay up late." I suspect that the book draws the conclusion of "anxiety" mostly based on this sentence. Friends won't come after midnight. If it were you and me, of course I would be anxious. But this is Zhao Shixiu, one of the "Four Spirits of Yongjia", and Zhao Shixiu, known as the "genius". Zhao Shixiu, a famous scholar, was a scholar in the year of Emperor Shao Xiyuan. He is the editor-in-chief of Shangyuan County and an official of Yunzhou. Although he is an official, he is frustrated and depressed. He often swims between mountains and rivers with Buddhist monks, longing for a quiet and indifferent life, and even wants to "return to his hometown" like Tao Yuanming ("Nine guests and one feather are proud of their rhyme, so I sent Zhu Jizhong"). After his death, Dai Fugu, a giant in Jianghu, wrote about Zhao Zizhi, saying that he was a "character in the Eastern Jin Dynasty". Don't be anxious without an "appointment to stay up late"?
The last sentence is "knock the chess pieces and drop the snuff". I don't know how the predecessors understood the word "leisure". I think so, too. The "leisure" of "idle knocking" should be that we seem to be bored a few times, so we just take it, take it, take it casually, just like Lu You's interest in "making grass with short paper". Zhao Shixiu is also sitting in front of the lamp, waiting for the guests from afar, bored, comfortable to see the pieces in the game, just pick them up and knock casually. How can he feel anxious?
An excellent poem describing summer in the composition material: We look at the green trees surrounding your village and the light blue distant mountains.
From Meng Haoran, a poet in the prosperous Tang Dynasty, "Passing through the Old Village"
This old friend prepared a delicious meal and invited me to his hospitable farm.
Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes.
Make an appreciative comment
The whole poem depicts the beautiful mountain village scenery and quiet rural life, with plain language, natural and smooth narration and no traces of rendering and carving. However, it has sincere feelings and mellow poetry, and has the aesthetic interest of "clear water produces hibiscus, which is naturally carved", so it has become a masterpiece in pastoral poetry since the Tang Dynasty.
Write a sentence or two on the invitation, "old friend" means it's not the first time to be a guest. Three or four sentences are famous sentences describing the scenery of mountain villages. Surrounded by green trees, the green hills are oblique, just like a faint ink painting. Write five or six sentences about the taste of mountain village life. Facing the garden in the yard, talking about crops with wine is kind and natural, full of life breath. At the end of the two sentences, let's get together on the Double Ninth Festival and write down the depth of friendship.
"Prepare chicken and rice for me, old friend. You entertain me on your farm." This beginning is like a note in a diary. An old friend "invites" and the author "arrives". There is no rendering in the text, it is simple and casual. This is just a possible form between friends who don't need to be polite. The invitation of "chicken and millet" not only shows the unique flavor of Tianjia, but also shows the simplicity of hospitality. It is this kind of hospitality without ceremony and ostentation and extravagance that makes the hearts of friends more open to each other. This beginning is not very focused, calm and natural, but it is an excellent introduction to the content of life to be developed, showing the characteristics of the atmosphere, which needs to be further enriched and developed below.
"We look at the green trees around your village and the pale blue mountains in the distance." When I entered the village, the author looked around for such a fresh and pleasant feeling. These two sentences are close to the border and surrounded by green trees, which seem to be unique and unique. The next sentence is light, accompanied by green hills abroad, which makes the village not lonely and shows a broad prospect. The village is located in Pingchou, far away from Qingshan, giving people the feeling of lightness and tranquility, but it is by no means indifferent and aloof. It is precisely because the "old friend village" appeared in such a natural and social environment that the host and guest raised their glasses at the window.
"We open your window, cross the garden and field, and talk about mulberry and hemp with cups in our hands" is even more carefree. The word "open porch" here seems to be inadvertently written into the poem, but the above two sentences are written on the outer wall of the village. Here, the narrator drinks and chats in the house. The porch window is open, and the outdoor is reflected indoors, giving people a relaxed feeling. For these two sentences, people pay more attention to "talking about Sang Ma" and think that it is "meeting each other without miscellaneous words" (Tao Yuanming's Returning to the Pastoral Residence). But there are threshing floors and vegetable gardens in front of the entrance window, surrounded by green shade, giving people a spacious and stretched feeling. The word Sangma makes readers feel that it is rural. Thus, readers can not only appreciate the stronger local flavor, the flavor of labor production, but also smell the soil flavor on the nursery, see the growth and harvest of crops, and even feel the characteristics of regions and seasons. With the combination of these two sentences and the first two sentences, green trees, green hills, cottages, playgrounds and Sang Ma blend harmoniously, forming a beautiful and quiet pastoral landscape, while the laughter of the host and guest and the words about Sang Ma seem to linger in the readers' ears. It is different from the pure fantasy of the Peach Blossom Garden, but it is more realistic in the prosperous Tang society. It is in this world that poets who once lamented that "the Lord of the realm is harsh on us, and the people who handle affairs are not like us" not only forgot the setbacks encountered in political pursuit, but also forgot the gains and losses of fame and fortune, even the lonely and depressed mood in seclusion. From his glance at the green hills and trees, and his wine conversation with friends in Sang Ma, we can see that his thoughts are relaxed and even his actions are flexible. The environment and atmosphere of the farm showed its conquest here, which made Meng Haoran somewhat converted.
"I'll come back at chrysanthemum time when I have a holiday on the mountain." Meng Haoran was deeply attracted by the farm life, so when he left, he told his master frankly that he would come back to see chrysanthemums in the autumn Double Ninth Festival. A few simple poems, the enthusiasm of old friends to treat each other, the pleasure of being a guest, and the cordial harmony between the host and the guest are all on the paper. Du Fu's "Drinking by Tianfu Mud, Drinking Beauty, Being Strict and Sincere" said: "When the moon rises, I will stay, but I still ask for help." In Du Fu's poems, Tianfu keeps people, and the feeling is urgent; In Meng Haoran's poems, he also made an appointment with an old friend, meaning to ease his words. Readers can get a glimpse of the difference between Du Fu's depression and Meng Haoran's calmness.
An ordinary farm, an ordinary dinner of chicken and millet is so poetic. It describes the prospect of the eyes, and the level of description is completely natural in spoken language. Both the pen and the pen are very relaxed, and even the form of rhythmic poetry has become free and flexible. The feeling that the poem gives readers is that this brisk and approachable style complements the simple pastoral described by the author, showing a high degree of adaptation in form and content, but it is calm and kind, but not dull. Plain contains deep affection. On the one hand, although there is almost no trace of strenuous exercise in every sentence, on the other hand, there has never been weakness in every sentence. For example, the first two sentences of the poem only write the invitation of friends, but they can show the simple peasant atmosphere; Three or four sentences only write green trees and green mountains, but you can see a world; Five or six sentences only write wine gossip, but they can show the comfortable fit between mood and environment; Seven or eight sentences only say that Chongyang will come again, but naturally they show their attachment to this village and old friends. These sentences are balanced and even, and together with * * *, they form a complete artistic conception, which combines quiet and beautiful pastoral scenery with simple and sincere friendship. This is the so-called "although the writing is wonderful, the syntax is not seen" (Shen Deqian's "Three Hundred Tang Poems"), "If you don't wonder, you will be strange ... If you lose your job, you will be unfortunate" (Pi Rixiu's "Yunzhou Meng Ting Ji"). He deeply integrated artistic beauty into the flesh and blood of the whole poem, which seemed natural and natural. This kind of showmanship is not dazzling, not showing off skills, not only relying on one or two carefully crafted sentences to prop up the facade, but also reflecting the superb artistic level. For example, a beautiful woman, her beauty is perfect and holistic, not because a certain part is particularly touching. Instead of putting on airs, she was amazed by a natural color and charm. It is precisely because of the true reflection that the words are scattered and pure, which makes the whole poem show its charm from "light touch" without "heavy makeup"