The first step is four silent exercises: opening your mouth, shaking your chin, the dog gasping, the dog gasping and the tongue gaping. Step two, practice with sound. From step 2 14, I began to practice the method of making pharyngeal sounds. With silent practice as the foundation, this is easy to practice. If the silent practice fails, there will be many shortcomings and slow progress when practicing this.

Step three, hum a pharynx sound. You can enter the third step, that is, the method of "hum" to hum the pharyngeal sound. This exercise and the above mouth opening exercise are both exercises that caruso often uses.

The fourth step, from hum to small mouth. Hum, after taking the right road, Zhang Xiaokou's position will not be lost. This is very simple. If you don't have the right to get this hum, it will be wrong. So look at a good tenor. Why is his position so high? That's because he hums well. (Demonstration of grunting and small mouth pharynx) This posture is the same. Can't "uh", hang up.

The fifth and sixth steps (step 5 17 is to practice singing scales) have passed, and the fifth exercise (that is, the practice of pronouncing high and accurate sounds with throat sounds) has developed from here. Step 7, use the pharynx to form oo vowels. Form oo vowels with pharynx. This is the main exercise as an object-oriented sound school.

Step 8: Open your throat. If this goes on, it will be very easy to develop to the eighth step (entering bel canto, that is, opening your throat and combining singing and swallowing). You should add feelings, not say hello, but order or shout people. (Demonstration) The head is not so upturned. Just a little, and the whole larynx will come down. It forms a sound executive with overtones on it. The overtone is rounder and louder.