Four-character calligraphy suitable for families: "Jing Yuan": Static energy is health, static energy is wisdom; "The room is elegant and fragrant": the room is elegant and harmonious, and the fragrance is overflowing; HSBC and Chang: Like the spring breeze, you are infatuated.

Other four-character calligraphy

In addition to the above three kinds of four-character calligraphy works, you can also choose four-character calligraphy works, such as: virtuous, kind and gentle, pure and sincere, purple comes from the east, virtue has good news, virtue has good news, long-lasting good news, natural good news, vacant good news, harmonious and auspicious, confused and relaxed, and seeing Buddha bloom.

Other calligraphy

Of course, in addition to hanging four-character calligraphy works, families can also choose classic ancient and modern poems that people can't miss, such as a short song, a view of the sea, a journey in a vast distance and so on. Li Bai's poem, looking at Lushan Waterfall, drinking, sitting alone in Jingting Mountain, seeing Meng Haoran off on his way to Yangzhou; Du Fu, a poet sage, wrote Spring Hope, Jueju, Wangyue, Song of Drinking and so on.

Liu Yuxi's Poems in Autumn and My Humble Room, etc. Su Shi, a bold and unconstrained poet, set off a storm. Don't listen to the sound of leaves beating in the Woods. When will there be a bright moon? Hunting in Jiangchengzi Mizhou, inscription on Xilinbi, etc. Chairman Mao's poems: Qin Yuan Chun Xue, Qin Yuan Chun Changsha, recalling Qin E Lou Shan Guan, not being Yongmei, etc.

In addition, there are the opening song of Romance of the Three Kingdoms, Rolling East of the Yangtze River by Lin Jiangxian, Love Lotus by Zhou Dunyi, Preface to Lanting by Wang Xizhi, a poetess in Song Dynasty, Dianthus by Zheng Zhang in Qing Dynasty, Jinse by Li Shangyin, and Preface to Wang Tengting by Wang Bo, a poet in Tang Dynasty.

The origin of ancient calligraphy

China's calligraphy is one of the treasures of ancient China culture, and its origin can be traced back to ancient Oracle Bone Inscriptions and bronze inscriptions. Oracle Bone Inscriptions, which appeared in the late Shang Dynasty, is the earliest written record form in China. Bronze inscriptions are inscriptions from the late Shang Dynasty to the Warring States Period, and their forms are relatively standard and beautiful. These early writing forms laid the foundation for the later calligraphy art.

The Development of Calligraphy in Qin and Han Dynasties

During the Qin and Han Dynasties, calligraphy experienced an important change. After Qin Shihuang unified the six countries, the unified script was Xiao Zhuan, which became the national common script. The simplified Chinese characters of Xiao Zhuan had a far-reaching impact on the development of later seal scripts. With the rise of the Han Dynasty, official script has become the main writing method, with standard font and stable structure, giving people a solemn and atmospheric feeling. Calligraphy in Qin and Han Dynasties reached a new peak in this period.

Calligraphy reform in Wei, Jin, Southern and Northern Dynasties

During the Wei, Jin, Southern and Northern Dynasties, official script gradually declined and regular script gradually prevailed. Regular script is simple and clear in form, standardized in structure and suitable for the way of writing brush. At the same time, running script and cursive script have gradually developed. Running script is a simplified form of regular script, and its strokes are smooth and powerful, giving people a bold and unrestrained feeling. Cursive writing is a faster and smoother calligraphy style.

The Prosperity of Calligraphy in Tang, Song, Yuan, Ming and Qing Dynasties

China's calligraphy reached its peak in the Tang, Song, Yuan, Ming and Qing Dynasties. The cursive script in the Tang Dynasty subverted the traditional calligraphy norms and formed a free and unrestrained artistic style. Regular script in Song Dynasty was more standardized and stable, which further improved the art of calligraphy. Worm calligraphy in Yuan Dynasty, worm calligraphy in Ming Dynasty and regular script by Jin Shengheng are all treasures of calligraphy art, and they have made breakthroughs in stroke structure and artistic expression. In the Qing Dynasty, the "four-style" calligraphy represented by Zhao became a new height of calligraphy development and formed a simple and dignified style.

The Development of Contemporary Calligraphy

With the development of modern science and technology, the art of calligraphy is constantly innovating. On the basis of drawing lessons from tradition, contemporary calligraphers explore new expression techniques and pay attention to expressing personal feelings and aesthetic concepts. The appearance of computer writing and digital calligraphy makes the art of calligraphy more diversified and precise. At the same time, the use of traditional tools and materials still maintains an important position, reflecting the combination of tradition and modernity.