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When did Huang Feihong, Fang Shiyu, Hong Xiguan and others live?
Huang Feihong's life and unique photo * Name: Huang Feihong Gender: Male Date of Birth: 1847 Born in Foshan Town, Guangdong Province on the ninth day of the seventh lunar month; Deathday:1March 25th, 925; Huang Feihong died in Chengxi Convenience Hospital. Huang Feihong, whose real name is Huang Xixiang, is a native of Xizhou Village, Xiqiaoling, Nanhai. In the twenty-seventh year of Daoguang (1847), he was born in Foshan on the ninth day of July and spent his childhood and adolescence in Foshan. Huang Feihong studied martial arts with his father Huang Qiying from the age of six. Because of his poor family, he often sells martial arts and medicine with his father in Foshan and Guangzhou. At the age of thirteen, when Huang Feihong was selling martial arts in Douchi Lane, Foshan, he met Lin Fucheng, the first disciple of Tieqiao III. He was able to inherit the skills of flying thallium with iron fist, which laid the foundation for becoming a master of Hongquan in the future. /kloc-at the age of 0/6, Huang Feihong opened a martial arts school in Fushuijiao, No.7 Xiguan, Guangzhou, and later opened a "Baozhilin" Yiguang in Ren 'an Street. He is a famous martial artist and has many disciples. He was successively appointed as a military medical officer, martial arts chief instructor and Guangdong militia head coach by the registered prefect Wu Quanmei and Liu Yongfu, and fought against the Japanese army with Liu Yongfu in Taiwan Province Province. His life was bumpy, and he suffered a series of blows in his later years, such as his beloved son being killed, being burned, and his son being unemployed. 1On March 25th, 925, Huang Feihong died in Chengxi Convenience Hospital. Introduction to Huang Feihong: 1847 was born in Foshan town, Guangdong province, on the ninth day of the seventh lunar month. 1853 studied martial arts with his father Huang Qiying. 1859, he sold martial arts with his father in Foshan, Guangzhou, Shunde and other places. During this period, he beat martial artist Zheng Daxiong with his left-handed fishing rod and won the name of "Young Hero". 1860, when selling martial arts in Douchi Lane, Foshan, I met Lin Fucheng, a disciple of Tieqiao Sangao, and studied with Lin Fucheng in Foshan for nearly two years, and learned some stunts such as "Iron Fist" and "Flying Thallium". 1863 moved to Guangzhou, copper and iron workers raised funds to set up a martial arts school in Qishuijiao, and Hong Fei ended his martial arts career. 1865, a native of Guangzhou sanlanxing (fruit bar, vegetable bar, fish bar), was hired as a martial arts coach in the industry. 1866, a pawnshop in Xiqiao Guanshan Market was robbed by thieves, and Hong Fei repelled dozens of people by himself, which became a local story for a while, and was invited to teach in Shilong Township. 1867, a foreigner with a German shepherd dog the size of a calf had an argument with China people in Hongkong. Unwilling to be humiliated by China people, Hong Fei went to Hong Kong to slay evil dogs with a "monkey-shaped turn" and became famous in Xiangjiang River. 1868 The stall of Peng Yu, a hawker in Shuikengkou, Hong Kong, was occupied and injured by the villains. Hong Fei Lu saw the injustice and helped him. He was surrounded by dozens of other armed associates and was defeated by Hong Fei. About 1868, another museum was set up near Yilan Bridge in Xiguan, Guangzhou, where Christians taught art and treated knife wounds, and the three-pillar chair was replaced by Liang Kuan. During the period of 1869, when he was the "grass protector" (on-site bodyguard) of Uncle Lu Jiu at Zhengpingqiao Cricket Court in Foshan, Hong Fei severely punished gangsters and became famous in Foshan. 187 1 married Roche, who died in March. 1873 was hired as the martial arts coach of Guangzhou navy and awarded the post of "flag bearer of peace and flood" in Guangzhou General Yamen. 1882, Wu Quanmei, a registered magistrate, hired Hong Fei as a martial arts coach in the army and closed the martial arts school set up by Yilan Bridge. 1886 His father Qi Ying died of illness. After more than a month, Wu Quanmei died, and Hong Fei resigned as a martial arts coach, and founded Baozhilin in Yan 'an Street. From 65438 to 0888, Liu Yongfu, the leader of the Black Flag Army, appreciated Huang Feihong's martial arts and proficiency, was hired as a military medical officer and the head martial arts coach of the Fuzi Army, and was given a wooden plaque with "exquisite medical skills". 1894, Liu Yongfu led his troops to Taiwan Province province to fight against the Japanese invaders, and arrived in Taiwan with the Fuzi Army of Liu's ninth battalion, stationed in Tainan. 1June, 895, Liu Yongfu failed to protect Taiwan, and Hong flew out of Taiwan to return to Guangdong. From then on, he only practiced medicine and did not teach martial arts. The top of Bao Zhilin is: "Wushu is difficult to teach; Don't pass it on, ask Mo Wen. " Around 1896, he continued to marry Ma and gave birth to two daughters and two sons (Hanlin and Hansen). Soon after, Ma died of illness, he continued to marry Cen, and gave birth to two sons (Han Shuhe) in 1902. Soon Cen died of illness, too. In August, 19 1 1 was invited by Liu Yongfu to be the head coach of Guangdong Mintuan. 19 12 In August, Ma Rucan, a fishing gang, was blackmailed and beaten by gangsters. Hong Fei was brave and severely punished the gangsters. The story of "saving fish and selling fish" is widely circulated in Yangcheng. Mo Guilan was reappointed as a concubine. 19 18 worked as a doorman at Liang's cricket ground in Fu 'an Street, Shifufu, Guangzhou. The second son of 19 19, who was proficient in martial arts, was jealous and assassinated by "Ghost Eye Liang" when he went to Wuzhou, Guangxi as a "protector of the brave". Affected by this, Hong Fei stopped teaching martial arts to other sons. On April 9th, 2009, 1965438+ performed "Flying Thallium" at the inaugural meeting of Jason Wu Association in Guangzhou Haizhu Theater. On April 9, 2009, 1924, 10, Guangzhou citizens suppressed the riots of business groups, and the houses in Xiguan area were destroyed, and Baozhilin in Ren 'an Street was burned, so they paid the torch. His eldest son Lin Han lost his job again, so he became very depressed. 1925 died in Chengxi Convenience Hospital in Guangzhou on March 25th.

There was indeed Huang Feihong in history, a native of Foshan, Guangdong Province in the late Qing Dynasty. The most famous disciples are Liang Kuan and Lin Shirong (pork in the movie), and the prototype of Aunt Thirteen is his wife Mo Guilan. Huang Feihong left many legends in history. In The Iron Horse, directed by Yuan Heping and supervised by Tsui Hark, the young Huang Feihong lived in Guangzhou and entertained in the street, but was besieged by several big shots and repelled by Huang Feihong. This is the real experience of young Huang Feihong. On one occasion, 19-year-old Huang Feihong spent the night in a pawnshop in the Guanshan market in Xiqiao. When he was robbed by a thief, Huang repelled dozens of robbers by himself, which was passed down as a much-told story. Bao Zhilin did not take it from his father Huang Linying, but was founded by Huang Feihong himself. The friendship between Huang Feihong and Liu Yongfu shown in Tsui Hark's films originated from Huang Feihong's treatment of Liu Yongfu's injury, and was later hired by Liu Yongfu as the head coach of the Black Flag Army. The greatest story of Huang Feihong's life is that he went to Taiwan Province Province to fight against Japan with Liu Yongfu and returned to Guangdong after his failure. Bao in his later years was robbed and burned in the Guangdong business group riot in 1924, and died of depression at the age of 65.

Huang Feihong devoted his life to martial arts, and was chivalrous and affectionate. After his death, he was still famous among the people in Guangdong and was regarded as a representative of true chivalry. Later, Hong Kong, based on Cantonese culture, really pushed Huang Feihong to the position of chivalrous man.

Huang Feihong was first put on the screen in 1949, directed by Kwan Tak-hing and directed by Hu Peng. Since then, this image has been deeply rooted in people's hearts because of Kwan Tak-hing's wonderful interpretation, and Huang Feihong has also become synonymous with justice and chivalry. Kwan Tak-hing last played Huang Feihong in [Lin Shirong] 1980. In the film, Huang Feihong wrote the words "The benevolent is invincible" when fighting with others. This scene can be said to be the best epitome of Huang Feihong's forbearance and open-mindedness, superb martial arts, and won the wind of the elderly, which was interpreted by Kwan Tak-hing. After Kwan Tak-hing stopped playing Huang Feihong, Huang Feihong's film was remake several times, but it was unsuccessful, because in people's minds, the image of Kwan Tak-hing could not be separated from the name Huang Feihong.

Later, I saw a documentary in which foreign media interviewed China filmmakers for martial arts films. I saw that many people, including John Woo, Ang Lee and Jackie Chan, were firm, progressive and persistent when they mentioned the word "Huang Feihong", and I was very moved. What we can feel is that in their eyes, Huang Feihong is not just a name, not just a chivalrous man who saves people from danger, but a spirit they stick to, or a personality realm they admire. This is the general impression of China people on Huang Feihong in the Kwan Tak-hing era. This situation didn't change until the early 1990s in the hands of two China film wizards, Jet Li and Tsui Hark.

At that time, Tsui Hark was working in New Art City, and Jet Li was a signing actor of Jiahe. Many companies ask Tsui Hark to film, but Tsui Hark generally disagrees because he doesn't want to complicate the relationship between companies. Later, Jiahe found Tsui Hark and asked him to cooperate with Jet Li. Tsui Hark immediately agreed. He said that Jet Li is a "treasure of China" and can make an exception, so he said that cooperation is ok, but it should be made in Tsui Hark's way, so he made a movie, 9 1 online [

Guan Deqing was still alive at that time (Guan Deqing died in 1996). [Huang Feihong] After filming, he also went to the cinema to watch movies. As a result, after watching it, he was too surprised to speak, and watched a movie [Huang Feihong] that he had never expected.

Fang Shiyu:

Zhaoqing, Guangdong. Father's name is, engaged in silk business, married Li, and gave birth to two sons, the first one is Xiaoyu, and the second one is Meiyu (both of them studied under the Zen master); Later, Fang had to continue to marry Miao Cuihua, Miao Xian's daughter, at the age of 60. Miaoxian has remained anonymous since he burned Shaolin in Songshan Mountain, selling salt for a living. Miao Cuihua gave birth to Fang Shiyu. Fang Shiyu and his two brothers are at least 20 years apart in age. Miao Cuihua learned a good craft from her father. "According to his father's teaching, since the beginning of the month, I have been complacent about my child's jade. Wash the whole body with iron vinegar first, and then change it layer by layer with bamboo boards, sticks and iron bars, which is the whole.

Tendons and joints are as strong as iron. At the age of three, I practiced hard, wore an iron hat and iron boots to learn to jump ... At the age of six, I made a stance, and at the age of seven, I opened my fist and buried Zhu Zhuang ... At the age of fourteen, I learned all kinds of martial arts, with infinite strength. I am all muscles and bones, I am as solid as iron, my temperament is fierce, and I am uneven. "("evergreen ") killed Lei Laohu that year, Fang Shiyu was only about fourteen years old. As mentioned earlier, Fang Shiyu killed Lei Laohu, which led to a fierce battle between Shaolin and Wudang. Fang Shiyu became famous early and died early. According to legend, he died in Shaolin Temple in Jiulian Mountain or later, and it is believed that he was in his twenties when he died.

Years old. In addition to being proficient in fists and feet, he is also good at using flower knives.

As we all know, the story of Giarante and Hu fighting in the computer room was first recorded in the novel Evergreen Tree. These two incidents directly led to the deterioration of the relationship between Wudang and Shaolin. Fang Shiyu, a native of Zhaoqing, Guangdong Province, is the grandson of Miao Xian, the "five elders of Shaolin", and went to Hangzhou for business with his father. He was very angry when he saw Lei Laohu posing in a circle with the words "punch Guangdong and kick Suzhou and Hangzhou" written on both sides. He went on stage to fight and killed Lei Laohu. Lei Laohu, son-in-law of Li Bashan, Wu Tangmen, used himself as the bodyguard of Chen Wenyao, a college student in Wenyuange (Shaolin Temple in Songshan Mountain was burned in Yongzheng period, and nearly 80 years old in Qianlong period). Being killed by Fang Shiyu this time naturally makes people happy, but it has caused a lot of fights-Lei Laohu's wife Li Xiaohuan invited her father Li Bashan to come out of the mountain, and Fang Shiyu invited Sande monks and children, and things became more and more serious. At the same time, it was Xinhui Hu who stole out of Shaolin Temple and went back to the provincial capital to avenge his father and fight against the workers in the computer room of Xiguan Nylon Hall. Nylon Hall is the guild hall of provincial textile workers. Most of the workers in the industry are single men, ranking tenth and competing for victory. Hu's father opened a small shop nearby and was killed by a computer room worker. Saved Hu, who was seriously injured, and sent him to Shaolin Temple to learn from his teacher. Hu avenged himself this time and killed more than a dozen textile workers, including the Boxer Rebellion, a Taoist disciple of Wudang Fengpai. As a result, the fighting between the two factions is getting out of control. Later, Lei Laohu's sister Li Erhuan, the second daughter of Li Bashan, died at the hands of the Shaolin Sect because of her sister, brother-in-law and father. She was eager for revenge, so she dedicated herself to the emperor Qianlong, who was traveling incognito. Qianlong took advantage of Wudang Feng's morality and the power of Bai Mei's Taoist priest to destroy the Shaolin Temple in Fujian. , Hu,,, etc. All survived, just because "Evergreen Tree" was written in the late Qing Dynasty, describing the anti-government "thug" Shaolin Quan Yong, which is likely to provoke officials and non-officials. Writers had to try their best to please the government. The destruction of Shaolin Temple in Fujian led to a large influx of Shaolin Wushu into Guangdong, with colorful boxing methods and many famous players.

Hero 2

As for when the "southern boxing and northern leg" appeared in Wushu, some experts' research should begin in the middle and late Qing Dynasty. The northern leg is the pool leg (or bouncing leg), and the southern fist is the Hongquan. People who practice martial arts often regard Hong Xiguan as the founder of Hongquan, believing that Hongquan spread to Lu 'achai, Huangtai, Huang Qiying and Huang Feihong after Hong Xiguan, and really developed and became one of the most important martial arts schools in China. However, it is difficult to know Hong Xiguan's life story. As for him, and Hu, they are all lay disciples of South Shaolin in Fujian, and the so-called original story materials are not credible, only to hear them say that the Qing army burned down South Shaolin. It was not until the late Qing Dynasty that these people made a systematic and meticulous legendary interpretation in Gan Long Down the South written by an anonymous person, so that the story of Hong Xiguan and Fang Shiyu, which has been circulated orally among the people, had a real literary blueprint for secondary creation through drama and film, which spread more widely. Think about it carefully, how similar this process is to the story of thirty-six people, such as Song Jiang, who occupied Liangshan in the Song Dynasty, was circulated by the people and was processed by Shi Naian in the early Ming Dynasty.

Many friends don't like the unconventional and unrecognizable adaptation of some literary works by Hong Kong and Taiwan films, but I don't know why some literary classics in China are not. "Jin Ping Mei" was born out of "The Water Margin", and the real story of the protagonist turned into a picture of various social situations, which can be described as a soft finger. Lu Xun's New Stories subverts and deconstructs several classic figures and allusions in pre-Qin literature, and its techniques are exactly the same as the "post-modernism" that we now admire; Guo Moruo's so-called new historical dramas (such as Qu Yuan and Cai Wenji) use ancient metaphors to describe the present and combine modern ideas to shape ancient characters. Even if this situation is a reasonable adaptation of romance, as some experts have said, in essence, I am afraid it is no different from the practice of Hong Kong and Taiwan films.

In addition, there is a unique way for Hong Kong and Taiwan film and television dramas to tamper with classic works and classic characters, that is, to skillfully graft the self-contained character stories in different works (even creatively transplant the main characters and plot bridges in classic works) and piece them together in one work, thus producing unimaginable and wonderful effects. For example, Hong Xiguan of ATV and Fang Shiyu, a young hero in Taiwan Province, both focus on the love story between Yan Yongchun and Hong Xiguan, the founder of Wing Chun Boxing. But the reality is that Yan Yongchun's husband is Liang in history, and she and she are strangers at all. The stories circulated by the people are even more irrelevant. How can there be a theory of love? This is really a mistake. There are also two episodes of "Fang Shiyu" starring Jet Li, which transplant the anti-Qing organization Red Flower Society led by Chen Jialuo in Jin Yong's masterpiece "The Book of Sword and Hate" into the film. It turned out that Jin Yong's fictional Red Flower Club was inexplicably associated with the folklore Fang Shiyu, and Fang Shiyu not only became Chen Jialuo's adopted son, but also helped the Red Flower Club get rid of the infighting! The story is lively and interesting-and Jin Yong himself is especially good at creating martial arts novels. In the Book of Sword, two generations of Uighur "folk saints" became friends with the Red Flower Society. The legend of the condor heroes has something to do with the water margin. Guo Jing is actually a descendant of the Liangshan hero Guo Sheng. As for Jin Yong and film and television drama directors, whether they have super imagination or are smart enough to be lazy is a matter of opinion.

Perhaps in the martial arts world, Fang Shiyu is not as famous as Hong Xiguan (although there is a "Shaolin Fangmen" who admits that he is the founder of the mountain, that is just a rumor of younger generations, which is not true. Some people even research that there is no Fang Shiyu in history! ), but in the film and television industry, his fame is far better than that of his brother. Because Fang Shiyu's reckless, intelligent and strong young hero image seems to be more popular with the audience than Hong Xiguan's mature and steady personality endowed by traditional romance, a follow-up work with the theme of "beating Fang Shiyu" came out as early as the same year when the first martial arts film "Burning Red Lotus Temple" (1928) was filmed in China. In the 1950s and 1960s, dozens of episodes of Huang Feihong series were made, followed by movies about Fang Shiyu, with more than a dozen. In 1990s, after successfully interpreting the classic screen image of Huang Feihong, a martial arts master, Jet Li, a famous kung fu movie star, began to shoot Fang Shiyu as his company's pioneering work. Although Miao Cuihua, the happy mother of Fang Shiyu, played by actor Xiao Fangfang, stole a lot of limelight from Jet Li, the Jet Li version of Fang Shiyu is still wonderful, and it has quite successfully created a clever and naughty character with clear love and hate. The most impressive thing about this film is the action scene: Jet Li and Hu Huizhong compete high above the heads of the audience to show their natural and unrestrained posture, while Chiu Man-Cheuk and Jet Li fight nimbly in the low mezzanine of the guillotine; In addition, Li and Zhao attacked each other with long sticks and short sticks in the printing and dyeing workshop-this ingenious contrast of height and length is really dazzling and amazing! Therefore, it is well-deserved that Yuan Kui and Yuan De won the Best Wushu Instructor Award at the Hong Kong Film Awards.