Pop art: It was when abstract expressionism was popular in the United States that some people suggested that abstract expressionism relied entirely on the innovation of canvas and color, which was a kind of progress and retrogression. Because it did not go beyond the traditional pure painting, some artists got inspiration from Dadaism, and objects in life were also art. They began to boldly experiment with materials, adopt the methods of pictures and splicing, or simply use the method of physical collection to break the boundaries between various art categories and between art and life, thus replacing vitality.

1960 an art that began to prevail in the United States and soon became popular in Britain and Europe. The word pop contains popular, popular and popular meanings. It was put forward by Allawi, a British art critic. He made a general term for art with popular images, which was later accepted and widely adopted by critics. In the early 1960s, large-scale pop art exhibitions were held in London and new york. Perhaps the earliest pop art work is the photo collage of British artist Hamilton, "What makes our home so different and charming". In the picture, an arrogant naked woman and a bodybuilding man are looking at pictures in a modern apartment. The man is holding a tennis racket with POP printed on it. There are many ways to express pop art, but the objects of its expression can basically be divided into two categories: one is to take daily necessities as the object, and the other is to copy the pictures of pictorial, comic, movie stars and celebrities, and widely exhibit and distribute them. So pop art is cheap, flashy, short-lived, mass-produced and quickly popular.

Installation art: The artist artistically and effectively selects, utilizes, transforms and combines the material and cultural entities that have been consumed or not in human daily life in a specific time and space environment, thus deducing a new art form and showing the rich spiritual and cultural implications of individuals or groups. Simply put, installation art is a comprehensive exhibition art of "site+material+emotion".

The development of installation art, like the development of other arts, is influenced by a variety of single and compound concepts at present, and is also promoted by the accumulation of its own development experience. Installation art is increasingly showing a pluralistic and complex state in terms of content concern, theme selection, cultural orientation, art in place, value orientation, emotional flow and operation mode.

Earth art is an artistic activity that was active in the late American modernism in the 1960s. It can be said that it is a marginal concept between engineering and sculpture, architecture and landscape, art and nature, and it is also an absurd anti-art phenomenon. In addition to imitating conceptual art, it does not need buyers, but only sponsors. Moreover, the size, material, form and value of the works have long been divorced from traditional concepts and are indifferent to the definition of art. Generally, it takes vast land, fields, beaches, valleys and lakes as artistic materials and transforms the face of a certain part of nature through large-scale excavation, stacking, dyeing, packaging and construction.

The difference between traditional art and traditional art is that traditional art is based on antiquity, and it only changes in technique, but not in quality. And these arts have undergone qualitative changes. They all adopt some new materials that keep pace with the times. Fully embodies the multiculturalism.

I. Huang (1269- 1354), born in Changshu, Jiangsu. He is a middle-aged official. After being imprisoned, he was transferred to Fuchun, Hangzhou, Songjiang and other places in Jiangsu after being released from prison. Second, Zhenwu-(1280-1354) Gui Zhong, a native of Jiaxing, is good at both poetry and prose, cursive and painting landscapes and bamboos. His family was poor, and his masterpieces were handed down from generation to generation. . .

The third is-Wang Meng (? -1385) The traditional word "fu" in Huzhou is a great calligrapher who is good at writing. I can't type that word here with this input method. He is this man's grandson. At the end of the yuan dynasty, he became a small official and then lived in seclusion.

4. Ni Zan (130 1- 1374) is a people's town named Yunlin, a native of Wuxi. His family is a rich man in the south of the Yangtze River. He believes in Quanzhen religion and has a garden porch. His works include "Qiu Ji Map of Fishing Village" and so on.

The landscape of the "four schools" emphasizes pen and ink and style, but it still has a certain landscape foundation. They express some ideals through mountains and rivers and elaborate them with inscriptions and poems. In form, ink painting is emphasized, or a little lighter in color is pale crimson, which forms a different look, but the mood is mostly sad, indifferent and lonely, reflecting the helpless mood in the turmoil of the times. Their artistic concept and painting style had a great influence on the development of literati painting in Jiangsu and Zhejiang in Ming Dynasty.