Life begins with literacy, but you can forget your name.
Why use cursive script to praise speed? It's sad to open the book.
I laugh every time it tastes good. When did you get this disease?
It's fun to say it's enjoyable, but it's no different from a leisurely trip.
A loved one is drunk with ink, such as drinking alcohol to eliminate his worries.
It is known that Liu Zi's language is true, and his illness is fond of charcoal.
You are also brilliant in this art, and you have not been able to build a wall like a hill.
The horse suddenly waved and stepped on Kyushu.
I can't make a book with my heart, I'd love to.
Hu Weiwei's argument is false, and every word is hidden.
If you don't reduce your clock, Zhang Jun will be self-sufficient, and I will be superior to Luo Zhao below.
You don't have to study harder in clinic, you can take silk as a substitute.
order
Poem Cang Shu Zuimotang is a seven-character ancient poem by Su Shi, a writer in the Northern Song Dynasty. At first, the poem praises the magic of stone cursive script in a playful style, and at the same time, it incorporates the understanding of life and official career. The poem shows that he is as fond of books as the other party, and takes Zhuangzi as the title, expressing the great happiness and spiritual freedom he felt when he created calligraphy. Then point out the deep and beautiful intention of the other party to name it "drunken ink" Furthermore, he praised the hard work of Shi, who "piled up walls and collapsed like hills", and his calligraphy reached the most refined state, even gaining magical power and happiness in creation. The poem puts forward a valuable view that calligraphy advocates nature: it is a natural state after long-term accumulation and efforts to get rid of fetters, put pen to paper and pursue the greatest freedom of creation. The poem also shows that Shi supports his own views and cherishes his calligraphy works. Finally, the ancient classics are used to realize the knot, which echoes the banter at the beginning of the article. The whole poem is decorated with letters and strokes, which is incompatible with the usual practice and is correct. It makes more use of books and historical allusions, without showing off its talents, but it is the result of argumentation.
To annotate ...
(1) Stone: beautiful word, (Chang 'an) people, good at cursive writing. People call it "Saman".
(2) "Ming" sentence: "Historical Records of Xiang Yu": "When Ji Xiang was young, he didn't have to learn books, but he didn't learn swords. Xiang Liang flew into a rage. Yue Ji:' This book is enough to register surnames. Sword, an enemy, lacks learning, learning from ten thousand enemies? " "
⑶ Suddenly: fuzzy, the cursive script here changes for no reason.
(4) He Nengqi: One is "When was that year". Get well.
5. Happy and carefree travel: both are the titles of Zhuangzi. It is used literally here. Happiness, the greatest and highest level of happiness.
[6] "Naizhi" sentence: Liu Zi, Liu Zongyuan. True, true. Precious shame, like "delicacies", is a beautiful dish. Liu Zongyuan's "Reporting Cui An's Scholar as a Text": "Every mortal likes to quit his job and is sick." "I've seen people who are sick and worried, and I don't feel sorry for people who are addicted to salty hydrochloric acid ... it's already sad to see my son."
(7) The sentence of "Piling Walls": There is a cloud in "Tang Shi Bu": "Huai Su, a monk in Changsha, is good at cursive writing and calls himself a sage of grass. Abandon the pen and pile it up and bury it at the foot of the mountain, posthumous title's pen tomb. " This is called studying hard and practicing hard.
Sentence: Describe the quickness, quickness and freedom of stone cursive script. Shu (shū) is sudden and rapid, which means a short time. Kyushu refers to all parts of China.
(9) Intentional creation: Free creation based on intention.
⑽ Inference: refers to the study of brushwork.
⑾ Hu Weiwei: What and why. False: tolerance, here is the author's modesty.
⑿ "undiminished" sentence: The dharma book should be recorded, and Volume I "On the Book of Jin": "My book is better than the clock, so it should be resisted or said." Another book, Fa Tie Shi Wen, contains five years of Su Shu: "The right army said,' My true book is out of time, and the grass is not reduced.' The servant felt that it was not as good as the clock, not as good as the grass. "Zhong Zhang refers to the famous calligraphers Zhong You and Zhang Zhi in the late Han Dynasty.
[13] party: ratio. Luo Zhao: Luo Hui and Zhao Qian were both calligraphers in the late Han Dynasty.
[14] End: intact. Hug: generally refers to the quilt.
translate
The bitterness of a person's life begins with literacy, so as long as he can write, he will recognize his name. What's more, boasting about the magic and speed of calligraphy with cursive script is confusing and worrying. I used to like cursive when I laughed at myself. I don't want you to have this problem. I don't know when I can recover. It is also said that there is the greatest happiness in it, and it is very complete, which is no different from Zhuangzi's carefree tour. Recently, Mr. Wang built the Drunken Ink Hall, just like drinking wine can relieve one's worries. After seeing Mr. Rainbow say this, I realized that Liu Zongyuan was right: patients who like clay charcoal eat it as a delicacy. Mr. Wang's calligraphy reached its peak, piling broken pens on the wall as high as a hill. When the mood comes, how much paper can be used up with a wave of pen and ink, just like a fine horse stepping all over Kyushu in the blink of an eye. My calligraphy is created by imagination, without any rules in it. I wrote it bit by bit, so I'm too lazy to ponder it carefully. Why can only my husband accept what I say casually, even a piece of paper? If Mr. Wang is evaluated by "no less than Zhong You and Zhang Zhi", Mr. Wang can afford it completely; If I judge by "I knocked down an attack similar to Zhao's", I seem to be better. From then on, Mr. Wang didn't have to study hard in the pool like Zhang Zhi, and the pool was all black; Those undyed white silk should be made into sheets directly, instead of writing first and then dyeing to make clothes.
Make an appreciative comment
Su Shi is a great calligrapher, who writes many poems in calligraphy. For example, the poem "Shigu Song", "On Two Rhymes" in Eight Scenes of Fengxiang, Sun Xin's poem "Old Man Searching for a Wonderful Pavilion of Ink" and "Shi Zui Mo Tang" are all famous. Those poems are all about books, and this poem is very special because it is pure fiction.
This is Su Shi's early seven masterpieces of ancient Chinese prose. In his later ancient history of the Seven Dynasties, he was often eloquent and brilliant, which was the early maturity of this feature. The name of the guild hall "Drunken Ink" is very surprising, and the poem is also churning over this name.
First of all, I want to praise Shi's cursive script for being excellent, but I think cursive script is useless and should not be learned at all. This ironic way was called "curse topic" by predecessors. The first sentence was full of complaints. These complaints are inseparable from Su Shi's feelings during that time. In the early days of Fengxiang, Song Xuan, the magistrate, took good care of him. Later, Song Xuan left office and was replaced by Chen Xiliang. Chen Xiliang is cold and critical of his subordinates. Even the words drafted by Su Shi are always smeared. Su Shi is very dissatisfied with this, and he also shows it in his poems, such as sleeping in the guest room. Su Shi's arrival in Beijing coincided with Wang Anshi's proposal to amend the statutes in order to participate in politics. Su Shi was not satisfied with this and was later exiled. At this time, although I didn't fall out with Wang Anshi, I was angry and blurted out this poem. On the surface, this sentence is not so good, but it is a bit surprising to attribute the root of "trouble" to "literacy". As for what "trouble" is, the author accepted it at once and left room for imagination. The ancients despised literacy, and Xiang Yu was the most famous. He thinks that words are only used to remember names and are not worth learning (Historical Records of Xiang Yu's Biography). The author skillfully used the allusion of Xiang Yu, leaving no trace of the allusion. At the beginning, literacy was redundant, not to mention cursive characters; Writing cursive characters, flying and dancing while writing, makes people look amazed when they open the paper, which is even more wrong. The word "melancholy" describes the change of cursive script for no reason. "Worrying about the sky" is derogatory in the open and good in the dark. These two sentences closely echo the latter sentence "Xing Lai". These four sentences come from surprise, writing two people together, each with its own emphasis.
From the poet to the other side, 562 sentences are the turning point in the composition. Su Shi is a calligrapher. "On Er Yun Shu" begins by saying, "Although I am not good at writing, Xiao Shu is nothing like me." It is also derogatory to compare "you have this disease" with "I taste well" "Illness" means that he is addicted to good habits, concealing the skill of the other party in cursive writing, which leads to the theme of the following six sentences of "drunken ink". Seven or eight sentences all praise each other's cursive skill with the title of Zhuangzi. Nine or twelve sentences clearly point out the intention of naming after "drunken ink", and eleven or twelve sentences respond to "how did you get this disease" with Liu Zongyuan's metaphor, which seems to be criticism, but in fact it is good. Confucius said, "Knowing is not as good as being kind, and being kind is not as good as being happy." If you enjoy it tirelessly, you will achieve something. The following four sentences are positive compliments. These four sentences are very hierarchical. The first sentence is always mentioned, and the second sentence is based on the stories of predecessors (such as Wang Xizhi, Zhi Yong and Huai Su). ) to write about their hardships. Next, write about his profound attainments, which is the result of hard work. These two sentences echo the "Kuai" sentence at the beginning of the article, one is written correctly and the other is visualized. Orderly, language flying.
The four sentences in My Book return to the poet himself, echoing the above sentence "I have good taste". The poet first modestly called his calligraphy "inherently bad", that is, it was against the rules, and the sentence "stippling" corresponded to the sentence "melancholy". The next two sentences ask why Shi prefers his calligraphy so much. On the surface, it is the poet's self-denial, but in fact it is concealing his own calligraphy. If it's writing, it's boring, and it's easy for the poet to blow his own horn and express it in a rhetorical tone, which makes people remember deeply and wins the text. Huai Su said, "Wang Youjun Cloud, I really can't read the clock without losing grass. The servant thinks that it is not as good as a clock, and the grass is not as good as Zhang. " This sentence "not decreasing the clock" refers to the allusions that praise history. At the end of the Han Dynasty, Zhang Zhi (Boying), (Shu Jing) and (Si Yuan) also said that Zhang Boying advocated: "Cui is not enough, but Luo Zhao is more than enough." (See "Biography of Jin Shu Wei Heng") The following sentence "Luo Zhao" is to use this code name to close my book. Zhang Zhi is known as "the sage of grass". According to The Chronicle of the Three Kingdoms Shu Wei Wei Shengchen Outline, Zhang Zhi's clothes and silks must be used for writing first, and then dyed into clothes. He studies in the pool and washes pens in the pool every day. The water in the pool turned black. At the end of these two sentences, the poet responded to the first four sentences with this argot, not only to the stone, but also to himself. These four sentences all use written allusions, which are superb and closely related to the theme.
These seven ancient poems embody Su Shi's poetic skills. The so-called "no profit and no debt" (comment by Zhao) is to explain the meaning of the question fully, without superfluous words. This is the characteristic of Su Shi's style. He is good at writing where it is difficult for others to write, and completely melts narrative discussion into a furnace. The language image is vivid, the structure is ups and downs, and it runs in the opposite direction, avoiding the important and neglecting the important, and there is no hidden direction. Like a powerful and unconstrained style, come and go without a trace; Search carefully, outline, clear context. As the author said, the beauty of painting bamboo: "The intersection of countless leaves can be traced back." (Painting by Wang Wei and Wu Daozi) As for the use of allusions, they are handy and clear, reflecting the author's extensive knowledge.