Xiang embroidery likes to talk about the knowledge of Zhuangzi and Zhuangzi. He once commented on "Zhuangzi" and praised it as "a wonderful and mysterious body (Shi Shuo Xin Yu Literature)". He died before the annotation was finished, and Guo Xiangcheng finished the annotation of Zhuangzi. There are other works, Lao Fu's Thinking and Difficult Uncle's Night Health Theory.
Basic Introduction Chinese Name: Xiang Xiu Alias: Zizizi Nationality: Cao Wei → Western Jin Nationality: Native place of Han nationality: Huaixian County, Hanoi (now Wuzhi County, Henan Province) Date of birth: about 227 AD, year of death: 272 AD, occupation: philosopher, writer's main achievements: representative works to promote the prevalence of metaphysics: Thinking of Lao Fu, On Night Health; Position: One of the Seven Sages of Bamboo Forest; Official position: Huang Menfu's life, a person who often waits on horseback, his early experience, a trip to a bamboo forest, the death of a friend, his twilight years, major achievements, politics, works, philosophical thoughts, anecdotes and allusions, historical records, comments of later generations, and people. Dan Tao listened to Xiang embroidery's lofty and profound insights, just like "the dust has gone out, I can't see ghosts", so they became friends. Under the guidance of Dan Tao, Journey to the Bamboo Forest made friends with Ji Kang and Ruan Ji. Xiang embroidery likes reading, making friends with Ji Kang, Lu An and others, but is not good at drinking. Ji Kang's "sex is skillful and easy to forge", so we can often see two people entertaining themselves while the iron is hot under the willow tree in front of Ji Kang's house. Ji Kang's hammer, Xiang embroidery's punch. They cooperate tacitly and enjoy each other, but at the same time, they subsidize a little household to "support themselves". Xiang embroidery often went to Lu Anjia to help him manage the vegetable garden, and the three of them were congenial. When his good friend Xiang Xiu was killed, he helped Ji Kang strike while the iron was hot. He witnessed that Zhong would be ridiculed by Ji Kang. This incident became the source of Ji Kang's beheading. Xiang embroidery witnessed everything that happened later and influenced his later life. When Ji Kang and Lu An were killed by Si Mazhao, Jing (263) experienced great grief and pain. Xiang Xiu realized in melancholy and confusion, realized in anguish and hesitation, became more indifferent and quiet, and elaborated the spirit of Zhuangzi Thought with his heart. After Ji Kang and Lu An were killed in Xiang Embroidery's Poem of Homesickness, Xiang Embroidery once crossed their old home to the west. At dusk, they heard the loud and sad flute of their neighbors, reminiscing about the mutual affection of the past and remembering the talents of Ji Kang and Lu Anhao, and wrote the famous Poem of Homesickness. After Ji Kang was killed in his later years, Xiang Embroidery was forced by powerful forces to visit Luoyang County and was received by Si Mazhao. Si Mazhao asked Xiang embroidery, "I heard that you used to live in seclusion, but why did you come to see me today?" Xiu said, "Xiang and others don't understand Emperor Yao's thirst for talents, so his seclusion is not enviable." Later, Xiang Xiu became the official servant of the Yellow Gate, and became good friends with Ren Kai and others. In the eighth year of Taishi (272), Xiang Xiu died. "Biography of Xiang Xiu in the Book of Jin" records: "Xiu You entrusted several sages, and Xiao Xie died at the age of 30, without a note. Only good Zhuangzi, talk about what Cui wrote, in case you forget the clouds. " Xiang embroidery likes to talk about the knowledge of Zhuangzi and Zhuangzi. Although the book Zhuangzi was circulated at that time, the old note in the past was "Don't investigate its purpose", and the book Zhuangzi was once noted. When Xiang Xiu began to annotate Zhuangzi, Ji Kang said that the metaphysical meaning in Zhuangzi would be frozen by annotation, and there was no good annotation before. It's better not to annotate. When Xiang embroidery showed Ji Kang the manuscript, Ji Kang realized that the notes made Hyunri in Zhuangzi more wonderful, so he was deeply impressed by the talent of Xiang embroidery. Xiang Xiu died before the annotation was completed, and Guo Xiang inherited the rest of Zhuangzi and wrote 33 annotations of Zhuangzi, which had a far-reaching influence on metaphysics in Wei and Jin Dynasties. Xiang embroidery's great achievements in his early years were lighter than his official career, and he had the ambition of seclusion. After Ji Kang was killed by Si Mazhao, in order to avoid disaster, he had to obey the intimidation of the imperial court and pull him out to be an official. He has served as assistant minister of Huangmen and a regular servant of Sanshou, but he chose to do nothing and be an official passively. Xiang Xiu made a deep study of Zhuangzi, a philosophical work in the Warring States period, and annotated Zhuangzi, which created a new idea of metaphysical annotation in Zhuang, and was praised as "wonderful analysis of wonders, great metaphysical style (telling the world new literature)" and "readers are detached and self-sufficient for a while (biography of Xiang Xiu in the Book of Jin)", and became. Lv An sighed after reading it, saying that "Zhuang Zhou is not dead". Xiang Xiu also wrote the annotation of Zhouyi, which is said to be "meaningful", but "Zhuang peerless", and both annotations are lost today. There is also an article "Difficult Uncle Ji was born at night", which was included in "San Ji in Jizhong"; There is an article "homesickness" in the Selected Works and the Book of Jin. In On Nanji Uncle's Night Health Care, in order to inspire Ji Kang to further elaborate his health care thoughts, Xiang Xiu affirmed that "thinking with five flavors and thinking with five colors" is "the principle of nature" and "the love between heaven and earth", and advocated "openness and naturalness, non-externalization", "propriety" and "Confucianism and Taoism" through the mutual learning of Confucianism and Taoism reflected in Xiang Xiu's annotations. "Nostalgia Fu" was written by Xiang Embroidery when she passed by her former residence at dusk and heard the loud and sad flute of her neighbors, thinking of her friends Ji Kang and Lu An. Xiang embroidery is entrusted with the desolation of "wilderness depression", "old residence" and "empty house" Through the poet's reflection on the old poems "Mi Li" and "Mai Xiu", and the allusions of Lisi's imprisonment, the injustice and misfortune brought about by the change of dynasties are vaguely hinted. Looking back, I have a lingering fear, and my regrets are beyond words. However, due to the sinister political environment at that time, it was inconvenient to speak freely, and there was an endless feeling. Philosophical thought: everything is self-generating. Xiang Xiu used the "biochemical basis" to demonstrate the process of "no birth and no transformation" of all things. He also made a preliminary study of Hyunri's position in the world of "nothing is happy" and "ups and downs with changes", which involved some social and political realities. Xie Lingyun of the Eastern Jin Dynasty commented on "On Differentiating Clans": "There was a Confucian and Taoist school in the past (Hong Guangming Ji, Volume 18), and the introduction of" The New Yu Yan "was revised, saying:" Write "On Confucianism and Taoism", abandon it and not record it, and be kind or save it ". Xiang Xiu has always cherished the academic ideal of integrating Confucianism and Taoism, and the new meaning of "self-development" in Zhuangzi's Notes also serves this purpose. Notes on Xiaoyao Tour: The description of Dapeng and birds in Xiaoyao Tour by Xiang Embroidery in Zhuangzi has surpassed the previous understanding. In these two contrasting images, he found the essential equality: freedom is the best state of life and freedom is the satisfaction of nature. If you satisfy your nature, then freedom itself is no different, just like sleeping in a golden bed or a wooden bed. From this point of view, as long as you are satisfied with your own nature, there is no difference between small people and big people, even saints and mortals. According to the "Xiangzi period" and "Xiaoyao righteousness" in Liu Xiao's annotation in Shi Shuo Xin Yu Literature, Xiang embroidery believes that the ideal "Xiaoyao" realm exists in the realistic secular society and is not obtained by the external domination of "ontology". The key lies in their respective nature and their respective shares. "Sex" and "separation" belong to the inherent "natural law" of human beings. According to the concept of "lust and nature" advocated in his theory of difficult health preservation, as long as the requirements of human nature are met, both Dapeng in Wan Li Sky and the rejection of cockroaches in Xiaoyao can be accomplished with ease. Mortals are willing to wait, and saints are not absolute hermits, but they can adapt to any material environment by waiting for things, but actually stay with things. In this way, leisure only needs to be self-sufficient, and each has its own place, so that mortals and the "supreme person" can be "similar." The philosophical basis of this freedom is still the ontological thought of "everything is self-generating", and its recognition of secular renown has also become the ideal personality of the literati in the temple and mountains after Guo Xiang's development. The anecdote "Shi Shuo Xin Yu" records that after the death of Xiang embroidery, his son was still young and his father's comments were not published. Xiang Xiu's manuscript was stolen by Guo Xiang. He made up Qiu Shui and Zhi Le, and changed the annotation of horseshoe. The rest of the articles were just slightly sorted out and became popular in his own name. For thousands of years, when people talked about the annotations of Zhuangzi, they all regarded Guo Xiang as everyone, ignoring the outstanding achievements of Xiang embroidery. On the basis of Xiang Xiuzhu's annotation, Guo Xiang recorded 1, a New Year picture of seven sages of bamboo forest in Qing Dynasty in Zhuangzi Annotation. See Jin Shu 2. Speech on Shi Shuo Xin Yu 3. Literature on Shi Shuo Xin Yu 4. Birthday of Shi Shuo Ren Xinyu. See A New Story of the World: Jane O. Later generations rated Xiang embroidery as one of the "Seven Sages of Bamboo Forest", its freedom and new meaning, and the viewpoint of compatibility between Confucianism and Taoism expounded in Zhuangzi's note. Although thousands of years have passed, it can't erase the unique brilliance of Xiang embroidery. Xiang embroidery's pursuit of individual freedom and the maintenance of social system are the dual cultural characters of the gentry. However, the psychological persecution caused by the contradiction between them made the spiritual world of Wei and Jin scholars full of anxiety, confusion and loss. The new meaning of "carefree" in Xiang embroidery has given a generation of literati an unprecedented sense of liberation, and "all readers are detached". Zhuangzi came to the world from the mountains, and was also called "San Xuan" with Zhouyi and Laozi, which became an important classic in the study of metaphysics in Wei and Jin Dynasties. The philosophical thought of Xiang embroidery's self-creation and self-transformation has been systematically improved by Guo Xiang, and its superiority of accepting Confucianism and Taoism has been widely recognized and accepted by scholars. As a result, "the traces of Confucianism and Mohism are despised, and the words of Taoism are prosperous" (Biography of Hunan Embroidery in the Book of Jin). This is not to say that Confucianism has been abandoned, but to emphasize that Taoism has gained great vitality through the transformation of Zhuangzi's Note, which can be more harmoniously compatible with Confucianism, thus contributing to the revival of Yuankang metaphysics represented by Guo Xiang. According to the legend in the Book of Jin, Zhuangzi Annotation of Xiang embroidery can be used to solve puzzles, thus "arousing the mysterious wind"; Shi Shuo Xin Yu Literature thinks that it is "a wonderful analysis of wonders, a great Feng Xuan", and quotes the praise of "On the Seven Sages of Bamboo Forest": "Show means meaning, and readers are detached. If you have seen ghosts coming out of the dust, you will start to see audio-visual watches, and you will be able to leave everything outside the world behind, although you will be favored by those who are energetic. They are all disappointed and have their own feelings. " It is said that the beauty of Xiang embroidery "Zhuangzi Annotation" is actually inseparable from the word "innovation", from which we can realize that "Zhuang Zhou" is different from the old annotation. This should include Xiang Xiu's transcendence of the "non-book" metaphysics in Zhengshi, and the key to really attracting scholars to "read beyond" lies in the fact that "New Interpretation of Hyunri" has evacuated the essence of "biochemistry". Xiang Xiu's "Free New Meaning" and his "Notes on Zhuangzi" did not dissipate with the wind of metaphysics in Wei and Jin Dynasties, but have been influenced to this day as authoritative works to explain Zhuangzi, providing a spiritual transcendence for scholars facing survival difficulties in past dynasties and winning 1700 years. The mystery may be that they first discussed "freedom" from the perspective of the relationship between "freedom and necessity". It doesn't matter whether its interpretation conforms to Zhuangzi's original intention. After the death of thinkers, their philosophical problems have become an unreachable horizon.