1. Tumen's Dream of Red Mansions is a new research theory of A Dream of Red Mansions initiated and independently completed by Professor Tumen. According to the academic practice of naming the new theory after its founder, it is called Tumen River Redology.
2. Tumen River redology is completely different from traditional redology and current mainstream redology. It is neither an indexist nor a textual researcher, nor a critic, nor a lost school. On the basis of historical analysis and literary analysis, Tumen's literary theory puts forward a brand-new view on the interpretation of A Dream of Red Mansions.
3. Tumen Children's Studies is a complete academic system, which gives a comprehensive and unique explanation on the creation origin, author's authenticity, time and place, story skills, prototype of characters, as well as comments on the title, edition engraving and edition origin of A Dream of Red Mansions.
4. Tumo's Dream of Red Mansions is a systematic theory with multi-disciplinary contents. It explores the historical background, characteristics of the times, social contradictions, cultural atmosphere, literary inheritance, folk religion and myth system of A Dream of Red Mansions, which is completely different from the current mainstream Dream of Red Mansions.
5. The total research content of oncology is * * * 2.6 million words, published with the titles of Oncology, Oncology Reconnaissance in a Dream of Red Mansions, Introduction to Oncology and Oncology Culture Series (five volumes in total).
2. The main points of Tumen River Dream of Red Mansions
1. The core of tumult learning is "writing books with a great voice". The original author of A Dream of Red Mansions is Hong Sheng, a great writer and poet of Shunkang Dynasty. The book records the history of the downfall of the Hongsheng family and its four interrelated "century-old families" after the change of political power. Hong Jia's "Song and his son are three prime ministers, Ming and Taibao are five ministers" is really the "imperial palace" of "poetry ceremony, tiring Ye Qinghua". After Dingge in Ming and Qing Dynasties, the Hong family experienced three "family difficulties" and finally fell into a white land, which was really clean. A Dream of Red Mansions was written after the last ray of hope in Hong Sheng's heart was shattered. There are five mixed feelings of resentment, hesitation, regret, helplessness, nostalgia and bitterness.
2. The twelve smart and beautiful young women in A Dream of Red Mansions are based on the twelve members of the Friendship Garden Poetry Society. At that time, they were daughters of "four great families" in Qiangu, Hong Huang, Hangzhou, and cousins of Hong Sheng. They are the same age as Hong Sheng and grew up together. They are really knowledgeable, smart and beautiful. In the early years of the Qing Dynasty, they successively established the "Five Sub-clubs of Bajiaoyuan" and "Seven Sub-clubs of Bajiaoyuan". They publicize the owner of the club, take nicknames, combine poems and rhymes, announce historical sites, and cause a sensation. With the demise of the "four big families", their fates are all unfortunate. As the saying goes, "A thousand red people cry" and "Wan Yan shares the same sorrow".
3. The prototype of the Grand View Garden in A Dream of Red Mansions is the hometown of Hong Sheng and his "Bajiaoyuan Sisters", and it is a paradise for emotional life in adolescence. This is a group of typical Jiangnan garden buildings in Ming Dynasty, including Hongyuan Garden, Xixi Villa, Flower House, Qiuxue Temple, Chai Men, Shantang and Shui Ge. It is located in today's xixi national wetland park nature reserve. The real background of A Dream of Red Mansions is in Hangzhou, where the words "flowers and willows are flourishing, gentle and rich" are hidden, and "Sansheng Stone Shore on Xiling Shore" is also the specific reference of Hangzhou.
4. The colorful description of "Yuan Fei's relatives" in A Dream of Red Mansions is indeed an obscure description of Kangxi's southern tour, but the driver is not Cao Yin, Cao Xueqin's grandfather, but Gao Shiqi, the powerful minister of Kangxi Dynasty. The driver is not in Nanjing, but in Xixi Villa, adjacent to Hangzhou Hongfu, which is the prototype of Xiaoxiang Pavilion in a Dream of Red Mansions. The prototype of "Daguanlou" is in the Chenghuang Temple in Wu Shan, Hangzhou, and the plaque of "Daguanlou" still exists today. The prototype of "Qin Fang Bridge" and "Qinfangchi" is today's "Yulin Bridge" and "Yulin Pool" in Xixi. Gao Shiqi and Hong Sheng are not only fellow villagers, but also peers, and their friendship will last a lifetime. In the thirty-eighth year of Kangxi, the emperor visited Gao Shiqi for the third time, and Hongsheng personally heard about it.
5. The prototype of "Green Ridge Peak on Ridiculous Cliff" in A Dream of Red Mansions is Panshan Mountain in the eastern suburb of Beijing (now affiliated to Jixian County, Tianjin). It is one of the four famous mountains in the early Qing Dynasty, and there is a famous "Pangu Temple" (also known as "Qinggou Peak") on the mountain.
"Laihe Temple" and "Rock Stone". In the twenty-eighth year of Kangxi, Hong Sheng came here to "avoid Zen" after he was released from prison because "Wanshoutang was poor and white, which ruined his fame and fortune". The creative impulse of A Dream of Red Mansions was born here.
6. The "Empty Taoist" in A Dream of Red Mansions is based on the Zhipu monk of the "Qinggoufeng" (Pangu Temple) in Panshan Mountain, whose legal name is Android, and he is called Zhuo Monk. Because he has the dual identity of a monk and a Taoist, he is also called a humble Taoist. Hong Sheng and monk Zhipu are old friends. The dialogue between Brother Shi and Taoist Kong in A Dream of Red Mansions should be a true record of their dialogue in Panshan when Hong Sheng was brewing a Dream of Red Mansions. After A Dream of Red Mansions was written, it was this monk Zhipu who went to Jiangnan to sweep the tower in the 42nd year of Kangxi and copied Hong Sheng first. The book was copied by Taoist Kongkong and renamed as Love Monk Record, which is the general source of the version of Stone in the current Li Songxuan system.
7. In the 43rd year of Kangxi, at the invitation of Cao Yin, Hong Sheng went to Jiangning Weaving Institute in Nanjing to "play the Three-Day Fairy Hall". As can be seen from Zhu Yizun's poems and Cao Yin's poems, Hong Sheng went to Nanjing with the manuscript of The Legend of Hong Trading Company, with the intention of asking Cao Yin to help publish it. Hongsheng unfortunately fell into the water and drowned on his way home, and the manuscript has been living in Cao's house ever since. Sixty years later, Cao Xueqin dug up these manuscripts, feeling that they were similar to his family's deeds, which triggered a psychological buzz, so he began to "read for ten years and add and delete five times", and A Dream of Red Mansions officially began to spread. This book circulated by Cao Xueqin is the general source of today's vernacular version of A Dream of Red Mansions.
I made four comments on "Red inkstone" in A Dream of Red Mansions. The prototype is Huang Lanci, the wife of Hong Sheng, and "Zhi Yanzhai" is her nickname when she joined the Jiaoyuan Poetry Society. Because Hong Sheng's sufferings are all experienced by husband and wife, the comment on writing seems to be "everything has been experienced" and "criticism does not come from imagination". Hong Sheng's concubine, Deng Xueer, inherited the books approved by Chiyanzhai. Hong Sheng inherited incense from Deng's son, the second brother who died young, so she was nicknamed "stepsister" and homophonic "pervert". The "author" and ""in the criticism of Zhi "refer to Hong Sheng, and" Xiqin "is the pseudonym used by Hong Sheng in his early criticism of Tianbao Qushi. Huang Lanci died two years before Hong Sheng. After the death of Hong Sheng, the manuscript left at home, after being sorted out by Deng's family, became the general source of today's edition of The Story of the Stone.
9. A Dream of Red Mansions is based on Wang Yuyang, the teacher of Hong Sheng, the minister of punishments and the leader of poetry circles. Wu Yufeng's title is A Dream of Red Mansions, which is based on Hong Sheng's old friend Wu Qiao. His name is spirituality and his name is "Jade Phoenix Zen Laozi". Tangcun, the preface to Early Yue Feng Treasures, was Liang Qingbiao's prime minister, named Tangcun, and was called "Tangcun Prime Minister". This collection of poems was also named Tang Village Collection. It can be seen that all the characters recorded in A Dream of Red Mansions have real prototypes, and all the creation, copying and commenting processes recorded in The First Book are authentic and there is no "cunning".
10. In the process of writing A Dream of Red Mansions, due to the need to describe "national enmity and family hatred", a large number of stories and works of talented people in the south of the Yangtze River and "Eight Flowers in Qinhuai" popular at that time were borrowed. "Good Marriage" and "Mu Shi Meng" are based on the love and marriage triangle story of Liu and Qian, and the title of "Dream of Red Mansions" comes from the love record poem "Early Spring" when living with Liu in a small red building. A set of "Chrysanthemum Poems" sung by the two sisters in the Grand View Garden in the book is based on the "Chrysanthemum Poems" written by Mao Bijiang, Dong Xiaowan, husband and wife friends Yang Longyou, Zheng Chaozong and Liang Zhanzhi. Daiyu's "Handkerchief Three Unique" imitates Li's "Farewell" and "Rainy Night in Autumn Window" imitates Liu's "Moonlight Night on the Spring River". The contents of Flower Burial Poetry and Lotus are written according to Liu's life experience, so they are out of tune with the identity, age and experience of the characters in the book.
Third, the characteristics of Tumo School of Redology
1. A Dream of Red Mansions by Tumo's family makes many "heretical thoughts" in A Dream of Red Mansions scientifically and reasonably explained. Baoyu, the hero of A Dream of Red Mansions, seems very heretical. In the past, the red circle could not find the source of these heretical thoughts, so it had to be attributed to the "genius" of the author Cao Xueqin. When you know that the author of A Dream of Red Mansions is Hong Sheng in the early Qing Dynasty, these so-called heretical thoughts become natural and reasonable. The so-called "heresy thought" reflected in A Dream of Red Mansions is actually not a "heresy" at that time in Hong Sheng's view, but an almost well-known social ideological trend in the last days. "There is no book except showing virtue" is the reflection of the trend of thought of "doubting classics and arguing falsehood" in academic circles at that time; "remonstrate against death and fight to death" was the common feeling of feudal scholars at that time when summing up the historical lessons of the founding of the Ming Dynasty for 300 years. "Men are mud and women are water" is also a common complaint that feudal literati were forced to "shave their heads and change clothes" after their national subjugation. There is nothing "genius" or "advanced" in it, but a faithful reflection of the social thought of the "adherents' class" at that time. Compared with the contemporary literary work Peach Blossom Fan, it seems that it does not reflect the "adherents' thoughts" enough.
2. Tumen's Dream of Red Mansions makes some unreasonable descriptions in A Dream of Red Mansions look reasonable. Many plot descriptions in A Dream of Red Mansions are very unreasonable, such as Baoyu's later years, and the "red love problem" in which monkeys often lick rouge on girls' mouths. I already know how to do "what the police are training" with my girl, and I also say that she is just "psychosexuality". When you know that the author of A Dream of Red Mansions is Hong Sheng, an infatuated species, these unreasonable descriptions are all reasonable. Hong Sheng was obsessed with romantic legends all his life. At that time, "Ten Legends and Nine Acacia", the creation and performance of legends was the activity of "women licking rouge on their mouths", and the obsession with legends was the so-called "love of red". Writing and reading legends are all so-called "obscenity", and no one can go on stage to "sexually assault" actors. Even today, when we create or watch love movies or TV series, isn't it "psychosexuality"?
3. Tumen's Dream of Red Mansions makes a series of symbolic descriptions in A Dream of Red Mansions show their inevitable origins. Many plot descriptions in A Dream of Red Mansions are symbolic, such as dressing in Qin Keqing's bedroom and dressing in Baoyu and Jingdi. Our redologists tried their best to find out which dynasty this decoration belonged to, but they never got to the point. In fact, the decoration of any dynasty is not, but is described according to the props and costumes on the legendary stage. What do you mean by "flying swallows and dancing in a golden plate", "An Lushan throwing papaya is too real", what do you mean by "white hat with silver wings" and "sitting dragon with five claws in a white robe in the sea" are all props and costumes on the stage, which are absolutely not in real life! Hong Sheng is a legendary creator. Of course, he is familiar with stage props and costumes. He wrote them with a pen, gorgeous and beautiful, and he couldn't see the age of the dynasty. Absolutely meet the creative requirements.
4. Tumen's Dream of Red Mansions makes many contradictory descriptions in A Dream of Red Mansions seem logical. There are many obvious contradictions in A Dream of Red Mansions, such as whether the location is south or north, whether Baoyu is true or not, whether he is old or young, whether Chai Dai has the same painting and the same word, whether Yuan Chun's verdict is puzzling, and whether his daughter has big feet and feet. In the past, the red circle argued about this for hundreds of years, and there was no clue. According to the Tumen River Dream of Red Mansions, these contradictions have been solved. Hong Sheng wrote A Dream of Red Mansions in two phases. In the early stage, I wrote about Nanming's gifted scholars and prostitutes, and later I wrote about myself and my sisters. Therefore, there have been problems such as the combination of true and false Baoyu, big and small Baoyu, and chai Dai. Hongsheng is a native of Jiangnan, but he lived in Beijing for twenty-six years in his youth, so he lived in the north and south. From the second year of Shunzhi to the seventh year of Kangxi, the court once banned foot binding, so most of the daughters of rich young masters were big feet, and most of the daughters of poor families were small feet. Oncology is unique and convincing for the study of folk religions in the late Ming and early Qing dynasties.
5. A Dream of Red Mansions, a local mime, gives authentic and credible answers to some "dead knots" in the study of A Dream of Red Mansions. There are many knots in the orthodox study of redology. A few days ago, in the big debate about "Qin Studies", one side said that Qin Keqing was "the daughter of the lost prince" and the other side said that she was a "poor daughter" brought by "Yangshengtang", and the two men fought for it. The description of Qin Keqing in A Dream of Red Mansions is actually a symbolic process of hiding its own disaster because of the Palace of Eternal Life. Qin Keqing seduced Baoyu as a "beauty" in Dreamland, symbolizing that Hong Sheng had been on the road of no return since the creation of Li Yang's love story "The Palace of Eternal Life", and the hag dragged Baoyu into the maze, symbolizing that Hong Sheng had fallen into the maze of drama love. Qin Keqing's mourning for Tianxianglou is a stage, and the woman who hanged herself on the stage is the symbolic heroine of the Palace of Eternal Life. Yang Guifei, one of the four beauties in ancient China, is of course "beautiful at the same time". The reason why Hong Sheng was sentenced to "The Palace of Eternal Life" was that his performance was inappropriate during the "national mourning", which was the mourning period of Emperor Tong of Kangxi. The great mourning written in A Dream of Red Mansions is based on the scene of Queen Tong's "national mourning". In the book, during my sister's funeral, my brother Qin Zhong (homophonic lover) was heartless. He taught him something with a nun in Shuiyue Temple, symbolizing Hong Sheng's "love" and "performance" and "eternal palace" during the "national mourning". The real reason for Hong Sheng's conviction was that Emperor Kangxi thought he was "satirical" after watching the Palace of Eternal Life, so he found an excuse of "national mourning" and convicted him himself. In A Dream of Red Mansions, Qin Keqing's funeral was written, and at the same time, Jia Rui, a petty and contemptible figure, wrote the word "Tianxiang", which was a satire on Emperor Kangxi. Jia Rui's "Looking at the Moon Mirror" is Kangxi's "Looking at the Palace of Eternal Life", with a "Looking at the Moon Mirror" on the front and a "skeleton" on the back.
Fourth, the significance of Tumen River Redology
1. The study of A Dream of Red Mansions consciously uses the guidance of historical materialism and dialectics to make the study of A Dream of Red Mansions embark on the road of rational science. There are three fundamental differences between Tumo School's Dream of Red Mansions and the traditional Dream of Red Mansions: First, the research results of these ten aspects are interrelated and mutually supportive, echoing from beginning to end, forming a complete and rigorous theoretical system, which is in stark contrast to the academic status quo of mainstream Dream of Red Mansions, which is fragmented, full of contradictions and difficult to solve. Second, it fully meets the research requirements of the three elements of literary works: time, place and character. This paper discusses the ideological source, literary inheritance, creative process and version origin of the works from the historical tide of changing dynasties, which is in sharp contrast with the mainstream redology's practice of breaking away from the literary "guessing stupid puzzles" and scavenging in the dirty corner of the secret history of Qing Dynasty. Thirdly, from the macro perspective of historical background, time background and literary background, the author and works of A Dream of Red Mansions are studied strategically, so as to restore the original historical features and get rid of the disadvantages of the traditional Dream of Red Mansions, such as "following blindly", "talking nonsense" and "tedious textual research". Compared with the mainstream dream of red mansions, it is not as good as the rest, only the trees can't see the forest.
2. On the basis of absorbing the rational core of traditional redology, Tumen River redology boldly sublated the "bath water" of today's redology and created a brand-new academic system. Tumen Children's School acknowledged that the novel A Dream of Red Mansions was spread by Cao Xueqin during the Qianlong period, and also acknowledged the historical role that Cao Xueqin played in the spread of A Dream of Red Mansions. Tumen's Dream of Red Mansions insists on the historical materialism view that literature is the product of the times, and thinks that there is literature of an era in an era, and the literature of an era will inevitably reflect the historical glory of its creative period. The historical thoughts displayed in A Dream of Red Mansions are the "eschatology" and "adherents' thoughts" in the Dingge period of Ming and Qing Dynasties, and the literary thoughts displayed are the "love for education" and "love for education" in the late Ming and early Qing Dynasties. Therefore, its creation time must be the early Qing Dynasty, and the author must be a scholar with nationalist thoughts at that time. A Dream of Red Mansions in Tumen River holds that the history of China literature should be rewritten, the peak of classical novels should be in the "Renaissance" era of China in the late Ming and early Qing Dynasties, and the four classical novels should be works of the same period (although the creation of the other three masterpieces did not begin in this period, their revision, criticism, publication and circulation all began in this period). It is against the law of literary development to position A Dream of Red Mansions in the middle period of Qianlong's reign and judge the "peak" of classical novels.
3. A Dream of Red Mansions in Tumen River consciously uses the scientific method of combining historical textual research with literary analysis to make the interpretation and appreciation of A Dream of Red Mansions cleaner, nobler and deeper. The author of A Dream of Red Mansions is not only a question of copyright ownership, but also a question of how to correctly interpret the right and wrong of A Dream of Red Mansions. The biggest weakness of traditional redology is that it runs counter to the research ontology. "The more prosperous Redology is, the more hidden the Red Chamber is." "The more redologists talk, the worse the Dream of Red Mansions will be" (Yu Pingbo). Reading A Dream of Red Mansions with Cao Xueqin's prosperous life as the background, the work became the record symbol of those dirty and dark struggles in the secret history of the Qing Dynasty, and the protagonist and the ideas embodied in the work became a sad lament for the failure of the internal conspiracy of the court, which objectively contributed to the literary works of "joking about the Qing Dynasty" that were popular in the cultural field later. According to Tumo's thought of a Dream of Red Mansions, a Dream of Red Mansions is interpreted against the background of Hong Sheng's comfortable life. The works reflect the profound reflection on the magnificent history before and after the regime change, the strong patriotic thought, the unique concept of "seclusion" and the philosophy of "loving education", the brilliant achievements of the ideological liberation movement in the late Ming and early Qing Dynasties, and the unique charm of "late Ming culture". Re-understanding A Dream of Red Mansions according to these viewpoints of Tumo School of Dream of Red Mansions will make its ideological value more profound, artistic value more brilliant and literary contribution more great!