Original: Filled with external fibula and real body. Anti-virtual into muddy, accumulate health for the male. Have everything, travel through space.
Wild oil clouds, less Changfeng. Besides the image, you got the ring. If you are not strong, you will come endlessly.
Meaning analysis:
The first four sentences are about the philosophical basis and concrete explanation of "vigorous" beauty. "Great use of the outside world" is because of "filling the body", which is about the use of the body and is the final view of Taoist metaphysics. As Anonymous said: "Change the words to the outside and fill them in"; On the basis of the above two sentences, "returning to emptiness and being a hero" is a concrete explanation of "vigorous" emptiness, so it can contain all things and be higher than all things, so only when it reaches "vigorous" can it enter the realm of "vigorous". This sentence means that it keeps moving like the universe itself, and it is full of vigorous spirit because of its inherent natural health.
The fourth sentence is to further develop the ideological connotation of the first four sentences: the uninhibited body gets the way of nature, so it contains everything, covering everything, just like the freedom of Dapeng, which can't compete with it through space. The ontology of the universe is a seamless and running vitality. Because of its rich natural accumulation, it will show its majestic posture. The so-called "wild oil cloud, less wind" is about freedom, uncertainty, no event, no event disappearance, magnificent, no trace, no trace of natural biochemistry, which is also the embodiment of the natural way. What is used here is the application of an image criticism method, which is also the basic criticism method of Twenty-four Poems.
The last four sentences are a summary of the characteristics of vigorous poetry creation. "Beyond the image" is illusory, "into the ring" is muddy. These two sentences are "returning to the virtual and entering the muddy". The acquisition of this "majestic" state of the cloud must transcend words and images and obtain the beauty in the ring. Explain that the acquisition of this majestic realm must conform to nature and must not be forced. Therefore, as the saying goes, "If you are strong, you will come to infinity." This is actually what the "implicit" product says, "Nothing is romance." Sun Liankui's poem "Speculation" says: "No word means" beyond the image "and" try your best "means" into the ring ".
General discussion:
"verve" is the most important of the twenty-four products, and it is a kind of beauty based on the "natural way" of Laozi and Zhuangzi. The reason why it is placed at the top of the twenty-four categories is to talk about the highest beauty that is the same as nature itself, that is, the ideal realm of poetry creation. The creative concept of "beyond the image, get the ring" embodied in it runs through the whole 24 products.
The beauty of "vigorous" poetry has the following characteristics: 1, vigorous poetry is like a group of vitality running freely, integrated and inseparable, which is a kind of overall beauty; 2, is a kind of natural beauty, without any artificial traces, which is the highest realm of beauty. 3. There is infinite meaning in the seamless poetic landscape, just like the chaotic vitality running day and night, which changes with each passing day and is endless, so it is an implicit beauty that transcends all words and images; 4. "Boldness" is vivid beauty, not formal beauty; 5. The beauty of "vigor" is spatial and three-dimensional, and it is a dynamic beauty with vitality and fluidity, which is inseparable from the so-called "flying beauty" emphasized by ancient China literature and art.
Stones from other mountains:
* Hunhun reveals three important characteristics of Hunhun: infinite space, absolute power and blurred vision. Judging from these three important characteristics, boldness is very similar to the important category "sublime" in western aesthetics (Professor Zhang Guoqing, Poetry Aesthetics, Yunnan University).
Second, dilution.
Original: Su Chu is silent and reserved. Drink too much, fly alone. The wind in Judah is wasted on clothes.
Pronunciation, beauty. The more you encounter bandits, the greater your hope. Out of shape, shaking hands has been violated.
Meaning analysis:
The first four sentences describe the spiritual realm of "dilution". "Su Chumo" is to maintain an empty mental state. Keeping healthy is always quiet and contented, which is the requirement of Taoist self-cultivation on weekdays. The elements are silent and cultivated deeply. "Exquisite machine" makes the mind clear and clear, which means that all subtle changes in the universe can be naturally observed from the virtual silence. "Drinking too much" means being full of vitality and assimilating with everything in nature. Crane is a fairy bird, flying alone with it means harmony with nature and harmony with nature. In fact, "rushing" is "muddy" and its essence is "emptiness". "Returning to emptiness" and "muddy" are the embodiment of emptiness; "Drinking too much" means that you are full of energy and have entered the realm of "Tao".
The comparison of the four sentences depicts a diluted realm. The spring breeze blows the skirt and floats gently. It blew through the quiet bamboo forest and played wonderful music. When you experience this state yourself, you don't feel lost in thought, your heart is shaking, and naturally it has the meaning of everything. This is really a diluted beauty!
The last four sentences say that this diluted poetic environment is naturally acquired and is by no means attainable by human beings. When the poet came across it by chance, he had the corresponding idea, "Straight into its territory, unique style", as Zhong Rong said: "Thinking of a gentleman is like running water, which is both an eye and an eye; There are many Hengtai in Gaotai, and I only see them. " They are all works of "knowing that poetry is not poetry, not strange". Want to rely on human force, found nothing to peek at, never get it. This so-called "encounter bandits deeply, that is, the more you see them" is also. Dilution is all gods, but it doesn't fall down, so "out of shape" means "shaking hands has been violated"
General discussion:
Dilution is another important poetic realm that can be juxtaposed with boldness in Twenty-four Poems. He and "Xionghun" are not antagonistic, but complement each other. Although he and "Xionghun" have different style characteristics, they are consistent with "Xionghun" in basic aspects such as philosophical basis and aesthetic characteristics of poetry. Therefore, there is "dilution" in "bold" and "boldness" in "dilution". In the realm of "dilution", we should focus on the poems of Tao Yuanming and Wang Wei, just as Dongpo said, "the hair is only plain and ancient, and the taste is indifferent." The beauty of "dilution" is different from the beauty of "boldness" in style, but it also has the beauty of whole, nature, implication, vividness and dynamics. As Si Kongtu said, "With Wei Suzhou, it is elegant and exquisite. Why not?" They are also very consistent on the basis of philosophical thought. But compared with the beauty of "vigor", the beauty of "dilution" obviously has different characteristics. Generally speaking, the beauty of "vigorous" has the characteristics of combining rigidity with softness, while the beauty of "diluted" has rigidity in softness. Generally speaking, "vigorous" works are often grand and pleasant, while "diluted" works are often blunt and distant, and will not force you to travel. The beauty of masculinity and femininity can be both, and some poems can also be immersed in the distance. For example, Wang Wei's Zhong Nanshan mentioned above is a work with bold and aesthetic characteristics in dilution. Judging from Twenty-four Poems, in fact, every poem contains some basic aesthetic features that are similar to each other.
Stones from other mountains:
* Translation: Desalinated people are often taciturn, but their hearts are so subtle. He breathed the breath of Taihe and was free in space with the lonely crane. The gentle spring breeze shook the skirt and gently brushed the bamboo tip in front of the door, leaving a touch of charm-what a diluted realm! If this realm can be written into poetry, it would be great! He is indifferent to everything, so light that no trace can be found. If you move the idea of pursuing, for an instant, you will feel that it is against your initial intention. Some poems express quiet thoughts and feelings of seeking leisure in simple language, which is natural and affectionate. For this kind of poems, people often use the word "dilution" to generally point out their style characteristics. "Euphemism and implication" is a problem of ideological cultivation of people who write diluted poems. It is said that poets should be quiet and reveal a little bit of their thoughts. This is an escapist argument. Drink too much, fly alone. Imagine how diluted it is to drink the gas of Taihe, neutralize yin and yang, and have no bumps in your heart! Flying alone with the crane, not competing with the world, what a dilution! The middle four sentences are all metaphors, which are intended to show the calm and enjoyable desalination situation. Draw a diluted boundary. The last four sentences are about this diluted poetic scene, which is actually a natural harmony, not man-made. It can be said that it is a direct interpretation of the state of mind of "moistening things silently". To understand these words from the expressive features of poetry, it seems that those poems with plain and natural language and quiet interest are the so-called poems that dilute their characteristics.