Jiang Xianwei was adapted from the Kunqu Opera "Buddha in the Temple". The timbre of Kunqu Opera is bright, sweet and lyrical, which induces people to have rich associations. Music is divided into three parts: quiet introduction, with delicate and smooth tunes, showing the elegance and beauty of Suzhou gardens, as if it were an attractive picture of the morning mist covering pavilions; Lyric andante makes people feel as if they are in a beautiful and exquisite Suzhou garden and enjoy themselves. In the middle part, there is a Allegro Contra. Variations are used in music, and the melody is fast and smooth, forming a contrast between paragraphs. Tourists are full of feelings when they play. When reappearing the first paragraph, people seem to be immersed in the beautiful scenery and linger. The whole song is melodious, sweet and lyrical, with fresh and bright timbre and elegant and pure tune, which presents a poetic feeling leisurely.
2。 Ten famous flutes in the morning in Miao Ling.
Morning in Miao Ling was written by Mr. Bai Chengren on 1974 for the new Yu Xunfa? A flute? The play has been performed by China Art Troupe all over the world and enjoys a high reputation overseas. Later, Chen Gang used the original score as a violin piece. A long lyrical introduction, the red sun rises, and the crisp and long birdsong in the rolling mountains indicates that the morning is gradually opening and the birds are singing. The birds in the deep forest opened their sleepy eyes and sang lazily. The higher the sky, the quieter the forest and the quieter Tonamiyama, showing the infinite beauty of the natural scenery on the ridge. Everyone has gone out to work, and Miao Ling is boiling. After turning to the theme part, hundreds of sounds follow the heart, and the flowers are red and purple. The fast rhythm shows the contending, cheering and freedom of birds. The voice of Erhu Yang Gang reveals the industrious and busy performance of Miao people. The unique timbre of the mouthpiece reflects the clear singing of birds in the mountains and the enthusiastic and active labor scene of the Miao people. Combined with the melody of Miao flying songs, birds and Miao people can't hear clearly. At this time, birds, nature and people are integrated, and the happy life of Miao Ling people is eagerly awaited. The rapid climax came to an abrupt end, and the tune slowed down to lyricism. Miao Ling's harmonious scenery, far-reaching scenery, and the gushing of happiness reproduce the theme. Long song went on and on for three days, which made people dance and couldn't help but linger.
3. Birds in the shadow of the top ten flutes
Birds in the Shadow is a work written by Liu Guanle, a famous flute master, in A.D. 1955. The author created a piece of music by using difficult playing skills such as imitating bird songs in a form that the masses loved. The whole song is short and lively, and the melody is cheerful. It is based on the suona ditty popular in Lai and Li counties. The theme melody is vivid and vivid, and the birdsong is simulated by means of pause and sliding, forming a birdsong-like melody, showing the scene of a hundred birds contending in the tree-lined. Accompanied by brisk tunes, the flute in the middle section freely imitates all kinds of bird songs, lively allegro and noisy and warm music, which makes the listener enter the artistic realm of birds competing in the shade and depicts a vibrant natural landscape.
Four or five famous flutes of Bangzi.
Originally an instrumental card of North China, Feng Zicun adapted it into a flute. Bangzi, as a cutting song in the original play, has a beautiful and lively tune and an optimistic mood. The whole song has four paragraphs, and each paragraph has different rhythm, speed and intensity changes. The first melody is simple and slow, using a more slippery technique. Music has the characteristics of language and singing, from which we can feel the generous and optimistic temperament of the northern people and show their praise for a better life. Add flowers to the first variation melody, change the long sentence at the end of the sentence into a beat, and use reduplication and flower tongue sound to make the music humorous. The second variation performance skill is more complicated, the speed is further accelerated, the music is light and smooth, and the mood jumps for joy. The last variation, improvisation, appeared? Loosen the steering wheel? And the music is passionate. Music is a typical variation structure. In a series of variations of the theme, the embellishment of melody is more and more complicated, which is more and more different from the theme presented for the first time, which makes the music full of motivation.
5. past lives of the top ten flutes.
Lu Chunling was founded in 1957. Music shows people's love for new China through the sharp contrast between old and new social life. The whole song is divided into three parts: the first and third parts are cheerful, and the melody at the beginning of the second part changes from low depression to excitement and sorrow, which shows that people rise up against the dark forces. In this part, more techniques such as sliding sound and giving sound are used, which are different from the first and third parts in timbre, volume, breath control and fingering. This song is played very loudly on the F flute, and the first, third and second parts are played very strongly on the C flute, which makes the contrast more vivid. Music has the style of Jiangnan flute.
6. Autumn Lake Moonlight of the Top Ten Flutes
Yu Xunfa and Peng in the patriotic poet's "Nian Nu Jiao? Inspired by crossing Dongting, I wrote this song. The music of the flute is simple and elegant, full of poetry and painting, which shows the quiet and distant artistic beauty common in China's traditional works of art. The music is divided into three sections. At first, I played a long background with the sheng in my arms and moved it gently, just like the lake rippling slightly. After the flute and the small band lived together, they played a slow, leisurely, beautiful and elegant theme, and outlined the moonlit picture of the autumn lake. The second paragraph is romantic imagination. First, the bell and flute imitate the midnight bell of the ancient temple in the distant mountains, making people feel the quiet night in late autumn. Then, like a fairy wind blowing, the piano allegro was drawn, and the music had the charm of ancient court dance music, as if showing the dance of the nine-day fairy dancing with long sleeves and looking for shadows in the moonlight of the lake. This paragraph contrasts with the first two paragraphs, beautiful and quiet? Picture scroll? Increased life. In the third paragraph, the flute once again played a slightly changed theme under the background of silence, depicting the magnificent scene of autumn dew all over the sky, jade rabbits sinking in the west and boundless water days, which made people picturesque and intoxicated. The performer plays this song with a special bass Qu Di, and the timbre is sometimes as clear as autumn water, and sometimes it is like the continuous singing of a flute, which adds artistic conception to the music. This song won the first prize of the Third National Musical Works (National Instrumental Music) Award.
7. partridges flying in the top ten flutes
Hunan folk music, whose music score was first seen in 1926 "Chinese Elegant Music Collection", was later spread in Jiangnan in various performance forms such as bamboo and silk ensemble and Xiao solo, and was later adapted and developed into a flute solo with strong Jiangnan style. Music expresses people's good wishes for a free and happy life through a vivid description of partridges spreading their wings and flying. Melodious and lyrical adagio and smooth and lively allegro make the music rich in layers and contrast. In the performance, the characteristics of mellow, melodious and euphemistic timbre in the south of Qu Di are fully exerted, and the tune is modified by means of beating, vibrato and giving sound, so as to show the flying state of partridges. For example, the four long notes at the beginning of the music, using the real finger vibrato, virtual finger vibrato and the change of strength, will show the artistic image of partridges flapping their wings and flying in front of the audience at once. The middle part uses breath control, and through the contrast of strength, vividly depicts the posture of partridges flying far and near, high and low, and indulging in flying. Finally, the music uses lighter and lighter virtual vibrato, giving people the association that partridges fly to the horizon and fly farther and farther.
8. The whip of the ten flutes urges the horse to transport grain.
This is a famous flute solo melody, which mainly shows the crisp sound of the flute (sometimes accompanied by electronic vocal music). Besides the delicate modification of timbre, the arrangement of flute pays more attention to the reproduction of playing skills. Through the analysis of the dazzling performance techniques of bamboo flute, the acoustic characteristics and MIDI expressions of various pronunciation methods are extracted, and the performance techniques of various flutes are flexibly used and innovated, so that a song "Whip" can fully understand the performance techniques of bamboo flute.
1. Introduction
Music score of "Whipping Horses to Carry Grain"
The introduction part of "whipping the horse to transport grain" begins with the flute playing a long vibrato, imitating the whine of the horse, and the accompaniment band plays a fast and strong sound pattern. People seem to see teams of wagons full of grain galloping forward on the spacious road. The sun is shining, birds are chasing around the carriage happily, hoping to peck and fill their stomachs, and the quiet roads on weekdays become noisy.
2. Paragraph 1
Then the first paragraph, with 2/4 beat, Allegro, imitate the rhythm of horseshoe? Da da da da? The frequent appearance of this piece of music makes the mood of this piece of music very cheerful and intense, which makes the audience seem to see the spectacular scene of horse-drawn carts carrying agricultural grain in front. On the main road, cars are coming and going, and birds are singing in Ma Si, which is very lively.
3. Paragraph 2
Then the speech speed suddenly slowed down and the music went to the second paragraph. This piece uses a medium board, which contrasts with the first one in speed. The theme of music is the variation of the theme sound in Part A, with a combination of rigidity and softness, stretching and distinctive personality, and full of singing. It makes people seem to hear the farmers talking happily after the harvest. After the bumper harvest, they did not forget the country, supported national construction, and happily distributed patriotic public grain. On the way, they waved their whips and talked loudly, looking forward to a better life in the coming year; The children stood on the sacks in the car, waved their hands vigorously to drive away the greedy sparrows, and gave happy laughter from time to time, which reproduced the more passionate mood in the music section. Finally, after imitating the laughter of the horse, the flute played a high-pitched tune to end the whole song.
9. The happy meeting of the top ten flute songs
"Welcome" was originally a popular folk music in Inner Mongolia, and was later absorbed by Shanxi Bangzi and Errentai as paper-cut music, or used in conjunction with happy and festive occasions such as people entering the bridal chamber. The flute solo "Welcome" was adapted by Feng Zicun and others on the basis of traditional music. This song uses folk variation techniques, such as pronouncing words, twisting tongue, flying fingers and twisting tongue vibrato, which vividly shows the happy mood of lovers when they say goodbye and meet again after parting. The whole musical atmosphere is warm and lively, with a strong local flavor.
The structure of music is a common variation in folk instrumental music. The whole song is divided into four sections, and the last three sections change and repeat the previous section with different playing techniques, different speeds, dynamics and rhythms, enriching and developing the musical image of the theme from all sides. The first paragraph is the presentation of theme music. At the beginning of this phrase, the common form of scattered board in Chinese folk music is used, and then the attachment of relatives when they say goodbye is expressed with slow speech speed and slow sigh glide. The second paragraph is the first variation of the theme, which speeds up the pace, reduces the glide, and shows the joy of family reunion with a lively rhythm. The third paragraph is the second variation of the theme, which shows a happy scene that people can't help but want to sing and dance through the acceleration of speed and the use of pronunciation. The fourth paragraph is the third variation of the theme, which adopts a fixed voice mode, has a fiery personality and is constantly interspersed. The repeated use of Chinese tongue sounds is getting faster and faster, which pushes music to a climax and the joy of family reunion to a climax.
10, the herdsmen's new songs of the top ten flute songs
From 65438 to 0966, composers Jane Guangyi and Wang Zhiwei had a deep feeling about the life of Zhao Meng in Inner Mongolia, and created this piece of music with the tone of Inner Mongolia folk songs. The melody of the music comes from Inner Mongolia folk songs, which shows the hard work and new life of herders in building vast grasslands. The vast introduction seems to have brought us into the endless grassland, blue sky and white clouds, and flocks of cattle and sheep? The short-term out of tune adds bright and upward color to the moving introduction. The first paragraph is a beautiful and affectionate adagio, and the feathery melody is full of the charm of Inner Mongolia folk songs, expressing the herdsmen's love for the party and new life. The second paragraph is Allegro Jumping, which changes the adagio tune in front and depicts the joyful scene of herdsmen riding horses with the skills and rhythm of spitting. In the third paragraph, the rhythm of the theme tone is widened and the melody is warmly stretched, which expresses the herdsmen's sincere praise for socialism. The fourth paragraph skillfully uses the means of mode contrast to make the music mood more high with bright palace mode colors. The fifth paragraph vividly simulates the neigh of a fine horse, using techniques such as tongue painting and flying fingers. Finally, the rapid sixteen-tone progress and strong rhythm render the warm atmosphere of the broad masses of grassland people cheering for the horse, and end the whole song at the climax. 1975 Asian Broadcasting Union recommended this song.