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The secret of Wen's longevity
The secret of longevity for the elderly is as follows:

When practicing calligraphy, Wen often writes three words: "integrity, purity and harmony", and the secret of his health preservation is also in these three words.

He said: "Because' positive' means to remove the sound, that is, to inhale into the body,' clear' means to be flat, and' harmony' means to be flat. Just like Tai Chi, when you pronounce these three words, it will be clear and turbid, clear the air and turbid. Exhale through the nose and exhale through the mouth, so that every function of the body will be in place. "

Personal data of personnel.

1942- 195 1 year

Published "North-South Rebellion: Talking about Ping Jin and Hu Ning in an Animal Atmosphere", signed by Wu Ji, Southeast Semimonthly;

1943

Published "Preface to Shangyuan", signed "Southeast Semimonthly";

1944

Published "Hero (Bulgaria) Baikov", signed by Sikong Wuji, Literature magazine (Guilin);

Published "Miscellaneous Words in Guangxi and Chongqing Literary World in the Past Year", signed, Southeast Semimonthly;

1945

Published "Ode to Orange", signed, Central Plains;

1946

Completed the creation of a new interpretation of Lu Xun's old poems;

1947

Chongqing Wenguang Bookstore 1 1 month publishes "New Interpretation of Lu Xun's Old Poems", and the signature is common.

Published "Tobacco Country Literature and Art: Kissing a Cigarette" under the signature of Nothing and Tobacco Monthly;

1950

He began to teach China classical literature in china national radio for four years.

In February 65438, he completed the creation of Qu Yuan's Interpretation of Li Sao.

195 1 year,

Together with Cheng, Shen Zu _, Yu Pingbo, Zhou and others, he participated in the compilation of China Classical Literature Research Series;

In May, Qu Yuan's modern version of Nine Songs was published in People's Literature.

In February 65438, he wrote the preface and postscript to Qu Yuan's Modern Interpretation of Nine Songs.

1952

Today, I finished Qu Yuan's interpretation of the nine chapters.

April is the preface to Nine Chapters of Qu Yuan, and August is the postscript.

In August, Tang Di Publishing House published Qu Yuan's modern version of Nine Songs.

In February, 65438, Tang Di Publishing House published the Nine Chapters of Qu Yuan.

1953

In May, Qu Yuan's interpretation of Li Sao was published in Literature and Art Monthly.

In June, People's Literature Publishing House published Qu Yuan Ji;

In August, Qu Yuan, the Father of the Motherland Poets, was published in China Youth.

In February 65438, he wrote a postscript to Qu Yuan's Li Sao Today.

1954

In February, he wrote an inscription for Wu Hufan's poem Song Scar.

In April, Shanghai Literature and Art Sanlian Bookstore published Qu Yuan's Modern Interpretation of Lisao, Shen wrote a poem named Magnolia, Shanghai Literature and Art Sanlian Bookstore published Qu Yuan's Modern Interpretation of Nine Songs, and Shanghai Literature and Art Sanlian Bookstore published Qu Yuan's Modern Interpretation of Nine Chapters.

In June, why did you make a preface to The Water Margin Study?

In February 65438, he prefaced A Dream of Red Mansions.

1955

Nie Gannu, Hu Feng, Feng Xuefeng, Qian Zhongshu, Li Shizhen and others spoke highly of these four poems.

1956

165438+ 10, Classical Literature Publishing House published a new edition of Qu Yuan's Modern Interpretation of Nine Songs.

In February, 65438, Classical Literature Publishing House published new editions of Qu Yuan's Modern Interpretation of Li Sao and Qu Yuan's Modern Interpretation of Nine Chapters.

Preface to Jiang's Painting Collection:

1957

Wu Hufan Yan Ziling Fishing Map: "You can travel around this barren river without knowing anything. I want to see this chilling like water, in sheep's clothing in May of that year ";

Four untitled poems were sent to Chen Qixia, because Ding Ling and Chen Qixia were labeled as "anti-Party clique" and became anti-party evidence.

1959

Write an outline (first draft) for Ou Yangyuqian's Dance in the Tang Dynasty;

1962

Published the first series of "Literature and History Series", "A New Interpretation of Qu Yuan's Evocation";

1975

Make the seven laws "knowledge";

1982

In February 65438, he edited Jiang Feng's last works in recent years and made a postscript.

1984

Preface for Zhuoran Painting and Calligraphy Exhibition in April;

1987

10 years, wrote the postscript "The Map of Singing" for Guo Moruo;

In February 65438, he wrote a poem for "Jiuchenggong Cup the Year of the Loong Calligraphy Competition". Making "Great Kang Zan";

1989

In February 65438, he wrote an inscription for Book Collection and Calligraphy.

1990

Preface for Excellent Art Exhibition in February;

In June, he made a preface to Wang Hongjia's The Road to the Infinite;

In August, I made a preface to "Ren Bu Wu Qian Zi Wen".

199 1 year

Preface for "TV Series Commemorative Collection" in March;

In May, I wrote a preface for Su Shuyang's play "Moth", entitled "The Tracking of Super Destiny";

In August, he wrote a preface to Selected Works of Jun Qing, entitled Personality and Literary Style;

1992

In February, write "Bao Xue hanging solution";

In April, he wrote an inscription for Fan Ceng's Collection of Fine Arts;

In June, the preface was Yan Di and Jiangyan Culture, and the preface was Zen Poetry.

In July, I made a preface to Baoji Education Today.

In September, Mao Zedong Poetry Appreciation was published and ordered;

1993

In February, he wrote "On Xiao Xie's Poems of Contemporary Poets";

In August, he wrote an inscription for "General Poetry Exhibition";

In September, I prefaced Ren Buwu's book Luo Shenfu.

1994

In May, he prefaced Feng Jicai's Biography of Jin Ping Mei and Lin's painting collection.

In August, as "Liu Haisu Weng in My Eyes";

/kloc-participated in the "Hu Wensui Calligraphy Art Retrospect Exhibition" and gave a speech in June 0/0;

1995

Postscript of Kong Linzi's Unbalanced Astronomy;

In July, he wrote a preface for the Library of Contemporary Documentary Masters, entitled "Not only to face reality";

1996

Inscription for Cao Xueqin Temple;

In September, I prefaced Zhou Keyu's Dream of Scenery and Style of Cultural People.

In February, 65438, he made a preface to liger's Painting Collection.

1997

In April, he wrote the postscript of China's Roots and Roots-An Introduction to Bao Xue.

In April, the preface was Collection of Poems and Songs by Lin Hanbi, Xu Yunhua and Lin Beili and Collection of 100 Classic Love Songs.

In May, he wrote an inscription for Liu's giant oil painting "Its Time". In June, he made a preface to China's Roots and Roots: An Introduction to Baoxue.

In June, the article "Roots and Roots of China-An Introduction to Baoxue" was published by China Federation of Literary and Art Circles Publishing Company, with the following postscript: Li Xingjian, Ai Re and Xu Gang;

1998

In February, I made a preface to Xixi II.

In March, he was invited to Yale University in the United States;

Preface for Jia Mian's painting collection in April;

In May, he prefaced Hundred Chinese and Foreign Chorus Songs, titled Poems Expressing Aspiration and Songs Saying Forever, and prefaced Ren Buwu's Calligraphy Collection.

10 month, preface for Life Wisdom Collection;

1999

In May, I prefaced Liu's "Clouds Flying in the Air and Wind Rising in the Middle";

In August, I prefaced Hundred Carvings on the Twelve Zodiac.

In September, signed "Longchuan Jisheng";

In February 65438, he wrote the Diamond Sutra and wrote an inscription for "Mao Zedong Collects Badges".

In 2000,

In April, preface for Guan Guangfu's Painting Collection;

In July, I prefaced Classical Poetry.

In June 5438+10, he wrote a collection of poems, paintings and calligraphy of Tang poetry and Song poetry;

165438+ 10 made a preface to the Collection of Fine Works of the 20th Anniversary Exhibition of Pang Zhonghua Calligraphy Art, with the inscription "Collection of Li Tiehua Mianbi Calligraphy";

200 1 year

In February, China Federation of Literary and Art Circles Publishing House published Preface and Postscript Collection;

In 2002

Published Xu Gang's article "Wen Huaisha" for August family magazine "Lingshan Faru" in Tianmu Mountain;

In 2003

In July, the "Document Exhibition" was held in the auditorium of the CPPCC.

In 65438+February, he wrote "Blowing the sky to find the streamer-Friends: Impression of the painter Cheng";

In 2004

On June+10, 5438, he wrote the book An Introduction to China's Traditional Culture. In September, today's World magazine published a special article written by Liu Xianyin and Zhao Fang, which fully demonstrated its grand goals and great ideals.

On June+10, 5438, CCTV-4 special topic "Shen Qingqi and Wen" premiered, which had a wide social impact;

165438+ 10, "Sui and Tang Civilization" was published in 50 volumes, each volume 1 10,000 words, * * * 50 million words;

In 2006

In 65438+February, the collection of documents and laws published "Four Civilizations" edited by Wen;

In 2007

65438+February 16, the launching ceremony was held in the Great Hall of the People;

the year of 2008

In March, China Orchid Culture, a preface to the title of Ma Xingyuan, was officially published.

In June, after the Wenchuan earthquake, the poem "Langtaosha" was added;

In August, Mr. Wen prefaced Mr. Wen's poetry collection "Chanwaiyao"-"The New National Style of Ancient Civilization".