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Why are sketches getting farther and farther away from happiness in recent years?
Any quyi and drama needs leading figures. Whether it is Chang Xiangyu or Hou, whether it is Mei Baojiu or Qin Yi, or Zhao Benshan, Song Dandan and so on. They are not only exquisite in appearance, but more importantly, they have created many outstanding works that conform to the trend of the times and are still fresh in people's minds. Now the sketch is a hodgepodge. Those who say cross talk, those who act in movies, those who act in dramas, and those who don't even know what to do can act in sketches. How can they have a sense of comedy by grandstanding and shouting? Essays criticize the shortcomings of the times and are good at seeing the big from the small, but now they are just the opposite.

A: Why is the comic color of sketches getting worse and worse in recent years? After reading the answers from netizens, it all makes sense. Essays, mainly "Satire" (often). What is the irony? Mainly satirize some bad phenomena and figures in society, and criticize and expose them appropriately. Then, let the audience reflect and be educated in laughter. These are the real feelings of the audience, not grandstanding (if only grandstanding, the sketch will lose its market). Now, I find that some sketches are purely funny (I might as well call them farce). There is no irony or educational significance. Some sketches, more and more divorced from reality, are purely behind closed doors, and the more they look, the more boring they become. There are also some sketches that are too political and didactic, like speeches rather than performances. Wait, I won't list them one by one. Of course, there are also good sketches, such as two sketches in this year's Spring Festival Evening: Cleaning and Three twists and turns. The former satirizes the formalism and superficial phenomena of officialdom. The latter satirizes the mistake of believing in online health care methods and harming others and themselves. Finally, I want to say a few words. The choice of sketch actors is also very important. There are fewer and fewer excellent sketch actors on the stage of the Spring Festival Evening. The performance is not in place, and putting on airs is definitely an important link that affects the quality of the sketch, so it is getting worse. No matter how beautiful and handsome a star actor is, it is difficult to hold up the brand of sketch.

Personally, I think comedy sketches are closely related to real life, and sketch actors should master more social knowledge and life knowledge. We should go deep into the countryside and get to know the local customs. Sketch can't be divorced from reality, otherwise there will be no sense of comedy.

Why are the sketches that once made us laugh more and more funny now?

The word sketch has actually evolved many times. At first, it refers to a form of homework performed by actors or students at school. There are not many audiences, and actors use it as a performance exercise. The sketches at that time included comedies and other tragic plays.

Since Peisi Chen and Zhu Shimao performed "Eat Noodles" in 1984, the word sketch has gradually become synonymous with comedy sketch. From then on, sketch generally refers to comedy sketch, no matter who is the sketch king, Peisi Chen or Zhao Benshan.

However, in recent years, the sketches have become less and less funny. Generally speaking, the theme has to be sublimated at the end to impress the audience or the works will be meaningless. However, in the end, I can only laugh and cry.

So, why did the sketch gradually become like this?

This sketch form first came from the Spring Festival Evening, and later it began to taste bad because of the Spring Festival Evening. In fact, 1984' s Eat Noodles is purely funny and has no meaning in it, which is why the director can't make a decision before the live broadcast.

This sketch doesn't completely satirize Peisi Chen, an actor who wants to be famous. Even if there is, it is for fun, and other great significance does not exist. Finally, there is no need to carry forward the theme and make the audience cry.

In the following years, the Spring Festival Evening sketches did not emphasize the significance. Even if the atmosphere is a little touching, it is a natural extension of the plot, rather than a rigid emotion, such as Zhao Benshan's "Little Nine Old Music" and "I Want to Have a Home".

However, from the mid-1990s, some people's sketches began to gain value, among which Huang Hong was the main representative. In the end, actors often have to express their feelings, and the music becomes sensational. With the increasing emphasis on the significance of the program in the Spring Festival Evening. Then, together with Zhao Benshan and others, they began to add meaning to the works, or the content of the extremely main theme, which made the audience cry.

In the Spring Festival Evening, other variety shows and satellite TV programs followed suit. Later, the sketches became more and more sensational. Simple and funny sketches like Eating Noodles are almost impossible to find now.

In fact, whether it is pure humor or tears in laughter, as long as the level of the work itself is high enough, this is not a problem. Just like eating noodles mentioned earlier, and Zhao Benshan's blind date are all works of pure laughter. Later, the outstanding works with tears in their laughter are typically Jia Ling's Hi, Mom.

You are amused by these works, and you are crying by these works. These are the charms of the works and performances themselves, and there is nothing wrong with them. The problem is that there are too few such works now. We do not reject all smiles with tears, but reject low-quality smiles with tears.

There have been many comedy programs in recent years, but high-level sketches are extremely rare. Many works are just fooling the audience, and creators, actors and TV stations are following suit. I have participated in the recording of some comedy programs, and there is basically no laughter at many performances. It's really embarrassing to laugh at canned food later.

With the popularity of many online funny videos such as "Tik Tok", sketch, a comedy form that we have forgotten for a long time, may be farther and farther away from the public's field of vision. Just as fewer and fewer people watch TV evenings, so do many TV comedies.

Zhao Benshan bid farewell to the stage, Peisi Chen did not perform skits, Shen Teng joined the big screen, and Jia Ling appeared in variety shows. The sketches that once made us laugh are rare now.

What a pity! A little bit.

I'm Zheng Shoutou. Welcome attention. The sketch should not be too elegant, but vulgar. Elegant words will be divorced from reality, which will make people feel unhappy. Vulgar words will be closer to life, which will make people feel that it will happen to them and make them laugh involuntarily.

The core of the sketch is humor, entertainment and implication, which are closely combined and indispensable.

Zhao Benshan's sketches are a generation of fierce, occupying the stage of China for decades, and will continue. The Spring Festival is what everyone is most looking forward to. Without his sketch, it would be imperfect.

Although there are many sketches in recent years, no one has surpassed Zhao Benshan, which is universally acknowledged.

Why are there not many popular sketches in recent years? It is the above three points that have not been achieved. Meaningless comedy is not a good sketch.

Essays reflect social phenomena, reflect social reality in a humorous way, and see both positive and negative effects and lessons.

There are a lot of sketches now, funny ones are meaningless, interesting ones don't make people laugh, and people feel embarrassed and uncomfortable.

Among all the programs, the sketch is the most popular, and the sketch is what everyone expected most at the Spring Festival party, but it disappointed everyone after the performance.

Therefore, we hope that the sketches with the above three points can be staged as soon as possible, so that everyone can feast their eyes, change the embarrassing and boring situation, and let the high-quality sketches return to the historical stage.

Yes, why are essays getting farther and farther away from happiness in recent years? The sketches of the older generation are enough to make us miss our lives. At that time, the expression and facial expression of Peisi Chen's comedy master "Two sons open a shop" made the audience cringe.

China's comedies, Stephen Chow, Zhao Ganshan, etc., promoted the comedies on the stage to a higher level. Ideologically, spiritually and culturally, we have achieved a kind of fun with the audience and fans.

Variety is dramatic satire, criticism and exposure; It is also a kind of physical and mental relaxation. Laugh heartily to relieve fatigue and relax life. The purpose of variety shows is to have fun, let the audience have art in the play and taste the play in the art.

1, the sketch is too politicized and seriously divorced from the real daily life of the masses; The core of comedy is satire and vulgarity. Without irony and elegance, comedy will come to an end. Crosstalk is a lesson from the past.

Jiang Kun was appointed as the chairman of the Music Association, and the comic dialogue failed the sketch. The birth of Zhao Benshan made the ending of crosstalk look terrible. Crosstalk actors should perform sketches, and film and television should be hosts. Later, Degang Guo Deyun Society appeared. Let crosstalk shine again. Seeing the success of Deyun Society, small theaters all over the country are blooming. Groups of new crosstalk performers were born. In recent years, crosstalk and sketch have been on an equal footing. There is even an overwhelming feeling of cross talk. If the pattern of President Jiang is bigger. Unite with Degang Guo with a broad mind. * * * With the revitalization of cross talk. Not too distant future. Crosstalk will definitely push the sketch to its previous position as before.

Because sketches and other works are created and performed, and finally meet the audience, they are widely circulated and recognized by the people. They need entertainment and entertainment professionals to complete. With the development and progress of society, there are many ways of vested interests, all of which are driven by interests, unlike the generation at the end of last century who conquered the audience and people with works and performing arts. That may be the product of the times. Because no matter what works come out, they all come from the highest realm of life. Nowadays, with the rapid development, all people are worried about financial resources and independence. Whether experts, scholars or literati, they are all busy with whether there is a better economic life in their pockets. How can they have the heart of selfless creation? Naturally, no one will create the beauty of life and no one will find the beauty of life. Even if some creators are studying this product, they are looking at the work with one eye and the economic benefits with the other. The spirit of serving the people wholeheartedly by Chairman Mao and other revolutionaries of the older generation has long been forgotten. Of course, the simple and simple beauty in life will not be discovered and studied, so it is not difficult to say that there is not much fun in creating works in this field!