Calligraphy practice has a process of seeking for the truth of the inscription, which is the three realms mentioned in Sun Shu Pu: when you are young, when your blood is strong, when you are in danger, when you are old. Obviously, the former one is a tablet and the latter one is a brain. Master hongyi's "the intersection of sadness and joy" shows the realm of peace of mind with the ink image that people and books are old! Now some calligraphers, who don't know the realm of justice, are always crazy in a dangerous state. In this way, calligraphy will always float on the surface, and it is difficult to achieve the true meaning of the book! Liang Qinghua's calligraphy works are the ultimate value orientation. His pen and ink, unpretentious, embodies the integrity of the soul. The wind of pen and ink is like a hole where pure wine is hidden. Opening a bottle of simple fragrance makes people happy and intoxicated. This is his unique and outstanding calligraphy accomplishment!
? Writing can give me both law and freedom. His calligraphy is full of simplicity and freedom brought by this freedom. However, it is not particularly easy to be free and easy, and the core of all laws is the realm of freedom. It is not accidental that Liang Qinghua turned from the power of inscriptions to a free and easy style, and it is not convenient to prove it. On the contrary, he paid a lot of skills, realized the method of golden Tang rhyme, and possessed the inscription of super power and super power. This is the way to gradually set foot in the realm that the next pen can give me. Therefore, his calligraphy is an intellectual benefit that can be written in and separated from the rubbings, and all his books are successful. Finally, like a book saint, he only likes to write Lanting slightly drunk, cursive script is graceful and restrained without agitation, smart and appropriate, inherits the rhyme of gold, writes it out, and is as vigorous as mi Fei, as elegant as Dongpo, as vigorous as yellow, as sincere as Cai, and the method is authentic and true!
Appreciation of Liang Qinghua's Works
The truth of the world is rich and colorful. His calligraphy is authentic, so is his painters. He used Jiao Mo's colorful flowers and birds for freehand brushwork, with outstanding brushwork and clear ink color, which can be so smooth that ordinary skills can't. Make good use of thick ink and heavy colors to enjoy the world. The beautiful scenery is our own original creation. They are as bright as the sunrise, strong but not vulgar. It is always unexpected that we can use such warm colors to enjoy the other side of the landscape.
Huai Pu holds a vegetarian book, and the ink color does not hinder the painting of the soul. Of course, the driving force of his innovation will always come from his extreme understanding of the green mountains and green waters in the Song and Yuan Dynasties. A valley is crystal clear, and he builds bones for the mountain with meticulous brushwork, leaving blank space to create the spirit of mountains and rivers. The stone is not true, the tree is not half an inch straight, and it is endowed with a natural posture, green and elegant, spotless, which reminds people of the landscape style of Confucian Yuan Sijia. With a strong sense of learning from the past, it is naturally not easy to learn from the past. Therefore, his landscape is a philosophical continuation of the spiritual exchange between heaven and earth alone, and the classics are panoramic. Everyone's success is impressive!
Shi Feng, a famous painting and calligraphy critic
201910 June 15
Appreciation of Liang Qinghua's Works