The guqin song Guangling San is the most distinctive and legendary piece of guqin music.
Before appreciating Qin Le's Guangling San, it is best to have a basic concept of Nie Zheng and Ji Kang, two historical figures.
Nie Zheng was a famous warrior of Qi during the Spring and Autumn Period and the Warring States Period. See Article 26 of Biography of Assassins, Volume 86 of Historical Records for details. Ji Kang was an outstanding thinker, poet and musician in Wei and Jin Dynasties, and the most influential celebrity among the "Seven Sages of Bamboo Forest".
Qin Qu Guangling originated in Nie Zheng and became famous in Jikang. Expressed a tragic feeling that a scholar died for his bosom friend and was not afraid of violence. Most of the traditional guqin songs have lofty artistic conception and peaceful tunes, which express the thoughts and feelings of ancient intellectuals who are attached to mountains and rivers and detached from things. Only this one, Guangling San, swords and shadows.
The Qin song Guangling San describes such a story:
During the Warring States Period, Nie Zheng's father cast a sword for korean king, and was killed by korean king because he missed the deadline. Determined to avenge his father, Nie Zheng entered the mountains to learn piano for ten years, and finally developed superb piano skills. Wang Han called Nie Zheng to the palace to play the piano for fun. Nie Zheng took advantage of Wang Han's unprepared listening to the piano, suddenly took out a dagger from the piano, stabbed Wang Han, and then committed suicide tragically.
Qin Le's "Guangling San" was first seen in the "Magic Secret Spectrum" in the Ming Dynasty, which has subtitles such as stabbing Korea, rushing to the crown, getting angry and throwing swords. Although the relationship between the characters in the story is different from that in Historical Records, the mood and rhythm of music are basically the same as those in Historical Records.
The whole song has forty-five paragraphs and is divided into three parts.
The first part includes a finger opening part, a small sequence part and a large sequence part. This part begins with a narrative tone, and the main emotion is resentment. The second part is the main part of the music, which consists of eighteen paragraphs with positive tone, and shows the emotional development process of Nie Zheng from resentment to indignation. The third part, including eight preface paragraphs, is a tribute to Nie Zheng's heroic deeds. Throughout the whole song, the spirit of integrity runs through.
About 600 years after Nie Zheng's death, Ji Kang was famous for being good at playing this piece. At that time, Sima was fighting for power with Cao Wei. Ji Kang, who was brave and talented, did not cooperate with Sima and was eventually killed at the age of 39. "Shi Shuo Xin Yu Liang Ya No.6" records that Ji Zhongsan (Ji Kang) was sentenced to Dongshi, and his attitude remained unchanged, so he played the piano and played Guangling San. At the end of the song, he said, "Yuan Xiaoni studies this kind of sketch hard. I don't agree with Jingu. Guangling sketch is unique now!" "Guangling is scattered today" is a sigh that an adult's business is dying or what has been accomplished.
Ji Kang's four melodies, Long Qing, Short Qing, Long Edge and Short Edge, are collectively called Ji Si Nong, and together with Cai Wu Nong in Cai Yong, they are called Jiu Nong, which is a famous group of melodies in ancient China. Emperor Yang Di used to take nine farmers as one of the conditions for taking a scholar, which shows that there is Ji Kang.
There are forty-five articles in the General Score of Guangling San, which are divided into six parts: (1), the minor preface (3), the major preface (5), the correct pronunciation (18), the disordered pronunciation (10) and the postorder (8). The melody of the music is special, and the second string is homophonic with the first string, so that the bass melody can be played on these two strings at the same time, achieving a strong acoustic effect.
The main emotions of the whole song are passion and indignation. The opening refers to a period of leisure and freedom, which can be regarded as the introduction of the whole song. The main tones that run through the "correct sound" and "chaotic sound" parts are suggested here.
The minor sequence and the major sequence are arranged in a relatively stable atmosphere, and the main theme prototype of the positive tone and the chaotic tone is arranged. Zheng Zheng highlighted Nie Zheng's emotional development from resentment to indignation, focusing on his indomitable spirit and indomitable character.
The melody of the main melody has been further developed after the main melody of the pronunciation is displayed. At this time, the music showed a feeling of "resentment and sadness". Slow and steady lyricism has a nostalgic meditation, but also breeds turmoil and anxiety. Then the music goes into a fast bass, especially the impact of endless anger.
Then it developed into an aggressive and thrilling scene, which formed the climax of the whole song, that is, the fighting atmosphere of "flowers blooming, spears and guns in unison". Then the music shows a magnificent and heroic atmosphere of "melancholy and generosity". The chaotic sound and the post-sequence are relatively short, which mainly reflects a kind of warm jubilation and stirring feelings. So as to end the whole song.
Zheng Zheng is the core of the whole song. Before Zheng Zheng, it mainly showed sympathy for the unfortunate fate of Nie Zheng. After the affirmative voice, it expressed the praise and praise for Nie Zheng's heroic deeds. The whole song always runs through the interweaving, ups and downs, development and changes of the two theme tones. One is the theme of pronunciation found in the second paragraph of Zhengyin, and the other is the theme of disordered pronunciation that first appears at the end of the grand sequence.
Affirmative tone is mostly at the beginning of a paragraph, highlighting its leading role. Chaotic themes are mostly used at the end of paragraphs, which makes all kinds of changing tunes come down to the same tone, which has the function of marking paragraphs and unifying the whole song.
The melody of Guangling San is passionate and generous. It is the only existing Guqin music in China with a fighting atmosphere with Mao Ge, which directly expresses the fighting spirit of the oppressed against the tyrant and has high ideological and artistic quality. Perhaps Ji Kang saw the rebellious spirit and fighting will of Guangling San, so he loved Guangling San so much and had such deep feelings for it. Zhu, a scholar in the Song Dynasty, angrily accused him: "His voice is the most uneven and he has the intention of being a minister."
Qin Le's Guangling San is the most distinctive and legendary music in Guqin music. Before appreciating Qin Le's Guangling San, it is best to have a basic concept of Nie Zheng and Ji Kang, two historical figures.
Nie Zheng was a famous warrior of Qi during the Spring and Autumn Period and the Warring States Period. See Article 26 of Biography of Assassins, Volume 86 of Historical Records for details. Ji Kang was an outstanding thinker, poet and musician in Wei and Jin Dynasties, and the most influential celebrity among the "Seven Sages of Bamboo Forest".
Qin Qu Guangling originated in Nie Zheng and became famous in Jikang. Expressed a tragic feeling that a scholar died for his bosom friend and was not afraid of violence. Most of the traditional guqin songs have lofty artistic conception and peaceful tunes, which express the thoughts and feelings of ancient intellectuals who are attached to mountains and rivers and detached from things. Only this one, Guangling San, swords and shadows.
Qin Lingsan described a story: Nie Zheng's father, who forged a sword for the king of South Korea during the Warring States period, was killed by the king of South Korea because he missed the deadline. Determined to avenge his father, Nie Zheng entered the mountains to learn piano for ten years, and finally developed superb piano skills. Wang Han called Nie Zheng to the palace to play the piano for fun. Nie Zheng took advantage of Wang Han's unprepared listening to the piano, suddenly took out a dagger from the piano, stabbed Wang Han, and then committed suicide tragically.
Qin Le's "Guangling San" was first seen in the "Magic Secret Spectrum" in the Ming Dynasty, which has subtitles such as stabbing Korea, rushing to the crown, getting angry and throwing swords. Although the relationship between the characters in the story is different from that in Historical Records, the mood and rhythm of music are basically the same as those in Historical Records.
The whole song has forty-five paragraphs and is divided into three parts. The first part includes a finger opening part, a small sequence part and a large sequence part. This part begins with a narrative tone, and the main emotion is resentment. The second part is the main part of the music, which consists of eighteen paragraphs with positive tone, and shows the emotional development process of Nie Zheng from resentment to indignation. The third part, including eight preface paragraphs, is a tribute to Nie Zheng's heroic deeds. Throughout the whole song, the spirit of integrity runs through.
About 600 years after Nie Zheng's death, Ji Kang was famous for being good at playing this piece. At that time, Sima was fighting for power with Cao Wei. Ji Kang, who was brave and talented, did not cooperate with Sima and was eventually killed at the age of 39.
"Shi Shuo Xin Yu Liang Ya No.6" records that Ji Zhongsan (Ji Kang) was sentenced to Dongshi, and his attitude remained unchanged, so he played the piano and played Guangling San. At the end of the song, he said, "Yuan Xiaoni studies this kind of sketch hard. I don't agree with Jingu. Guangling sketch is unique now!" "Guangling is scattered today" is a sigh that an adult's business is dying or what has been accomplished.
Ji Kang's four melodies, Long Qing, Short Qing, Long Edge and Short Edge, are collectively called Ji Si Nong, and together with Cai Wu Nong in Cai Yong, they are called Jiu Nong, which is a famous group of melodies in ancient China. Emperor Yang Di used to take nine farmers as one of the conditions for taking a scholar, which shows that there is Ji Kang.
There are forty-five articles in the General Score of Guangling San, which are divided into six parts: (1), the minor preface (3), the major preface (5), the correct pronunciation (18), the disordered pronunciation (10) and the postorder (8). The melody of the music is special, and the second string is homophonic with the first string, so that the bass melody can be played on these two strings at the same time, achieving a strong acoustic effect.
The main emotions of the whole song are passion and indignation. The opening refers to a period of leisure and freedom, which can be regarded as the introduction of the whole song. The main tones that run through the "correct sound" and "chaotic sound" parts are suggested here.
The minor sequence and the major sequence are arranged in a relatively stable atmosphere, and the main theme prototype of the positive tone and the chaotic tone is arranged. Zheng Zheng highlighted Nie Zheng's emotional development from resentment to indignation, focusing on his indomitable spirit and indomitable character.
The melody of the main melody has been further developed after the main melody of the pronunciation is displayed. At this time, the music showed a feeling of "resentment and sadness". Slow and steady lyricism has a nostalgic meditation, but also breeds turmoil and anxiety. Then the music goes into a fast bass, especially the impact of endless anger.
Then it developed into an aggressive and thrilling scene, which formed the climax of the whole song, that is, the fighting atmosphere of "flowers blooming, spears and guns in unison". Then the music shows a magnificent and heroic atmosphere of "melancholy and generosity". The chaotic sound and the post-sequence are relatively short, which mainly reflects a kind of warm jubilation and stirring feelings. So as to end the whole song.
Zheng Zheng is the core of the whole song. Before Zheng Zheng, it mainly showed sympathy for the unfortunate fate of Nie Zheng. After the affirmative voice, it expressed the praise and praise for Nie Zheng's heroic deeds.
The whole song always runs through the interweaving, ups and downs, development and changes of the two theme tones. One is the theme of pronunciation found in the second paragraph of Zhengyin, and the other is the theme of disordered pronunciation that first appears at the end of the grand sequence.
Affirmative tone is mostly at the beginning of a paragraph, highlighting its leading role. Chaotic themes are mostly used at the end of paragraphs, which makes all kinds of changing tunes come down to the same tone, which has the function of marking paragraphs and unifying the whole song.
The melody of Guangling San is passionate and generous. It is the only existing Guqin music in China with a fighting atmosphere with Mao Ge, which directly expresses the fighting spirit of the oppressed against the tyrant and has high ideological and artistic quality.
Perhaps Ji Kang saw the rebellious spirit and fighting will of Guangling San, so he loved Guangling San so much and had such deep feelings for it. Zhu, a scholar in the Song Dynasty, angrily accused him: "His voice is the most uneven and he has the intention of being a minister."