Second, the spiritual agreement with Guangling Powder

Guangling San has such a tragic story. What is its melody? "Modern music history experts have studied this song very carefully. They think that the melody of Guangling San is very rich and varied, and the feelings are also ups and downs. As stated in the preface to Qinyuan Record in the Northern Song Dynasty, wherever "sadness" is expressed, the melody is sad and sad; Where "melancholy and generosity" are expressed, there are thunderous storms. The momentum of Gong Mao Zongheng is not only tragic, but also generous with drums and thunder. It can be seen that this piece of music is extremely difficult to play and combines various skills. The book says that "those who can play Guangling San have only one uncle at night". Although Guangling San has a unique tone, it cannot be restrained. " The whole song is full of grief and unyielding arrogance, ups and downs, changing rapidly. The so-called "flowery" angered Zhu, a great scholar, and dismissed it as "the most peaceful voice, with the intention of being a minister". Ji Kang, who wrote The Theory of Sound without Sorrow and Music, emphasized that the sound originated from nature and had nothing to do with subjective feelings such as emotions.

Secondly, Ji Kang and Guangling San are also mysterious. Ji Kang was a leader in the eyes of scholars at that time, and with the passage of time and space, Ji Kang's image became more mysterious and confusing. "The Book of Jin" says: "When Kang meets again, he will take it for himself when he goes into the mountains to taste the stone marrow." With his personal cultivation, even Wang Rong often said, "I have lived in the mountains for 20 years, but I have never seen the color of joy." This cast an unfathomable color on him. His grace and grace, "I think I return to Hong, swing five strings, lift my back and be complacent, and my heart is too mysterious" ("Give a Scholar to Join the Army"), when he entered Romania, the capital called him a man of god. "And Yan Yanzhi described in" Fu to the Five Kings ":"Being scattered in the middle and not in the world is a self-catering to the Xia people. "The Book of Jin Ji Kang Biography" contains "covering his heart and making it difficult to make a high promise, thinking about quality every time. "These all give a person a kind of inhuman feeling, very mysterious. Make its image more elegant and distant, just like sitting on a cloud, unpredictable. Before the execution, 3000 students * * * asked Sima Shi to "be a teacher", and the influence of his lofty image was amazing. And his connection with Guangling San is even more magical and strange, and there are different opinions. According to the quotation of 3 17 in Tai Ping Guang Ji, a ghost who claimed to be an old friend "Silently" looked up and saw Kang, gave him Guangling San, and swore with Kang that he would not teach anyone to leave at dawn. In the meantime, he gave the piano to Ji Kang and Guangling San with a mysterious veil. About Guangling San, there are three important figures in Guangling San Pu. One is The Secret Book of Magic (1425) first published by Zhu Quan in the Ming Dynasty. The preface said, "I have given it to you today, which is the music stored in the Sui Palace. The Sui Dynasty died in the Tang Dynasty, and the Tang Dynasty died in the folk for several years, and then returned to the palace. After 936. Furthermore, Wang Zhi's Xi Lu Tang Qintong in the Ming Dynasty has two different Le Shu, called A and B respectively. The legend of Guangling San has continued to this day, written by Jin Yong. The book describes that "Elders Qu successively dug 29 ancient tombs, and finally found Guangling San in Cai Yong's tomb in the Eastern Han Dynasty. On this basis, they created a song. This shows the lofty image of Guangling San's peerless independence. As the main character in Guangling San, Nie Zheng's assassination was also full of mystery and tragedy, and many literary works based on him appeared in later generations.

Third, Ji Kang and Guangling San are both tragedies. When talking about the awakening of Wei and Jin literati in the process of beauty, Li Zehou said: "It is the suspicion and denial of external authority that leads to the awakening and pursuit of internal personality. That is to say, the ethical norms, standards and values previously publicized and believed in, superstition of ghosts and gods, fatalism of longitude and latitude, complicated classics, etc., are hypocritical or worthwhile. They are neither credible nor valuable. " Therefore, Wei and Jin demeanor is so spontaneous, generous, unrestrained, as well as taking medicine and drinking, asking questions, Kan Kan and talking. Shi Shuo Xin Yu said: "Celebrities don't need wizards, but they often have nothing to do. They can be called celebrities if they are familiar with Li Sao." And this is "only the appearance of Wei and Jin demeanor, and the inner spirit that produces this appearance." It is the internal conflict of literati and celebrities themselves, that is, the conflict between the self who pursues freedom and another self who obeys traditional values "[3] (P.303). Beneath the bohemian appearance, there is a deep Confucian feeling of joining the WTO. Some people commented that Ji Kang was the first real celebrity in Wei and Jin Dynasties, so what kind of person was he? Mr. Feng Youlan once said: "Ji Kang was originally a contradictory person. If we compare his grief and indignation poems with Family Commandments and Breaking Up with Shan Juyuan, the contradiction in his thoughts and actions will be even greater and more obvious. Perhaps, in his view, these are not contradictory. "Indeed, I can't be the second one in breaking up with Shan Juyuan." "I'm smelly and rotten, and it's not bad to raise a small honeymoon to kill mice." In the poem of distress and anger, "I love my sister, but I don't train my teacher." I got rid of my pet, and I resisted my heart's longing for the past and what it was to let it go. " Remind my son to "stick to it", "stick to it" and "be careful what you say". In other words, Ji Kang actually abides by feudal ethics. It can be said that Ji Kang is a man with split personality, and his thoughts are extremely complicated, and he yearns for the natural leisure life of a mountain hermit. However, the pressure and normality of reality make him unable to escape, but it should be the perfect unity of inner ideal personality and outer behavioral personality. But when Ji Kang sees that he can't meet this requirement, his thoughts are loaded with great pain, and the pain comes from the unbearable huge gap found after taking care of reality with history and ideals. The history of mankind is actually the history of the separation between man and nature. Human civilization strives to liberate people from nature and become realistic social people. But in the long run, it is easy to lose the balance between man and nature. Wei, Jin, Southern and Northern Dynasties are a kind of accusation and rebellion against human nature, trying to find the balance between man and nature, echoing the germination of life ontology consciousness in the Spring and Autumn Period and the Warring States Period. Ji Kang is a typical example in development. Unamuno once said, "Unless we are suppressed, we never pay attention to having a soul." This process is painful, and having a noble soul is a kind of mental torture in troubled times. The total collapse of the old ethics and the freedom of thought and belief also imply the ownerless nature of the spiritual level, which is easy to cause people's spiritual hesitation. So is Ji Kang. The old ethics collapsed before him, and the new education was not established. Personally,

Scholars and celebrities in China are most easily attracted by heroic personality, so is Ji Kang, who hopes to be completely destroyed before acting, but can't give up completely in his heart. There is a saying that the tragedy of scholars in Wei and Jin Dynasties is that "they have clearly known that state affairs are corrupt to the point of inaction, and they strongly support them with their loyalty, wearing a world-famous reputation for being chic and romantic, but they have not been able to get rid of the pedantry of Confucian scholars. Of course, in the end, they are not."

China's traditional thoughts are "harmony" and "golden mean". Even in the Wei and Jin Dynasties, this thought was still deeply rooted in the hearts of the people at that time, pursuing the coordination and balance between the famous religion and nature. It emphasizes that individuals should obey the society, and Ji Kang's lofty aspirations and advocating seclusion touch the sensitive points of politicians from time to time, which is an extreme example of the development of metaphysics and cannot be fully accepted. It was such a man who could not be clearly put on the table during the feudal period, but he became an idol that people rushed to imitate fifty years after his death, forming a "Ji Kang complex". But they only imitate the superficial fur and can't really understand Ji Kang's real inner world. It's just that Ji Kang has a kind of elegant demeanor in such a dark age, and he can keep his purity. It was just a fashion to vent the suffering and pain that people yearned for at that time, that is, to turn suffering into pleasure through Ji Kang. The only thing that touched and shocked everyone's hearts was Ji Kang's martyrdom spirit. They also lack this quality, so they are full of reverence for the ideals they yearn for but can't really practice.

In such a chaotic era as Wei and Jin Dynasties, life is short, and the life consciousness inspired by the uncertainty of life is also the strongest. Since tomorrow is unknown, let's enjoy today for the time being. "If there is wine today, we should eat, drink and be merry in time". Different from the negative attitude of people's indulgence, Ji Kang cherishes life in another way, and therefore wrote "blind date of body and mind, double cultivation of body and mind, comprehensive health preservation", emphasizing spiritual cultivation efforts such as "self-cultivation, keeping the spirit safe", and discussed this issue with Xiang Xiu. It can be said that it was a reflection on the extensive indulgence at that time. But even if you keep healthy, you will inevitably be persecuted by politics and unable to resist the threat from social authority. There is a saying that "a person's history is a person."

Generally speaking, Ji Kang is a kind of "destruction of justice" and can also be said to be "self-destruction". After his death, "everyone in the family was in great pain. The emperor seeks enlightenment and hates it. " (Biography of the Book of Jin Ji Kang) But this is just a kind of spiritual comfort and escape. "China seldom cried and caressed.

The story of stabbing Hanwang in Guangling San is also of tragic significance. Bao Puzi commented on Nie Zheng: "Jing Ke and Nie Zheng are brave saints." In Strange Tales from a Lonely Studio, based on Nie Zheng, Nie Zheng described the story that Nie Zheng became a soul to save a woman after her death. Yi Shi commented: "It is human nature that he regards Nie as righteousness and punishes evil and promotes good. Hey! Nie Zhixian, I am sincere here. " It can be seen that he is fond of Nie Zheng. Guo Moruo once wrote the historical drama Flowers of Tang Di, praising Nie Zheng's chivalrous spirit. However, Nie Zheng is indeed a tragic figure. Whether he died as a confidant or avenged his father, his goal was so clear and firm. He gave up everything in his life just to stab Han Xiang/Wang Han to death at all costs. Some were tragic assassinations. Sui Tang once said: "Nie Zheng stabbed Han Jing, and Bai Hong penetrated the sun." However, although he is brave, he also loves his relatives and has the softest place in his heart, so he will commit suicide after his success, and even "scratch his skin" to prevent his relatives from recognizing him. As their spiritual connection point, I believe Ji Kang will definitely think of Nie Zheng when playing Guangling San, and connect each other's destinies through time and space through the piano. It can be said that Nie Zheng died of loyalty and filial piety, which is a typical manifestation of feudal thought. As a soldier, he didn't think much about troubled times and fighting. On the contrary, Ji Kang, seemingly "eternal", is a traditional feudal ethics in his bones. It can also be said that he actually died in this part. Just as Lu Xun talked about Ji Kang in The Relationship between Wei and Jin Manners and Articles, Medicine and Wine, Ruan Ji said: "This is because they were born in troubled times and had to be like this.

Ji Kang and Guangling San both have an unconventional beauty. China traditional culture advocates "harmony" and "balance". Ji Kang is just cynical and arrogant, showing a kind of beauty far from "moderation" and "peace" in the long river of warm traditional culture. Guangling San is one of the top ten traditional ancient music in China. Ji Kang did it, and everything went in the opposite direction, but he created a swan song in the cultural history of China.

Although both are shrouded in tragedy, they are also lofty. Death is not the end. "The great tragic writer Schiller said: Life is not the highest value of life. This is the most profound revelation of Tragedy. The protagonist in the tragedy would rather destroy life for the sake of truth, beauty, sacredness, freedom, the rise of mankind and perfection.

Sheng Jikang's Spiritual Transcendence of Guangling Powder

At the same time, Ji Kang has surpassed Guangling San. First of all, everyone has a good eye for piano art. Ji Kang is familiar with all kinds of musical instruments, especially good at playing the piano. Xiang embroidery "Thinking of Old Fu" says: "Ji Bo's comprehensive skill lies in silk and bamboo." Coupled with his cleverness, "learning is unacceptable to teachers."

Secondly, it is the emotional sound of Ji Kang and Guangling San. As mentioned earlier, the tragedies of Ji Kang and Nie Zheng made Ji Kang have a deep understanding of the emotions expressed in Guangling San and expressed his inner complex feelings. What was Ji Kang's mental state at that time? You can really free yourself from the troubles of life and express your thoughts boldly. There is no dilemma, so you can leave this world with such music full of "the sound of war", which really reveals your emotions. In this respect, Guangling San purified Ji Kang's complex feelings, and at the same time Ji Kang sublimated Guangling San, expanding the audio-visual scope.

Third, the scene of the execution of the bomb added to the sad atmosphere. Guangling San is already "furious", and the execution ground is a place of birth, just like a cemetery, full of the breath of death. What I want to talk about here is the problem of music and environment. An excellent piece of music, if accompanied by a musical artistic environment, is of great benefit to both the performer and the appreciator, and it is easier for people to accommodate music. So as to understand the deep connotation of music, that is, the so-called "implication" and "implication", which transcends the materialization level and reaches the spiritual realm of getting rid of the fetters of reality. The combination of such a sad picture and Guangling San has produced better results. Picture provides image and atmosphere for sound, and sound provides artistic conception and imagination for picture. The production of a famous American documentary. The relationship between music and pictures should be "1+ 1=3", that is to say, music and pictures together can create a third artistic conception and guide the audience's psychological association. The fate of unjust death and the execution ground, coupled with Guangling San, a tune full of resistance and resentment, can be said to be the best partner. Nie Zheng's tragic deeds hundreds of years ago can be repeated one by one.

Also, it is the uniqueness of this performance. Throughout the ages, there is no other person in the world except Ji Kang who plays Guangling San so beautifully. The phrase "Guangling is lost today." This man is gone. Therefore, it is precisely because of its inevitability and uniqueness that he is deeply rooted in the hearts of the people and becomes one.

Ji Kang and Guangling San have a long history. Their names are always mentioned together because they promote each other. At the same time, Ji Kang has surpassed Guangling San in addition to * * *. Through Ji Kang's interpretation of Guangling San, they both shine brilliantly in the history of China.