Moreover, both poets have beliefs. Wang Wei believes in Buddhism and Xie Lingyun worships Taoism. They all want to get rid of secular political trivia through their own beliefs and simply retire.
1. After a heavy rain, Yuji Wangchuanzhuang wrote "There is a word on it" in my cabin in Wangchuanzhuang as "the work of returning to Wangchuanzhuang in autumn".
Author: Wang Wei
The whole Tang poetry, volume 128, works included in: 300 Tang poems.
Whole poem:
"There is rain in the forest, and there is smoke slowly. Steamed quinoa and boiled millet are winter hairs.
An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer.
I learned to watch the morning glory in the mountains calmly and eat sunflower seeds with dew under the pine trees.
Why should I scare seagulls, even if I think about it, by giving the honorary position to any clown? . 」
This poem is Wang Wei's later work. In Wang Wei's later poems, he mainly described his leisurely and secluded life in Zhong Nanshan and Wangchuan. "Biography of Wang Wei in Old Tang Dynasty" records: "All Uighur brothers respect Buddha, live on vegetables and don't eat blood. Grow up fast in your later years and don't wear clothes. " Due to the influence of family environment, when he believed in Buddhism and relegated Jeju in his early years, his hermit thought had sprouted. Coupled with political changes such as Zhang Jiuling's dismissal from office and Li's coming to power, he gradually felt depressed and dark in his official career, and his ideals were shattered.
After the Rain, Wangchuan Farewell is a famous poem in the pastoral poetry of the Tang Dynasty poet Wang Wei, and it was selected in the Three Hundred Tang Poems compiled by the Tang Dynasty in the Qing Dynasty. This poem describes the scenery of Wangchuan Villa after the rain stopped for a long time. The first four sentences describe the poet's seclusion. The poet described his quiet and quiet Zen life with the quiet and beautiful pastoral scenery of Wangchuan, and created a kind of artistic conception of harmony between things and me.
2. Climb the island in the middle of the river
Dynasty: Southern and Northern Dynasties
Author: Xie Lingyun
Original text:
"Jiangnan tired calendar, jiangbei Kuang.
Huaixin Road turned around and looked for another kind of scenery without hesitation.
Turbulence tends to be isolated islands, and isolated islands flatter zhongchuan.
The clouds are sunny and the water is clear.
There is no reward for expressing spirituality, and whoever is true is biography.
Imagine the posture of Kunshan, the middle edge of Myanmar.
When you begin to believe in the safety period, you will have to stay healthy for many years. 」
The first four sentences are that the poet is eager to travel north of the Yangtze River and explore new and exotic scenery. Xie Lingyun was excluded from Yongjia magistrate in the first year. In the Book of Songs, he said that he was "unsuccessful, so he traveled to various counties and moved for more than ten days." The scenic spots in Yongjia have been visited in less than a year, and there is no freshness in Jiangnan. The strange mountains and strange waters on the north bank of Yongjia River, when the poet went to work a year ago, just passed by in a hurry, not to travel around, and he couldn't help but yearn for it, which led to the desire to explore novel attractions. Just because I am in a hurry, I feel that the road is far away, and time is fleeting and it is difficult to delay. From the surprise of finding an island to the description of its beautiful scenery, the poet quickly intercepted and crossed it because he suddenly found an island in the river. How beautiful and pleasing the island stands high in the river. Zhong Xing's "The Return of Ancient Poems" said, "With beautiful feelings and dense algae, the chest is wonderful, with bones, rhyme and color." Zhong Rong's "poetry" refers to "famous articles and famous sentences, which are everywhere, and there are new voices in Li Dian. Through sigh and association, the poet's loneliness, anger at incompetence and disgust at the world are entrusted, which includes natural interest. These landscapes are all manifestations of the spirit of heaven and earth, but the world does not know how to appreciate their value. Then, the poet galloped with his elegant imagination, associating the beautiful scenery of Jiang Yu with the fairy spirit of Kunlun Mountain, and suddenly felt that he was so far away from the secular world as if he were independent. Finally, the poet finally believed, and realized the longevity of An Qisheng, and he could live and die with peace of mind. In this passage, the poet touched the scene, moved the scene, drifted his thoughts and was full of interest. Therefore, although he is talking, his image is still flying, but he is not bored. It can be said that emotion, scenery and reason are in harmony and unity.