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Xie Lingyun boarded an island in the middle of the river.
Climb up an island in the river

Author: Xie Lingyun

Jiangnan has traveled for a long time, and Jiangbei has opened up the world.

Huaixin Road turned around and looked for another kind of scenery without hesitation.

Turbulence is becoming more and more inevitable, and the island is charming.

Clouds and the sun set each other off, and the water was clear.

There is no reward for expressing spirituality, and whoever is true is biography.

Imagine the posture of Kunshan, the middle edge of Myanmar.

When you begin to believe in the safety period, you will have to stay healthy for many years.

Precautions:

1, calendar tour: all over, all over. Wandering around: I haven't visited for a long time. Openness, waste and delay. Trading, socializing, trading, here refers to tourism. I have been to the south bank of Yongjia River many times, but I haven't been to Jiangbei for a long time.

2. hey: detour. I think the road is too far, because I am eager to punish the wonderful new land of Xixi.

3. Scene: daylight refers to time. Yan: Dragon. I think time is too short, because I am looking for strange scenery.

4. Turbulence: Interception and crossing from the river. Trend: sprint. May: Beautiful and likable. Nakagawa: In the middle of the river. The boat was crossing the river quickly when it suddenly found the beautiful Grain Rain Mountain in the middle of the river.

5. Empty water: sky and rivers. These two sentences mean that the colorful clouds and beautiful days in the sky reflect each other, the river is clear, and the blue sky reflected in the water is also brightly colored.

6, table spirit: refers to the extremely magical scene of Grain Rain Mountain. Watch, obviously. Spirit, exquisiteness and magic. Thing: refers to the world. Yunzhen: Hidden Fairy. Really, real people, immortals. The meaning of these two sentences is that the beauty of Grain Rain Mountain is so obvious that no one can enjoy it, so no one will tell the story of the fairy in it.

7, Kunshan posture: refers to the appearance of the gods. Kunshan, the abbreviation of Kunlun Mountain, was the residence of the Empress Dowager in ancient legends. Myanmar Miao: You are far away. The middle edge of the region: the relationship between the world. The meaning of this sentence is that when I see Gudao Mountain, I think of the charm of the gods on Kunlun Mountain, so I feel more distant from the world.

8. Angel technique: An Qisheng's longevity technique. A period, that is, An Qisheng, a fairy in ancient legends. Legend has it that he is a native of Langya Prefecture and has lived for thousands of years because of his immortality. These two sentences mean that I have realized the longevity of An Qisheng, and I can live the rest of my life in a corner of the sea with peace of mind.

Appreciate:

Xie Lingyun was originally from a noble family, and his articles were also beautifully written. He said he could only participate in power. (Song Shu) However, after Song Wudi, a civilian warlord, established the Song Dynasty, the people's status declined again and again until he was pushed out of Beijing and became the prefect of Yongjia. It is not difficult to understand that he has always been arrogant, coupled with repeated setbacks in his official career, failed to get talent, and devoted himself to mountains and rivers to seek truth from the world. In the autumn of the year when he wrote the poem, just one year after Ren Yongjia was appointed as the magistrate, the poet resigned and returned to the Nanshan in Huining, Huiji to run the manor, where he talked with a hermit monk about metaphysics. Therefore, the poet's fascination with mountains and rivers is the externalization of his inner frustration and stagnation. As Bai Juyi said in Reading Xie Lingyun's Poems: Xie Gongcai is humble and doesn't meet the world. Strong people need relief when they are depressed. As a landscape poem, rhyme is interesting, not to play with scenery, but to express one's mind.

Poetry is ingenious, turning strong into strong. If you want to write about the beauty and magic of Jiang Yu, you should first write about the exhaustion of scenic spots in the south of the Yangtze River. Then I went to Wan Ren, thinking about the immortal beauty of Kunlun Mountain, and getting to know the ancient Anqi Shengdao, which further set off and deified the beauty and magic of the island. Such a mixture of reality and reality not only highlights the beauty and strangeness of the island, but also effectively reflects the poet's subjective feeling of being detached from things. The structure is dense, the meaning is consistent, and the scene blends.

Secondly, the language is delicate and skillful. It is manifested in the practice and vividness of phrasing, such as the proper use of words such as fatigue, openness, inclination, verve, spirit and truth, which makes the whole sentence meaningful and profound; Turbulence, islands, cloudy days, empty water and other images are all beautiful. Then a lot of antithetical sentences are used, which are not only exquisite, but also roughly consistent with the following sentences, all of which can be natural. Before tonology was established, we could not but marvel at the poet's ingenious casting and subtle luck.

Deng presented Baiyun Wang Jiong.

Lu You boarded an isolated island in the middle of the river to present Mr. Wang Jiong, a white cloud.

Clear water is long, and water falls on the sand island.

Back to the pool, the stone is deep and the green shore is near.

Jiao Ren is invisible, and fishing songs are self-escape.

When I remember to say goodbye to you, I went boating like yesterday.

When the sun sets at night, sitting in the middle is not the only one.

Looking south at Mount Lumeng, I hate it when I come back.

Make an appreciative comment

Wang Jiong, Mr. Baiyun, a good friend of Meng Haoran, lives in Lumen Mountain, Xiangyang, and sometimes sells medicine. He is a reclusive Gao Shi. Meng Haoran has never been an official in his life, and both of them are dancing and making friends.

Poetry can be divided into three parts. The first six sentences are part of them, describing boating on the Hanshui River and boarding an isolated island in the river. Write first that the tide recedes, and the island is even more abrupt in the clear Han River. These two poems are related to the topic instead of writing directly to a desert island, just suggesting that water falls on a sand island. Then write the Han River: the backwater pool under the big stone is unfathomable. The bamboo on the shore is dense. The legendary Jiao Ren, lurking in the water. Fishermen on the river are singing and having a good time. Zhang Hua's "Natural History" contains: There is Jiao Ren outside the South China Sea, and the water is like a fish. Don't waste your work, your eyes are full of tears. The poet interweaves the scenery of the Han River and its banks, the legendary Jiao Ren and fishermen on the river, and shows the magical beauty of the Han River from many angles. It not only writes about swimming in the Hanshui River, but also paves the way for later memories and boating by Wang Jiong.

The second * * * four sentences, memories and Wang Jiong swam across the river and boarded the island in the river. The main idea of the poem is this: when we were not around, we went boating together, as if it were yesterday. In the afterglow of the sunset, we sat on an island, full of enthusiasm. Based on the first film, the sight of two people visiting together is clearly presented here, with a sunset and a love story in the middle.

The last two sentences are the third part, expressing the poet's thoughts about Wang Jiong.

Because I miss Wang Jiong, I see the Lumen Mountain where Wang Jiong lives. I was still disappointed when I got home. The poem takes the beautiful Hanshui River as the background, takes the tour of Hanshui River as the plot, and expresses the feelings of lovesickness through concrete life, which is sincere and long. Structurally, it starts with swimming in Hanshui, ends with going home, and inserts the memory of swimming in Hanshui in the middle. The whole poem is seamless and coherent, just like a beautiful lyric prose. Read Xie Lingyun's poems

I have heard of the Taoist way, poor and smooth. Children are from the imperial court, and poverty is from the rivers and lakes.

Xie Gongcai's silhouette falls and he doesn't meet the world. You don't have to be ambitious, you must vent.

As a landscape poem, rhyme is harmonious and interesting. The big ones will trap the sky and the sea, and the thin ones will not leave a grass and a tree.

Not only to play with the scenery, but also to have fun. I often can't forget this sentence in this matter.

Because the re-creation of knowledge is not only in chapters and sentences.

Unique in Taiwan Province.

Zhang Kun went to Taiwan Province alone.

Border soldiers return to spring, and Taiwan Province is alone.

During the day, the ground comes out and the Yellow River comes from the outside.

The sand is like waves, and the wind is suspicious.

If you want to go to Yin Guan, Yin won't open.

Translation and annotation

1, Shan Yutai: West of Hohhot, Inner Mongolia Autonomous Region. It is said that Emperor Wu of the Han Dynasty led an army to board this station.

2. Yinshan Pass: the pass in the yinshan mountains. Yinshan Mountain is a barrier against sentence slavery in Han Dynasty, which runs through today's Inner Mongolia Autonomous Region, starting from Hetao in the west and reaching Inner Hinggan Mountains in the east.

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Zhang Kun traveled to the Great Wall in his early years and wrote many frontier poems. Shan Yu Station in the west of Hohhot, Inner Mongolia Autonomous Region, is said to have led troops to this station. This poem describing the frontier fortress scenery is simple and broad-minded. Although it was written by a poet in the late Tang Dynasty, it flourished in the Tang Dynasty.

The first couplet is the general leader of the whole poem. Chunzi and Juezi, seemingly unintentional, are actually very focused. When the soldiers came back in spring, the border was calm and there was nothing to do, but there was a feeling of avoiding going to the stage to see things; Although it is spring, there is no spring scenery below, which shows the desolation beyond the Great Wall. Standing alone on the high platform, meditating and paying attention to it highlights the poet's detached and independent image.

During the day, the ground comes out and the Yellow River comes from the outside. A round of daylight, jumping out of the ground, writing its dynamics; The Yellow River, thousands of miles away, flies from the sky and writes its timeless image; The contrast between the daytime and the Yellow River gives people a magnificent and colorful feeling in the vastness. The sky comes from the ground instead of the top of the mountain, and the Yellow River comes from outer space instead of the sky. Everything falls below the obvious horizon because it is on the high platform.

Necklace continues to write scenery. Two metaphors firmly grasp the commanding characteristics: high, so the wind is urgent, so the wind is like thunder and soul-stirring; When I came down, I saw the sand marks, and I saw the sand as vivid as waves. Don't say thunder but doubt, and write the poet's surprise pattern of distinguishing the wind vividly. During the day, the Yellow River, sand waves and wind, from far and near, from bottom to top, form a three-dimensional picture of color, dynamics and sound, making the frontier scenery broad and magnificent. Especially during the day, the Yellow River is connected with the outside world, with simple sentences and vast boundaries. Learning from the Tang Dynasty can open up a new realm, which is appreciated by later generations.

The poets in the Tail Couplet looked at Yinshan Mountain from Khan Taipei, which was a natural disaster to defend the Huns in the Han Dynasty. The poet wanted to see the Yinshan Mountain, but he saw the rolling Yinshan Mountain, which was as majestic as iron. Although it is already dawn, the portal is closed and impassable.

The poet clearly saw the insurmountable obstacle across the road ahead, so he sang generously and turned into a voice of frustration and helplessness. In the late Tang Dynasty, even if poetry sings magnificent scenery beyond the Great Wall, it is rare to have the vitality of the prosperous Tang Dynasty.