Breaking the boundary between crosstalk and sketch can be said to be a further innovation on the basis of the new crosstalk, breaking the boundary between crosstalk and sketch. Niu Niu Feng Gong not only takes Ni Ping as a permanent guest, but also often performs new crosstalk with the audience, and they are the first group to bring rap into crosstalk performances. It can be said that most of the so-called cross talk explorations were badly performed during the period of Feng Gong Niu Ren. The premise that the two dare to try all kinds of things is because they are recognized by hundreds of millions of viewers across the country.
At the peak of the flag-bearer soldiers, they competed with Feng Gong, a cattle man, for "North-South". Strictly speaking, under the genre of Quyi, with the northern language family as the main audience, Qizhi warriors can rise suddenly, and with dialects as the core selling point, they have national popularity and are absolutely unique in the history of cross talk. The standard-bearer soldiers did not make a big breakthrough in the performance of Feng Gong cattle, but the proportion of holding hands was heavier, the body language was richer, and it was closer to the rhythm of sketches. But this is only a formal feature, and it can't fully explain the phenomenal popularity of flagship soldiers.
What really impressed the audience was their series of sharp works, such as Wedding, Funeral and Wedding, Thief, I am 1 10, all of which were good at satire, and some of them could even step on the degree of kidney pain in the censorship department.
This is actually the only way for crosstalk performers from small theaters. Dare to say anything when it's not red. Then with the increase of popularity index, their shackles are more and more. Until the end, both of them couldn't let go of their own creations, or shifted their sharp satire spirit to other fields, such as using Ka Kui Wong's name to catch stalks, which led to being hacked by the whole network.
Although there are more and more artistic restrictions, their status is getting higher and higher. Qi Zhi joined the Railway Art Troupe and studied under Hou. Soldiers joined the Beijing Quyi Troupe and became Li Jindou's disciples. He also served as a member of the Crosstalk Committee of Quyi Artists Association, which made him feel at home in officialdom. However, in art, the two also drifted away, and they also came down all the way after cracking the cave. Until now, they have been eating the old variety.
Although Degang Guo and Yu Qian are still in their prime of life, compared with previous years, they have already started a regimen. Now Guo Ju doesn't even bother to eat rice. He grabs a few bags on stage to bury some business. No one is too lazy to work hard on art in that position, but Yu Qian still has a strong contribution to the history of cross talk. After all, Degang Guo was the first person to fully integrate cross talk with the entertainment circle, and introduced the pink circle into the cross talk industry, becoming the first cross talk leader.
Although limited by his own cultural level, he didn't leave any masterpieces handed down from generation to generation, and his fans all worshipped him as a businessman and narrated chicken soup, but after all, he created the glory belonging to Deyun Society. If anyone wants to study the history of cross talk in the future, Degang Guo is a big shot.
As for the level of cross talk competition, Degang Guo Yu Qian is completely different from the first two groups. Niu Fenggong also scattered TV, and Bing Qizhi walked from a small theater to a big TV stage, while Degang Guo Yu Qian never walked out of the Shang Yan Theater, so the platform was different, and there was a big gap in skill display, so it was difficult to compare horizontally, so it was hard to say which pair was taller.