In the basic skills of cross talk, infiltration is the most basic. According to Degang Guo, it is "a penny for seven, regardless of meals", but the process of learning infiltration is difficult and boring.
In an interview, Zhang Yunlei once said that when he was a child, he would be slapped when he recited a wrong word. Later, Degang Guo also admitted this in an interview. He felt that only by letting his disciples feel the pain of flesh and blood can they clearly remember these mistakes.
Without a little effort, you can't learn the basic skills of cross talk.
However, Jiang Kun said in an interview that once in a performance, the audience under the stage asked them to recite the menu, and as a result, their sweat flowed down on the spot.
Why? There is a simple reason. Jiang Kun doesn't know much about this, but he can find a passage on the Internet. Jiang Kun's back is really glaring, which makes people laugh.
Jiang Kun thinks he is talking about the new cross talk. Since then, he has not performed many traditional cross talks in Ma Ji, but he has hardly performed traditional cross talks, which is determined by the inheritance of this branch.
In fact, not only Jiang Kun, but also contemporary crosstalk performers in Jiang Kun hardly understand the basic skills of crosstalk. The fundamental reason is that these crosstalk performers are all monks halfway, and when they learn crosstalk, they become adults and miss the best opportunity to practice their basic skills.
Why did Jiang Kun enter the crosstalk industry? When Mr. Hao Aimin led a group of people to perform in the countryside, Jiang Kun was very excited. He listened to several performances in succession and took a small notebook to write it down.
When he came back, he memorized all these lines and then began to perform on stage. At first, he simply imitated Hao Aimin, but the effect was very good. Since then, Jiang Kun has entered the cross talk industry.
Later, I became an apprentice with Mr. Ma Ji, which is another story. Since the day Jiang Kun entered the cross talk, he has won bursts of applause, and soon won the grand prize in the competition.
Under this honor, no matter who will calm down and practice the so-called basic skills of cross talk.
This topic asks Jiang Kun about his traditional crosstalk skills, which depends on who he compares with. Compared with you and me, he is definitely better than you and me; Compared with "doll's legs", he can't compare. The so-called "doll legs" are about childlike innocence. In the past, crosstalk performers in primary schools usually learned from their masters, which is what we often call an apprentice. Most children born in crosstalk families learn from their elders. Later, Quyi Troupe organized student classes, similar to Peking Opera, such as the student classes of Beijing Quyi Troupe and the youth training team of Tianjin Quyi Troupe. Jiang Kun is neither a disciple of Master nor a student class, so his mastery of traditional crosstalk is naturally not as good as that of students in disciple and student classes.
Jiang Kun was born in 1950. His father Jiang Zuyu is a primary school Chinese teacher. After graduating from high school, Jiang Kun went to the Great Northern Wilderness to be an educated youth. There, he really came into contact with cross talk. His first crosstalk teacher was Shi. Shi's parents and Gao Xiuqin are crosstalk performers. Shi primary school began to learn crosstalk, performed on stage at the age of 7, and worshipped crosstalk master Zhu Weishi at the age of 8. He certainly gave Jiang Kun more than enough inspiration. Xiao Tao wants to say more here. Zhu died on 1973. 1984, changed to worship Hou as a teacher.
Jiang Kun almost never speaks traditional cross talk, but only performs a passage in the style of eight fan screens. Tongkou, also known as jar work, refers to saying a long string of words in a short time, without stopping for a long time, but you must have a mouth and not be inarticulate. The jargon is "eat chestnuts". Through the mouth, you don't recite it. You pour tofu with a bamboo tube, which requires long-term training. Penetration is one of the basic skills of crosstalk performers. Jiang Kun's penetration is passable. It's not easy for a crosstalk performer who has experienced it like him to say such a thing. In the final analysis, we should look at the problem with historical materialism.
I hope the above answers will satisfy the subject.
I am Xiao Tao. Write cross talk stories, talk about cross talk characters, answer cross talk questions and comment on cross talk hot topics. Be careful not to get lost.
Dongdong Gun, a famous media person, was also the biggest V who played Degang Guo the most fiercely in his early years. He once evaluated Jiang Kun's traditional skills and personally agreed with his point of view:
The traditional life in Jiang Kun should not be systematically studied. When he studied under Ma Ji, his performance style was basically stereotyped, and later he didn't specialize in traditional life.
However, Jiang Kun's limited traditional works, such as "King Kong Pushes the Stone", "Disciple" and "On Wealth", are basically above the standard. In addition, Jiang Kun Eight Fan Screen, which is widely circulated on the Internet, is not as bad as it is said. On the premise of performing without rehearsal, it is difficult for Jiang Kun to say such a thing.
At least, we can see that Jiang Kun had studied traditional programs privately, but it was too late to accept them, so it was impossible to raise them to the level of Ma Ji. Knowing his own shortcomings, Jiang Kun tried not to touch these traditional programs. On the one hand, he fosters strengths and avoids weaknesses; On the other hand, he respects traditional activities.
However, traditional crosstalk is not something that crosstalk performers have to perform. We should respect the valuable skills in traditional cross talk, not the form of traditional cross talk.
Why do the fans of Deyun Society so confidently say that Jiang Kun is "unconventional"? Obviously, these fans don't know what "traditional cross talk" is, the bad programs they heard in Deyun's small theater, the traditional Liang Zi after undressing and defecating, and the popularity of network celebrities with poor basic skills. They can't even carry some basic traditional jobs. Fans of Deyun who listen to this rubbish all day can't criticize Jiang Kun for not understanding, can they?
As for those who don't understand Taiping's lyrics, it costs 25 yuan less. Since crosstalk entered the theater before liberation, it has been abandoned. Even Zhang Shouchen emphasized that "we don't need a round stick to perform in the theater, so Taiping lyrics don't need to be studied." Ma Lao even said, "Taiping lyrics are very vulgar, very vulgar, and now no one listens to this stuff at all ~"
However, in order to make himself unique, Degang Guo raised this worthless round stick infinitely as a standard to distinguish between tradition and non-tradition, so that fans can form a steel seal of "Degang Guo is tradition" and "like Degang Guo" as the only standard to judge the level of other crosstalk performers.
So when Guo Fen commented on Degang Guo, according to Degang Guo's own standards, it was a perfect score. The less other people are like Degang Guo, the lower their scores, and the less traditional his fans think of him.
Jiang Kun, an actor whose style is completely different from Guo Banzhu's, naturally got a negative evaluation. Plus, it has been labeled as "persecuting Degang Guo", and another ten thousand points will be deducted, which is directly beyond redemption.
This wishful judgment standard is actually an anti-intellectual baptism for the whole crosstalk industry after Degang Guo played the fan economy. In the eyes of the fans of Deyun Society, a good crosstalk performer is either like Degang Guo or in the arms of Deyun Society. If you don't have both, at least scold Jiang Kun, then you can get the praise of "tradition" and "basic skills".
In fact, when it comes to tradition, Degang Guo Taiping's lyrics are not traditional singing methods, while Tenshindon's Tong Shouben and Liu Wenbu are the highest level in the industry. Degang Guo is very casual in diction and embellishment. For example, the inexplicable singing style of "Death and Fragrance", coupled with his deep-rooted Pingju accent, his Taiping lyrics are totally unattractive and unconventional.
As far as permeability is concerned, Degang Guo and Jiang Kun are comparable. Degang Guo's penetration has always relied on "quickness" and "hard work", and there is no training in rhythm and ventilation at all, which makes his penetration sound very tired. In the words of fans, it is "heartache for me". Of course, fans will think that Degang Guo worked so hard that you almost suffocated after listening to a passage, so the ticket price is worth it. But according to the standard set by Zhang Shouchen, if you can't make the audience feel beautiful, but others are as tired as you, it's a complete failure, or your kung fu is not at home at all.
According to Shou Lao's evaluation criteria, Jiang Kun's Eight Fan Screen Wind is actually on a horizontal line with Degang Guo.
The young actors of Deyun Society, who are eight stops behind Degang Guo, are eating chestnuts and looking at cheat sheets on the stage. They are not traffic idols who laugh to death. If these things are traditional, then Zhu Shaowen really wants to walk out of the grave with a kitchen knife.
To sum up, Jiang Kun's traditional foundation is very general, but he is self-aware and knows how to foster strengths and avoid weaknesses. Those people in the shrine flaunt tradition with the worst things, licking their faces and scolding others for not understanding tradition. This is the greatest destruction of tradition.
Above ~ ~
He is good at entertaining himself and laughing on the stage.
@ Ruixiang Graphic Jiang Kun does not talk about traditional cross talk
Teacher Jiang Kun, a famous crosstalk actor and performing artist, said that the crosstalk of the times is the product and background of an era.
1. Jiang Kun has long thought: "The new cross talk is the need of the times, and it is not his turn to tell traditional jokes." This set the tone for his cross talk at that time.
2. Jiang Kun's crosstalk began in 1970s and reached its peak in 1980s. During this period, the masters of traditional cross talk are still alive. He said that there was no way out for traditional jokes, so he broke a new path at the suggestion of Mr. Ma Ji, the teacher's biography, and that was to insist on new cross talk.
The author notes that Mr. Jiang Kun is an outstanding representative and symbol of the new cross talk. He is a critical moment in the transformation of cross talk, and he is an innovator and reformer of cross talk. When we affirm his artistic achievements, we applaud his artistic life!
Jiang Kun's basic skill is sand sculpture, which is hard on the outside and hard on the inside. To be smart, learning and teasing are lacking. Theoretical attacks are the best, and there will be no jokes. If you go to the box, it will not forgive you.
Some organizations buy advertising space at a high price,
And trained a large number of professional network troops,
So,
In cyberspace,
Constantly throwing out topics about Jiang Kun and others in a purposeful and orderly manner,
Then,
The net army keeps up,
As long as there is a fair speaker,
Then I swarmed in,
Encirclement and suppression strike!
This is a very dangerous behavior,
If this continues,
It's not good for anyone!
It should be better than Degang Guo. Because Jiang Kun is the inheritor of crosstalk awarded by the China Municipal Government. Degang Guo is not.
Is Jiang Kun talking about traditional cross talk? Tickets can't be sold
People who spray in the comment area all day have hardly heard of the traditional life in Jiang Kun. In fact, after listening to it, you will feel that his speech is not particularly good, but it is not as bad as what netizens said. Generally speaking, it is satisfactory, but the spray doesn't buy it. And now the social atmosphere is impetuous, spraying others is a pleasant thing without investigation and research. Many people even say it without knowing who this person is or what's going on. Anyway, no one went to court to sue.