It can be accurately said that in Gong Lao's animation, there are not only his strange flying machines, but also those pleasant blue sky and white clouds. The most important thing is Gong Lao's view of nature full of fraternity. Almost every work of Gong Lao shows his unique view of nature to some extent. Perhaps in real life, there are many ideas about protecting nature in our minds, but most of them are forced by schools or parents, and our hearts will inevitably get bored. The understanding of nature is gradually rotting, and at this point, Gong Lao has deeply penetrated into his view of nature of love through animation, the most easily accepted channel for children, which not only gives children a way to mold their minds, but also gives adults a great space for deep thinking. Let's take a look at how Gong Lao's works reflect his view of nature of love. . .

1, Valley of the Wind: Liberation of Human Nature ... Natural Forgiveness ...

It can be said that Valley of the Wind was originally a work promoting the theme of environmental protection. The heroine is the epitome of the work, and the dispute between heaven and man slowly emerges. When man and nature finally reach harmony, the effect of the film will be brought into full play. Some people may say that the Valley of the Wind is a bit too individualistic and lacks some natural colors. Actually, it is not. Gong Lao's skill is here. He not only created a hero. He also deeply integrated his view of nature into the whole work. Specifically, you can see the details in the film: under the creepy rotten sea, there is another world, pure sand, purified water droplets, and those trees standing quietly, which can be said to be a paradise on earth. In the description of this scene, Gong Lao created a pure natural world with the above images. Gong Lao let us imagine the pure natural landscape that exists without human intervention. Through Xiao Na's eyes, we know the beauty and greatness of true nature, and these thoughts will be embedded in children's hearts silently. Undoubtedly, its educational significance is very great. . Let's take another look. Similarly, there is Xiao Na's unique room, a small space full of natural breath, which is completely opposite to the world full of poisonous gas outside. It is through this profound contrast between the human world and nature that Gong Lao shows his yearning and reverence for that true nature. In the end, Xiao Na stopped attacking He Mu, not so much because Gong Lao wanted to promote personal heroism, but because it was the perfect realization of the purpose of harmony between man and nature. Gong Lao has always believed that if human beings can make concerted efforts with Qi Xin like Xiao Na, in Qi Xin, human nature will be liberated, and human's previous wrong behavior will naturally be forgiven, and finally the harmony between man and nature will be achieved. Gong Lao's wish is very beautiful. Whether it can be realized depends on our generation. .

2. City in the sky: human science and technology ... the power of nature

Some people say that the city of the sky is a fantastic story, which shows the human dream. Others say that the city of the sky is a love story, showing eternal love. Actually, it's not. The real connotation of the city of the sky lies in the struggle with human science and technology and natural forces, which is also an important thought that Gong Lao wants to express. At first glance, it may be difficult to dig out Gong Lao's view of nature, but in fact this is the moral of the film. Everyone knows that the city of the sky is built by human beings with high technology, and it can soar freely in the sky without any raw materials. What supports everything? It's a big tree. Trees are the source of all strength. Human science and technology can never compete with the forces of nature. When the building of Sky City was destroyed, it was taken to a higher height by the core tree. At this time, Gong Lao's natural thought was vividly reflected. No matter how smart human beings are, no matter how developed society is, they must be based on their original nature. Man is like a city in the sky. No matter how well they are made, they cannot be separated from the forces of nature. Humans will eventually return to nature. After all, people are always born children. .

3. Totoro: lovely innocence ... natural fraternity

My Neighbor Totoro can be said to be a work that Gong Lao spent a lot of effort on, showing the childlike innocence and pure emotion without impurities, and this work that evokes our childhood fantasies has also deeply joined Gong Lao's natural thoughts. In Gong Lao's works, my neighbor totoro is a pure natural product, living under a big tree and sleeping in a cave. It can be said that my neighbor totoro's home is nature, and our two lovely little heroes are lucky enough to have real contact with my neighbor totoro, the embodiment of nature, because of their lovely innocence and pure hearts. My neighbor totoro planted trees and the children flew into the sky with hope. The sapling instantly turned into a towering tree. Every time I see this scene, I am inexplicably moved. Can I still leave a little green in the mixed hearts of human beings? Gong Lao expressed his good wishes through my totoro, and also expressed that the innocence of human beings and the love for nature were originally integrated.

Through his works, Miyazaki Hayao presents a beautiful, great, quiet and peaceful nature, which is the place where we live and the mother on which we live. So we should learn to love and protect her. When Miyazaki Hayao wrote My Neighbor Totoro, he often said: "The charm of Japan is changeable in four seasons, and there are rich and beautiful natural scenery everywhere." It is hard for a person with such beautiful scenery in his heart not to love and praise nature, so it is inevitable that Miyazaki Hayao's works are full of beautiful descriptions of nature. Miyazaki Hayao told us that we should love nature by praising nature and animation, which is the most direct expression. Therefore, his praise for nature is a reflection of his great view of nature. Of course, his view of nature is profound, which is only one angle. In the future work, we will continue to study.