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Magpies are noisy in the late rice field and butterflies are flying on the autumn grass bed. What are the ways to write the scenery?
Magpies are noisy in late rice fields, and butterflies are flying in autumn. The method of writing scenery is dynamic and static contrast (dynamic and static combination).

Original text:

Fujian Qiu Lai Qiangang [Tang Dynasty] Liu Yuxi

Waiting for the official to set up a battlefield, the home is even connected with Zhuxi.

In LAM Raymond, the sun beats drums and chickens are raised in huts at noon.

Magpies are noisy in late rice fields, and butterflies are flying on autumn grass beds.

The palace tree in the post building is near, and the tired horses neigh again and again.

Translation:

The official in charge of the post station stood by the water, and the farmer was connected with the stream in the bamboo forest.

Drums for offering sacrifices to the gods on social day came from the maple forest, and chickens crowed in the hut at noon.

Magpies sing in the autumn harvest and butterflies dance on the autumn ridge.

Under the tree near the post office, tired horses kept neighing.

Precautions:

1. Diving: He Qian River, now a buried hill in Anhui, flows into Anhui water in the southeast.

2. postal service: postal station.

3. Waiting for an official: an official in charge of the post office.

4. Zhuxi: a stream in a bamboo forest.

5. Social Day: a day for offering sacrifices to social gods (land gods). Society is divided into spring society and autumn society, and autumn society refers to autumn society.

6. Noon: Around noon.

7. Late grain: generally refers to autumn crops.

8. Border (qí): Tianlong.

9. The first floor: a pavilion.

10, palace tree: the tree next to the house. Palace, the floorboard of the house, here also refers to the post building.

Appreciation and author's brief introduction of seeing a guest off in autumn;

Appreciate:

This is a poem about seeing guests off at the post office. This poem is about what the poet saw and heard in Fujian at the post station, in which the first and second links point to Fujian, and the four sentences in the middle are all scenery. The whole poem depicts a rural genre painting by combining audio-visual with distance.

The whole poem uses the expressive technique of borrowing scenery to express emotion, closely surrounding the diving post, and describes the autumn scenery of the surrounding villages and fields. It uses audio-visual combination and far-near combination to write scenery, from inside the village to outside, from humans to insects, birds and flowers, depicting a peaceful scene and rendering a feeling of farewell.

Among them, the phrase "LAM Raymond Shegu, Noon Caotang Chicken" was greatly appreciated by Wang Anshi, a poet in the Northern Song Dynasty, and hung in the mansion with his handwritten inscription (Diary of Xuelangzhai). Wang Anshi's "cock crows at noon and dogs bark in the wild" is born out of this couplet (Notes on Fu Zhai).

About the author:

Liu Yuxi (772 ~842) was born in Luoyang, Henan, and Xingyang, Zhengzhou, Henan. He claimed to be a descendant of Wang Jing in Hanzhong. Ministers, writers and philosophers in the Tang Dynasty were called "poets". His family is a scholarly family handed down from generation to generation by Confucianism.

Advocating political innovation is one of the core figures of the Wang school's political innovation activities. Later, Yongzhen failed in innovation and was demoted to Sima Langzhou (now Changde, Hunan).