Lipper

The old friend stayed in the West Yellow Crane Tower and set off fireworks in March.

Sailing alone in the blue sky, I can see the Yangtze River flowing in the sky.

Listen to the flute playing on the Yellow Crane Tower and the piano playing in the stone pheasant.

Lipper

Once people take a back seat, like Jia Yi in Changsha, they look far and wide, but they can't see Chang 'an or their hometown.

There was a flute sound of "Plum Blossom" from the Yellow Crane Tower, and another drop of plum blossom was seen on the river bank in May.

Wanghuang crane tower

Lipper

Looking at the Yellow River Mountain in the east, the male bird came out in the air.

There are white clouds on all sides, and the middle peak leans against the red sun.

The rocks cross the vault and the peaks are dense.

I have heard of many immortals and learned flying skills here.

Facing the sea, the stone room is empty for thousands of years.

The golden stove produces smoke, and the jade pool is secluded.

Leave the ancient wood, the court is cold and old.

I advocate rock climbing because I want to protect my leisure. □ Location: "Hand for foot"

Traveling all over Shan Ye, Zi Ling is unparalleled.

Send your heart to the pine tree and don't forget the guest's feelings.

After being drunk, Ding smashed the Yellow Crane Tower with a poem and a mallet.

Lipper

The Yellow Crane Tower has been smashed, and the Yellow Crane Fairy has nowhere to go.

The Yellow Crane appealed to the Jade Emperor in Heaven, but was released to the south of the Yangtze River.

The satrap of the gods will be re-carved, and new pictures will return to Fang Fei.

A state laughed at me as a fanatic, and teenagers often laughed at me.

Whose house is under the Junping curtain? The cloud is Liaodong Ding.

I was stunned by the poem, and white clouds flew around the pen window.

Wake up from Ming wine and look for spring with you.

Jiangxia sees friends off.

Lipper

The snow is a little green, and I will take you to the Yellow Crane Tower.

Huang Hezhen Yu Yu flew to the Western Empire.

Phoenix has no afterlife, so why bother to travel far? □ Location: Wang Gan

Wandering about the shadows, tears flow through the Han River.

Bodhisattva Yellow Crane Tower

Mao Zedong

Nine schools in the wild went to China,

A thick line runs through the north and south.

Cloudy and rainy,

Tortoise and snake lock the river.

Where does the Yellow River flow?

There is room for tourists.

Pour wine,

The tide is rising.

Yellow Crane Tower

Cui Hao

The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.

The yellow crane never revisited earth, there have been no long white clouds for thousands of years.

Ma Yangshu, a carp in Qingchuan, and Parrot Island are a nest of herbs.

But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.

The new biography of talents in Tang Dynasty records that Li Bai boarded the Yellow Crane Tower to write poems, but when he saw the works, he put his hands together and said, "There is a scene in front of him, and poems are inscribed on it." Legend or attachment of later generations may not be true. But Li Bai did write poems twice to imitate this poetic style. The first four sentences of his poem Nautilus Island say: "The parrot crossed the Wujiang River eastward, and its name spread to the upper reaches of the river." The parrot flew west to Longshan, and the trees around him were green. Just like Cui Shi. There is also a poem "On the Phoenix Terrace in Nanjing", which is obviously copied. Because of this, many poets are praised for their oral performance. For example, Yan Yu's Cang Shi Lang Dialect said: "The Yellow Crane Tower by Cui Hao should be the first of seven-character poems in the Tang Dynasty." Gal, Cui Hao's "Yellow Crane Tower" is even more famous.

The Yellow Crane Tower is named after its Yellow Crane Mountain (also known as Snake Mountain) in Wuchang. Legend has it that in ancient times there was a fairy who crossed here by yellow crane (see Zhi); It is also said that Fei went to the immortal to drive a crane (see "Taiping Universe", quoted from "Tu Jing"). Poetry is to think about the origin of the name of a building, from legend to writing, and then grow out. What is the fairy crossing the crane? What is it now? Saying that it is "gone forever" will lead to the regret that the years have passed and the ancients have not seen it. The fairy went to the empty building, leaving only the white clouds in the sky, which lasted for thousands of years and could show the boundless generosity of the world. These words written by the poet show the common feelings of people who were suitable for Crane Tower in that era, with boundless spirit and sincere feelings.

The first half of the poem was scattered and the whole injury was corrected in the first year of the following year. It is about what I saw and felt in the building, and the homesickness caused by the grass and trees overlooking Hanyang City and Nautilus Island from upstairs. This is put first and then collected.

There used to be a saying that "writing is based on qi". The first four sentences of this poem seem to be spoken casually, rotating in one breath and descending with the trend without any obstacles. The Yellow Crane and Eryu appear again and again, but because of their imposing manner, readers "wave their hands sine and look at Hong Fei" and rush to read on, without paying attention to their overlapping appearance. This is a big taboo in metrical poetry, and the poet seems to forget that he is writing.

Try it: the five or six words in the first couplet are the same as "Yellow Crane"; The third sentence is almost completely annoying; The fourth sentence, reading the tail with three pawns seems to be "empty"; No matter any confrontation, it is based on the syntax of ancient poetry. Is this because the seven laws were not finalized at that time? No, there is a standardized seven-method drought, which was written by Cui Hao himself. Is it the poet who deliberately writes disharmonious laws? Not necessarily. He is different from Du Fu's later metrical poems in that he deliberately created his own tune. It seems that I still ignored it. As Lin Daiyu said when she taught people to write poems in A Dream of Red Mansions, "If there are strange sentences, even the truth is wrong." Here, Cui Po practiced according to the principle that poetry should be based on the meaning, and "words should not harm the meaning", which is why he wrote such a rare poem in the Seven Laws.

Shen Deqian commented on this poem, saying that "the meaning comes first, the spirit transcends language, and he writes with a vertical pen, so he is good at making great achievements through the ages" (Volume XIII of Tang Poetry), which means this. If you just let nature take its course, don't accept it, don't stick to the rules, and don't return to the meter, then it's not seven tones, but seven ancient ones. This poem seems to be divided into two parts. In fact, the text is the focus from beginning to end, with only one breath in the middle. This seemingly continuous connection is also the most organized from the perspective of the beginning, inheritance, transformation and combination of rhythmic poetry.

Regarding the second couplet of legal poems, Yang Zai said in Yuan Dynasty: "This couplet should be broken (the first couplet), and it should be as persistent as riding a dragon ball." This poem is like this because of ten days. It tells the legend of a fairy riding a crane, and the forehead is connected with the problem, one integrated mass. Yang Zai also said the "turn" of the neck couplet: "Avoid the meaning of the former couplet and change it, like a thunderbolt breaking the mountain, and the viewer is amazed." The metaphor of thunder is intended to show that there should be a sudden change in the first five or six sentences, which is unexpected. At the turning point of this poem, the style turns from right to right, and the realm is completely different from that of the former couplet, which just meets this requirement of the law. Recalling the big yellow crane in the past, it has gone away, giving people the feeling of unknowability; Suddenly, it turned into a beautiful grass tree, and I could vividly see the scene in front of my wife Manzhouli. This contrast can not only dye away the sadness of those who go upstairs and overlook, but also make the situation of women fluctuate.

"Chu Ci Zhao Hermit" says: "Spring grass can grow and grow if your grandson swims without returning." The language of "lush grass" in the poem is also used to sort out the meaning of where the end is, which makes it difficult to stop thinking. At the end of the couplet, I wrote the homesickness at sunset along the Yanbo River, which made the poem return to the invisible state at the beginning, making it echo the front "Taiwan" like a leopard tail, and also conforming to the laws of poetry.

It is precisely because of its superb art and great success that this poem is regarded as the swan song of the Yellow Crane Tower, which is understandable.

Listen to the flute playing on the Yellow Crane Tower and the piano playing in the stone pheasant.

□ Li Bai

Once people take a back seat, like Jia Yi in Changsha, they look far and wide, but they can't see Chang 'an or their hometown.

There was a flute sound of "Plum Blossom" from the Yellow Crane Tower, and another drop of plum blossom was seen on the river bank in May.

This is what Li Bai did when he exiled Yelang to Wuchang in the first year of Gan Yuan (758). This poem is about visiting the Yellow Crane Tower and listening to the flute, which expresses the poet's exile abroad. Jia Yi in the Western Han Dynasty was relegated to Changsha by the powerful minister for accusing the current politics. Li Bai was also implicated in the Li Lin incident in Wang Yong, and was exiled to Yelang on the charge of "disobedience". So the poet quoted Jia Yi as a homonym. "One is to move to Changsha", which is a metaphor for Jia Yi's misfortune, revealing the resentment of innocent victims and also containing the meaning of self-defense. But the political blow did not make the poet forget the state affairs; On the way to exile, he couldn't help looking to Chang 'an in the west. There are memories of the past, worries about the fate of the country and attachment to the court. However, Chang 'an, Wan Li, is a long way away, how far is it from the relocated people! If you don't look, you won't be disappointed. When I heard the flute playing plum blossoms on the Yellow Crane Tower, I felt particularly desolate, as if the Jiangcheng in May was full of plum blossoms.

The poet skillfully used the flute to express his sadness. Wang Qi quoted Guo Maoqing's Yuefu poem to illustrate the theme: "Plum blossoms are also the melody in the flute." In May and early summer in Jiangcheng, of course, there are no plum blossoms, but because the flute of plum blossoms is beautiful, it seems to see the scene of plum blossoms falling all over the sky. Plum blossoms bloom in winter, and although the scenery is beautiful, it inevitably gives people a feeling of awe, which is a portrayal of the poet's cold mood. At the same time, it also reminds people of the historical legend that Zou Yan was imprisoned and suffered great injustice. The expressive technique of linking musical sound with musical image is what poetic theorists call "synaesthesia". The poet thought of plum blossom from flute, appealed to vision from hearing, and interwoven with synaesthesia, depicting the desolate scenery consistent with the cold mood, thus effectively setting off the sad mood of returning home and homesickness. Therefore, in the interpretation of Tang poetry, it is very insightful to comment on the poem "The flute loves to blow infinitely". Shen Deqian in Qing Dynasty said, "Seven-character quatrains focus on vision and oral language, which makes people far-sighted, too white and thoughtful." This seven-character quatrain (Volume 20 of Tang Poetry) is famous for its "language is close to emotion, but it contains unspoken words", which makes people hear the poet's hidden words from the perspective of "blowing the jade emperor" and "falling plum blossoms".

Besides, this poem is good at its unique artistic structure. Poetry is written with the feeling of listening to the flute, but not in the order of smelling the flute and feeling, but feeling first and then smelling the flute. The year before last, I captured the typical action of "looking west" and described it, vividly expressing my feelings of missing the imperial city and the sadness of "looking but not seeing". The year after next, I heard the sound of the flute, which revealed the bleak scene of "plum blossoms falling in May in Jiangcheng", and conveyed feelings with the scene, making the front and back scenes reflect each other, wonderful and endless.

Yellow crane tower couplets

The Yellow Crane Tower is a famous ancient building in China, which was built on the Huanghuangji by the Wuchang River. It is a scenic spot for ancient literati to visit and recite poems. When you climb the stairs, you can see the distant mountains and the near water at a glance. Cui Hao, a poet in the Tang Dynasty, wrote: "In the past, the Yellow Crane carried saints to heaven, but now there is only the Yellow Crane Tower. The yellow crane does not return to the world, and the white clouds will never fly. " Known as the first of the seven laws of the Tang Dynasty. Li Bai came here to feel ashamed, so he had to say, "There is a scene in front of him, and Cui Hao wrote a poem on it." The Yellow Crane Tower was burnt down in 1884. It has been rebuilt.

The couplet here is a masterpiece about the Yellow Crane Tower.

On the first floor, the qi of three Chu is extracted, and the clouds and cranes are empty;

The two rivers meet the Wanhe tribe, which is endless in ancient and modern times.

Cool, the clouds sweep the heavens and the earth;

A river gone forever, the waves washed away the troubles of the past and present.

The yellow crane flew away, flew away;

White clouds can stay, but they can't.

Linjiang pavilion stands tall;

The Chushan River has shrunk.

The original crane when the building was not lifted;

If calligraphy classics are put aside, there will be no poetry.

The yellow crane returns, and see Zhou Zhu's thousand-year-old fragrant grass;

Today, the white clouds are still there. Ask who blows plum blossoms in May in Yu Di!

The heart is far away and the world is wide. Put the wine on the bar and listen to the jade emperor plum blossom. Is it time to fall down?

I bid farewell to Jianghan, pushed the window to send the outline, and asked when Xianhuanghe would return.

Water regulation. swim

Mao Zedong

Only drink Changsha water and eat Wuchang fish. Across the Yangtze River, you can see the endless sky. No matter how rough the storm is, it is better to walk around leisurely. You should be more relaxed today. Zi Zaichuan said: The deceased is like a husband!

As soon as the wind blows, the tortoise and snake calm down, and the grand plan has been set. A bridge flies north and south, and the natural barrier becomes a thoroughfare. Set up a stone wall of Xijiang River, cut off Wushan Yunyu, and leave Pinghu in Gaoxia. The goddess should be safe and sound, which will surprise the world.

[Original] Poetry of Yellow Crane Tower-Poetry of Tang and Song Dynasties

Yan Boli, a writer in the Tang Dynasty, described it as "a towering structure that flows by the river ..." It can be described as "dangerous and lofty!" No wonder Li Bai filmed "Yellow Crane on the West Building, Love on the Yangtze River in Wan Li". The spring breeze is 30 degrees, and Wuchang City is empty. It is difficult to say goodbye, but the cup is not tilted. The lake is connected with the music place, and the mountain is boating. It is said that Chu people are important, and poems spread in Xie Tiao. I have a song in Canglang, and I send a message to sing it. "Express the feelings in your heart.

On the mural of the main building of the Yellow Crane Tower, there is a poem "Farewell to Meng Haoran on the way to Yangzhou": "An old friend left the Yellow Crane Tower in the west, and fireworks went down to Yangzhou in March. Lonely sails overlook the blue sky, but I can see the Yangtze River flowing in the sky. " This poem has also become a quatrain to recite the Yellow Crane Tower.

Yellow Crane Tower

Dao Jia

If the high threshold and dangerous eaves fly, the lonely clouds and wild water are reluctant.

Castle peak is still long, when will the yellow crane leave?

When the shore is half out of Xizhou City, the Nanpu tree will be small.

I knew there was no reason for the hacker to see it, so I was full of affection!

Song Wenzhi

Han and Guang divide the sky, and the boat is like a fairy. When the Qingjiang River is warm, the yellow crane clears the smoke.

Yue Fei

When you ask for a sharp brigade, cross the Qinghe River with a whip. However, I came back to continue my trip to Hanyang and crossed the Yellow Crane.

Lu you

How late does the sparrow jiao of the black dragon come back? I don't know if he was drunk in the Yellow Crane Tower. The communication of Hanjiang River is endless, and the ruins of Jin and Tang Dynasties are separated.

Chengda Fan

Who plays the flute in the Mid-Autumn Festival, the yellow crane returns to know the old tour. Hanshu has feelings for Beidou, and Shujiang has no words to hold the South Tower.

Bai Juyi

Meditation is hazy, clouds are cold, business sounds are crisp, and orchestral music is autumn. The white flowers of Toutuo Temple splash, and the red leaves cage Parrot Island.

Liu Yuxi

I feel suspicious in my dream, and the ship travels thousands of miles. Look at the Yellow Crane Tower. It's almost as cold as Sha Xue.

Wang Wei

Canglang water at the door, Yellow Crane Tower by the river. Zhu Lan will be pink, and the river will reflect.