I'll answer it

Tashan

Lv.3 2012-11-14 chat.

Xue Baochai is a beautiful, dignified, virtuous, open-minded and intelligent woman. Some people think that she is a female Cao Cao, and she is very good at dealing with people, so it is inevitable to appear hypocritical and melodramatic.

The fundamental reason is to compare her with Daiyu. Different people have different opinions. Beauty, her beauty and dignity, her talent and her appearance are all obvious to all. She is well-read, versatile, piano, chess, calligraphy and painting, poetry and songs, omniscient, local conditions and customs, and has a varied life. Even medical theory. Baochai also knows a thing or two. So Baoyu often admires. Her artistic attainments are profound and she is famous in the Grand View Garden. Poetry is smart and often takes the lead, comparable to Daiyu. As for her charm of "more charming and romantic than Daiyu", Baoyu often envies her. Indeed, Xue Baochai is a girl with both talents and looks.

Lin Daiyu: Lin Daiyu is a smart and comely woman with inner wisdom and outer. "Two curved like a frown, a pair of watery eyes don't shed tears. The state has two sorrows, and it is sick. Tears a little, breath slightly. When you are free, it shines like a beautiful flower on the water, and when you act, it looks like a weak willow tree. The heart is a little more than the stem, and the disease is not as good as the west. " This poem shows the beauty and temperament of Daiyu, which is blurred, dreamy, morbid, weak and mixed with motion and static. I can't find a better adjective to fully describe such refined beauty and charm, or "holding a peerless face and being handsome in the world", or "This woman should only be in the sky, how can she be seen in the world!" The beauty of Lin Daiyu is also manifested in her brilliant talent and poetic temperament.

Daiyu is born with beauty, but her heart is willing but her strength is weak. Her illness is as good as her handwriting, but she wrote a poem "I am going to die and be buried now, and I don't know when I will be buried". Why? It is because of paying too much attention to details that I finally died in despair, leaving an eternal wish.

Jia Baoyu: Jia Baoyu is the first hero in A Dream of Red Mansions. It is an artistic image created by Cao Xueqin, who is full of ideals and passion, devoted his efforts and talents. This is the first brand-new immortal mode in the history of China literature. Zhi Yanzhai called Jia Baoyu "an unprecedented person" and said that "such a person has never been seen in the world, that is, reading ancient and modern novels and legends, and such words have never been seen." At the same time, Jia Baoyu's image is full, profound and vivid, which is still popular in life and will last forever.

The newcomers in the old world are often regarded as eccentric and unreasonable by the secular, and even considered as crazy, crazy, stupid, stupid and unreasonable. This is the common destiny of enlightened people. Jia Baoyu not only became the object of "a thousand sarcastic eyes" in A Dream of Red Mansions, but was regarded as crazy, stupid, dull and stupid, and was called "the bane of evil" and "the devil on earth" by Mrs. Wang. Even in the eyes of readers and in A Dream of Red Mansions, he has different views. Some people think that Jia Baoyu is a traitor to the feudal aristocracy; Some people say that he is a representative of the emerging citizen class; Some people say that Jia Baoyu's democratic thought is "ancient" and his rebellious character is the inheritance and development of ancient democratic tradition. It is also said that the formation of Jia's rebellious character is due to the influence of the "daughter country" of the Grand View Garden. What is Jia Baoyu's image? What is his position and role in the book? What is the social significance and aesthetic value of this image? This is worthy of further study.

About Jia Baoyu's life experience, A Dream of Red Mansions begins with an absurd and profound story. Nu Wa tried to mend the sky by refining stones, and it turned into 36,000 pieces. As a result, there was only one piece left, abandoned at the foot of Geng Qingfeng, a ridiculous cliff in a big barren mountain. This stubborn stone has passed the training of Nu Wa, but it can be big or small. Originally a monster with a height of 12 feet and a square height of 24 feet, it became a fan of Zhui Er, a bright and clean treasure jade. One day, I met a vast scholar, an ethereal real person, wrote a few words on it, and took it to a prosperous country, a house of poetry and ceremony, a prosperous land of flowers and willows, and a gentle and rich country. Thus, a son was born in Stone Town and Guo Rong Building. As soon as he was born, he had a colorful jade in his mouth. This is the illusion of hard rock under Gengqingfeng on the absurd cliff of the great barren mountain.

Originally a stubborn stone, ignorant; Calm, calm and peaceful in the wild, long and lasting. It happened that he was spiritually enlightened and became a man. He has feelings, friendship and soul. He has enjoyed all kinds of beauty in the world and eaten up all kinds of pain in the world. But in the end, it will turn to stone, and it will return to the foot of Gengqingfeng, a ridiculous cliff in the barren mountain. This is a cycle with no beginning and no end. This is not only Jia Baoyu's history; It is also the history of the universe and mankind. -Now let's get down to business. Let's analyze the image of Jia Baoyu.

Shi Xiangyun: A Dream of Red Mansions was painted by Shi Xiangyun.

The emergence of "writing children's pen and ink" is because the author pays attention to the political environment at that time. Therefore, many women representing different personalities and types depicted in the book may not be limited to women from the perspective that their images are based on real life and are cut and refined, and the characters and details of prototype characters are integrated into the novel images. In the daughter country of Daguan Garden, Shi Xiangyun is the most obvious one who shows her pink soul. Her parents died when she was a child and she was raised by her uncle. Her aunt treats her badly. So her life experience is somewhat similar to that of Lin Daiyu. However, she is outspoken, cheerful and generous, mischievous and unthinking. She even dared to sleep on a bluestone bench in the garden when she was drunk. She and Baoyu are also good friends. They are sometimes affectionate and sometimes irritable together, but after all, they are open-minded and "never care about their children's affairs." However, on the other hand, she has no rebellious spirit of Lin Daiyu and is influenced by Xue Baochai to some extent. In Shi Xiangyun, in addition to her unique personality, we can also see some uninhibited characteristics of literati respected in feudal times. Shi Xiangyun's misfortune is mainly the post-80s generation. According to this piece of music and the sporadic materials provided in "Red Yanzhai Review", Shi Xiangyun later married Wei, the son of a chivalrous aristocrat, and their married life was relatively happy. But the good times didn't last long, and soon the husband and wife separated, and she was lonely and haggard. As for the legend in some sequels that Baochai died young, Baoyu became a servant, and Shiyun became a beggar, and finally married Baoyu, it seems that this did not conform to Cao Xueqin's original writing plan, but was produced in the thirty-first cycle of "The White-headed Double Star Kirin". In fact, the "White-headed Twin Stars" means that Wei and Shi Xiangyun lived separately until their old age, because Shi Xiangyun's golden unicorn is similar to Xue Baochai's golden lock, and both of them are used as proof of marriage, as Zhifu said: "The unicorn of Shi Xiangyun's image (20 pieces) in Lan Ruo Shooting Garden 87 edition of A Dream of Red Mansions has also been this unicorn in recent dozens of times. The outline lies on this back, and the so-called grass snake gray line is thousands of miles. " So, what is the "V" method of the Outline? This time, I wrote about Baoyu's lost golden unicorn (he originally gave one to Xiangyun, and wanted to give it to Xiangyun). It happened that Xiangyun picked it up and Xiangyun's maid was talking to her about "male and female" and "yin and yang" and said, "Yin and separation!" These details suggest that this thing will be related to Xiangyun's marriage in the future. At first glance, it really looks like "Fu" Xiangyun and Baoyu have a "fate", which is also in line with the theory of "good fortune". Daiyu also had doubts about this and said some sarcastic words to Baoyu. In fact, Baoyu just inadvertently acted as a middleman, just as the "fate" between xiren and Jiang Yuhan was almost the same as exchanging sweat towels through his biography. At this point, Pang Tuan made it very clear: "Today's marriage has been decided, and writing golden unicorn is also a color method. Why is he confused about this? Therefore, every child is called' love'. (At the end of the comment on Daiyu in Love List, it means' people who use their feelings for affectionate people') Painting is called' indirect coloring method', which makes the main color bright and another color set off. Xiangyun's marriage is a foil to Baochai's marriage: one became attached to the golden lock and the other to the golden unicorn; A second grandma seems lucky, but her husband is a monk and she is widowed. The phrase "the fellow villagers are talented and beautiful" is "the clouds are high and the Tang Dynasty is dry, and the Xiangjiang River is dry". In the end, there is nothing. "Double Star" is another name for morning glory and Vega (see Jiaolin Grand View), so Tanabata is also called Double Star Festival (later changed to Double Lotus Festival). In a word, the "White-headed Double Star" means that Xiang Yun and Wei divorced soon after they got married for some unknown reason (it can also be said that Yin and Yang are separated forever) and became cowherd and weaver girl. This just serves as a foil for Baochai's "good marriage". "Good Song Note": "What do you mean by thick fat and fragrant powder? Why are the temples frosted again? " Pang Tuan mentioned Baochai and Xiangyun together, saying they were both. It can be seen that people who misunderstand Xiangyun's future marriage with Baoyu because of her compound eyes are as confused as Dai Yu's acceptance of Baoyu's golden unicorn. Shi Xiangyun is clear-minded, and his movements are not as good as pipa. Shi Xiangyun's broad-mindedness is not an arrogance, but an interest in joining the WTO. When you are in a good mood, you eat meat in large chunks. When you get carried away, you fight with your thumbs and occasionally dress up as a woman. You are free and easy during the day and look around, which is self-defeating. In the Grand View Garden, Shi Xiangyun's life experience is both rich and expensive. Although he is no longer rich because of his family decline, he has no noble temperament. She doesn't distinguish between high and low, nor is she limited to the difference between men and women. She has no utilitarian heart in dealing with people. As a woman, Shi Xiangyun has a man's generosity and open mind. She is not tired of her daughter's skin. In the 31 debates between Yin and Yang, Cui Lu's chatter and Shi Xiangyun's follow-up answers filled the master and servant with an equal atmosphere like sisters and teachers. But Shi Xiangyun's speculative thinking, in a nutshell, is not like those boudoir women who cry at the sight of the wind and feel sad at the sight of the moon. When she passed out of our sight like the spring breeze, people were intoxicated with her manners and forgot her true colors. In A Dream of Red Mansions, it seems that we have never seen what Xiang Yun really worried about. She always laughs and is full of interest and enthusiasm for life. As for her personality, the author not only made achievements in commenting and reconciling the songs of A Dream of Red Mansions, but also made many poems and paintings. When she first appeared, the author showed the personality characteristics of "laughing and laughing" and "bite the tongue", saying that she was caught in the love entanglement of Bao, Dai and Chai. Her arrival made Daiyu jealous and quarreled with Baoyu. The next morning, Baoyu came to see Daiyu and Xiangyun, and only his two sisters were still lying in bed. Dai-yu tightly wrapped in apricot HongLing quilt, safely closed her eyes. Xiangyun is resting on a pair of moss; A pink silk quilt, covered only to the chest, with white arms bent, is placed outside the quilt with two gold bracelets on it. Baoyu sighed, "Sleeping is still dishonest ..." Through the description of their sleeping state, they showed two completely different personalities, and formed a sharp contrast between Daiyu's preciseness and Xiangyun's oversimplification. In the Grand View Garden, Shi Xiangyun not only ignored the difference between men and women, but also interacted with people. He was a true character with no utilitarian heart, which was quite different from Baochai and Daiyu. Although Baochai is knowledgeable and good at small favors, the importance of personnel is very clear in her actions; Although Daiyu was a rebel in feudal society, the hierarchy of feudal society was clearly defined in her mind. A young lady can never compare with a servant girl, and Daiyu is aloof by nature.

When Cao Xueqin portrays the image of a beautiful woman, he never writes the characters perfectly. Often written as a beautiful jade flaw. Such as Daiyu's weakness, Baochai's fever and Yuanyang's freckles. These "flaws" not only did not affect the aesthetic feeling of the characters, but added features to make the characters more vivid. This aesthetic dialectics is also used to shape the image of Shi Xiangyun. He not only made this beautiful girl have the small defect of "lisping her tongue", but also mixed her with some charming masculinity in caressing and flattering. She always likes men's clothes. Every time it snows heavily, her dress is different: she wears a big coat with fire inside and outside, a red gorilla suit on her head and a big mouse collar. Daiyu smiled and said to her, "Look, the monkey is coming. He usually holds a cigar and deliberately makes a little coquettish. " They also laughed: "He only likes to dress up as a boy, but he is more handsome than his daughter." She cooked venison with Baoyu and Pinger. Daiyu laughed at them, and Xiangyun said, "You know,' it's true that celebrities love themselves', ... We are eating and chewing now, but when we come back, we are full of smiles." Even when writing a poem, she would recite the poem "Sitting by the fence, tuck in the Leng Xiang" and behave like a hidden woman. Handsome and charming are mixed with some romantic dolls, which makes Shi Xiangyun's image more attractive. Cao Xueqin also showed her enthusiasm and frankness when she created the image of Shi Xiangyun. She is a very talkative person, a "chatterbox" and shows enthusiasm for people and things. Xiangling wants to learn poetry; She dared not disturb Baochai, so she asked Xiangyun for advice. She's "getting happier and happier, talking about it day and night." To this end, Baochai criticized her for "not keeping her duty"; Not like a girl's house. She is what she appears to be, outspoken and doesn't mind her boss. Once at the theatre, Xifeng pointed to a little Dan on the stage and said, "This child is dressed like a person." Everyone knows who Feng refers to, but they won't say it for fear of offending people. Xiangyun bluntly said, "I know, like sister Lin." For this reason, Daiyu was offended and there was a contradiction with Baoyu. On one occasion, she advised Baoyu to take the road of "career economy" and asked Baoyu to make an "eviction order". Some people say that this shows that Xiangyun has a strong feudal consciousness. Actually, it's not like this. It just shows her innocence. Later, I went to Jiafu and lived with Baochai all the time, and she was also influenced by it. But those words to persuade Baoyu were by no means Xiangyun's own thoughts, just parroting. The author also shows Xiangyun's transcendental talent and the agility of poetry. Xiangyun's poems come the fastest and most, showing her chic style. Ode to Bai Haitang, she came late. When others have almost exhausted their meaning, she got two songs in a row, which are novel and unique, and have won everyone's admiration and appreciation. When Xue Lu 'an wrote poems, because he ate venison and drank wine, poems became excellent, many and good, so Xue Baoqin, Baochai and Daiyu fought for Xiangyun. Everyone laughed: "It's all because of that venison." The sixty-second Han Xiangyun Drunken Peony Garden is vivid, and Shi Xiangyun is one of the most active elements. Everyone guessed, drank, and wrote poems. Three called four, seven called eight, and the whole court was full of red flies and green dances, and jade beads shook. After playing for a while, the banquet broke up, and Xiangyun suddenly disappeared: "Just then, I saw a little girl coming with a big smile and saying,' Look, Miss Yun was drunk and wanted to cool off, and fell asleep on the bluestone stool behind the rock.' When everyone heard this, they all smiled and said,' Stop arguing. When everyone came to see it, Xiangyun was lying on a stone bench in a secluded place on the rock. He has fallen asleep, peony flowers are flying everywhere, and red incense is scattered all over his face and skirt. The fan in his hand is underground, half buried by fallen flowers, surrounded by a group of bees and butterflies. Another bag of peony petals is wrapped in a shark handkerchief as a pillow. When everyone saw it, they all loved and laughed, and rushed to call for help. Xiangyun was still talking about the wine list in her sleep, and DuDu shouted:' Spring fragrance tastes bitter, amber comes in a jade bowl, so you can drink it straight, and plum blossoms are drunk when they come up on the moon, but it is suitable for friends and relatives.' "This is a painting, this is a poem, and it is a poetic Shi Xiangyun. Who doesn't feel cute in the face of such a role? Who doesn't fall for it? However, the beautiful flowers have finally withered, and the days of leading a drunken life have finally gone away in the shadow of falling flowers. Although the ending of Xiangyun is still controversial, it is undeniable that the appearance of Xiangyun has always been like a few flying clouds, and her departure has a lot of warmth but no trace. Wang Bo's "Lonely sunset in Qi Fei, autumn waters and sky are one color" is probably the most suitable for Xiangyun. Her clear and distant, flying and elegant, casual harmony should be Shi Xiang.