This drama continues the plot style behind Tender, and focuses on the love and marriage views of contemporary young people in modern cities. In the context of the current two-child policy, not wanting to get married is the biggest highlight of this drama.

Still continuing the previous style, the plot is composed of unit fragments, which gives the audience a strong sense of substitution and will not be visually tired. This montage technique is worth learning from many TV dramas and must be praised.

The description of real life is particularly explicit and a bit ruined. The contradiction of the plot is especially concentrated on the role of mistress, which even makes the audience feel a little sick. There are rich women raising young men, and there are lies and deception in marriage. The whole play is gloomy in style and not suitable for children to watch.

In this materialistic society, it is a contest between money and human feelings, a contest between down-to-earth efforts and some shady skills. I have written all the experiences and lessons in love, and the most impressive thing is the physical transaction in the play, which reveals some hidden rules.