1. Don't stride when rotating, it will affect the speed.
2. Keep your eyes on a target in front of you, keep your head and let your body turn first, and then turn your head instantly after the body basically turns.
3. The legs should be upright and not bent, and stretched upward through the body.
4. Vertebra must be perpendicular to the ground and must not be bent.
5. Rotate with two soles, and never use heels.
6. After rotating 360 degrees, immediately open your feet and keep your center of gravity between your feet.
Practice one lap first, then practice two laps, three laps and four laps after proficiency. I believe you will succeed.
In the intermediate class, the Latin dance teacher of Shenzhen Dance Network told the students like this. You can master it soon … you can practice.
The origin and development of Latin dance The full name of Latin dance is Latin dance, which is a popular folk dance in Latin America. It is based on a man and a woman. Its dance steps and styles are basically derived from the local folk dances in this area. The origin of Latin dance is closely related to Africa.
/kloc-since the 0/5th century, colonialists such as Portugal, Spain, Belgium, Britain, France, etc. Engaged in the slave trade, selling a large number of African blacks as commodities to all parts of America through the Atlantic Ocean ... Needless to say, these blacks will also be brought to Latin America from folk dances with strong tropical African characteristics. These folk dances have influenced and integrated Latin American dances, and absorbed the dance styles of immigrants from other Latin American countries, and gradually formed Latin American dances with Latin American characteristics.
1925, the Royal Society of Dance Teachers (ISTD) scientifically standardized the national standard dance and awarded the international standard dance to the whole world. Latin dance pace. However, it has been nearly half a century to systematically summarize, learn and apply the theory, principle, movement and technical skills of Latin dance …
Latin dance has a long history. There are many kinds of Latin dances, but the ones that stand the test of time are rumba, cha cha cha, samba, Gaeff and Pas Dobl. As the representative of Latin dance, these five kinds of dances are included in the national standard dance as competition items. 1960, Latin dance officially participated in the world ballroom dancing competition.
What kind of person is suitable for long-term Latin dance?
In recent years, China's sports dance has developed rapidly and there are many fitness methods. It is very important for the busy staff to choose suitable fitness and entertainment methods and persevere. I have been thinking about what kind of people should choose Latin dance as a fitness method and which Latin dance is more suitable. Later, I carefully observed the characteristics of Latin dance lovers and got some simple understanding.
China classical dance pays attention to "mind, meaning and spirit", emphasizing rigidity, crispness, toughness and softness. Ballet also pays attention to qi, but more lies in the control of bones and muscles on the body. Latin dance is classified as sports dance, which shows that it not only has artistic beauty, but also has the function of strengthening the body. Compared with other dances, for Asians who don't pay much attention to muscle exercise, long-term practice of Latin dance will exercise most of the muscles of the body and play a more obvious role in fitness.
What kind of person is suitable to choose social Latin dance as a fitness method?
Social Latin dance does not require high physical fitness, and it is easy to learn. It can mainly be danced in the ballroom or bar to relax the nervous nerves. People who insist on social Latin dance for a long time have some common characteristics: they are willing to spend money, like socializing, like being curious but not persistent, and prefer to focus on their careers than dancing. Needless to say, the long-term high consumption in bars is not a small sum. Most of them put their careers in a more important position and only regard Latin dance as a pastime. If you don't like dealing with strangers, you can't persist for a long time. There are both men and women in this category.
What kind of person is suitable for long-term competitive Latin dance?
Competitive Latin dance requires high skills and strong physical fitness, which requires long-term study and practice. If you want to persist, you must first have a strong interest, so that you can continue to persist when you experience setbacks. Secondly, you should have more leisure energy. I'm not talking about leisure time here. Some people's work will bring more pressure to their minds, and they will concentrate on their work all day. Such people are not suitable to choose competitive Latin dance as a long-term fitness method. Of course, people who choose competitive Latin dance must have a certain research spirit and like to explore complex things, so that they can learn, persist and improve five things for a long time. But this kind of people may inevitably let dancing affect their life or career, because if they spend their leisure time on dancing to improve their professional level, they can also achieve certain results. Probably because of the pressure of life, there are fewer men in this category than women.
What kind of person is suitable for flamenco?
Flamengo is a very expressive dance, and its fans are few. This colorful dance is suitable for people with clear love and hate, rich emotions but not melancholy, who directly express their feelings and don't like being bound. Only such people can vividly interpret flamenco's lively attack rhythm, provocative dance style, powerful explosive force and graceful arm movements. Of course, flamenco is also a kind of intensive practice that takes a long time to master.
What are the essentials of Latin dance?
Hip movement is one of the symbolic movements of Latin dance. Except for bullfighting, the other four dances all have hip movements, which show the great gentleness of women to the extreme. It's hard to imagine Latin dance without hip movements, such as rumba.
Hip movement
Hip movement is one of the symbolic movements of Latin dance. Except for bullfighting, the other four dances all have hip movements, which show the great gentleness of women to the extreme. It's hard to imagine Latin dance without hip movements, such as rumba. As the saying goes, "seeing is believing", but it is not entirely true. Sometimes, eyes deceive themselves. For example, the crotch movement of Latin dance is considered to be twisted because it swings from side to side, which is a big mistake. The crotch swaying from side to side is its superficial phenomenon, not its internal essence. Any movement of Latin dance body is the result of feet pressing the ground, confronting the ground and then squeezing the body. The action formed in this way is very solid, nailed firmly and deeply rooted from the footwork action; Judging from the crotch movement, it is full of toughness and strength, and always looks like Zhang Fuyou's elastic rubber.
Arm movement
The arm is an extension of the body, and the arm action is the aftermath of the body action. Many people don't use their bodies to drive their arms in Latin dance, but want to use their arms to drive their bodies, and the result becomes dancing. In fact, Latin dance can easily be made into a playful dance, and modern dance can easily be made into a walking dance.
Foot movement
Feet should put pressure on the ground, confront the ground and squeeze the body, which requires practicing the strength and kung fu under their feet. In-situ basic rhythm is the simplest and most effective way to practice this kind of kung fu, but remember one thing, don't twist your hips actively, otherwise it will be in vain to practice more, because something inside is wrong, which is called "the opposite direction". The greater the kung fu, the further the mistake. Different from the folk dances in China, most western dances are under the feet. Just watch ballet, tap dance and modern dance. The four cygnets have no hand movements at all. When dancing, the floor is the best friend. The greater the force given to the floor, the stronger the expressive force given by the floor.
Latin dance terminology bilingual edition
basic element
Square square, rectangle (square step)
Sector Step 9 (Sector Position)
Progressive parade
(Forward)
(backward) (backward)
Side step bypass
Shadow position
Side by side position juxtaposition
Shoulder to shoulder, shoulder to shoulder
Hand to hand combat opponent
Hockey stick step
Lady's underarm turn to female partner's underarm turn (arm down turn, fixed point turn)
Cuban rock Cuban swing
Natural expansion action right expansion step
Natural right-hand rotation
Reverse left turn
Open hip twist, open hip twist.
Closed hip twist
Arimana
Spiral staircase
Ayida, Ayida
Rope rotation lasso turn
Cut-off Steps for Walkways and Counter Walkways
(check from the open P.P. and the open C.P.P.) (from P.P. and from C.P.P.)
(new york) (new york step)
Fixed point turn
Cucala QIA Si Step (kukla QIA)
Three, three, three steps
Turkish towel Turkish towel steps
Advanced hip twist step
Breakthrough in splitting Cuba (from opening C.P.P to separating Cuba) (from opening to reverse P.P. and opening to P.P.)
And open page)
Sliding door sliding door step
Cross basic cross basic step
Rebound action
Correct basic steps of natural basic movements
Left basic step of reverse basic motion
Basic steps of progressive basic movements
Samba walks in the dance.
Samba Whisks (Right and Left) Cross Step (Right and Left)
Step by step while samba.
The still samba walks in the same place.
Samba lock Samba lock steps
Botafogos Point Slide (Botafogos)
(Excerpted from P. P.& (Canadian Pacific Oil Company)
Travelingbotafogos travel point, botafogos travel by taxi.
Shadow Botafogos Shadow Website Sliding Shadow Botafogos
Contra Bota Fogos Reverse Point Sliding Reverse Bota Fogos
Braided rope weaving step
Volta step
Moving Volta (Crossing) Crosscutting Step (Wandering Step)
Step-by-step (for ladies) (for girlfriends)
Continuous Volta Turn in Place (Left and Right) Continuous Step Turn (Left and Right)
Natural scrolling Scroll to the right.
Corta Jaca pushing and cutting steps
Argentina takes a step across Argentina
basic element
Connecting rod rocker swings continuously.
Falling Rock and Back Swing
Change position from left to right and change pace from left to right.
Change position from right to left and change pace from right to left.
Link and whip walked around step by step.
Throw backward
Change hands behind your back
Cowboy ramble
Melenger's turn step
Stop and go
Arms rolled inward.
Spanish arm Spanish gesture
Windmill department
American rotation
Chicken take the chicken Hangbu
Toe Hell Spin Heel Toe Steps
Step of changing ball and sole
Kick, kick
Apel stamped his foot.
Sur Square still stands.
Take a step to the right
Take a step to the left.
Elevation (Right and Left) Lifting Steps (Lifting Steps Left and Right)
Rotation and rotation in progress (rotation and rotation in progress).)
C.p.p. Travel Rotation in Travel Rotation (C.p.p.)
Spanish line Spanish dance
Flamengo tap dance
Separation step
Attack attack steps
Eight-step replacement method
Sixteen-stage displacement
The promenade is closely synchronized side by side.
Take a stab in anger
Syncopation checkers syncopation spike
Cloak step
The Sixteen Steps of Lapush Swimming
What are the characteristics and precautions of children's Latin dance choreographer? Now many children dance Latin dance and perform a lot. Rehearsal is a headache because children are always disobedient. Therefore, the arrangement of dance needs to be adjusted according to the characteristics of children and needs to be considered in advance.
Choose music with clear rhythm and slow speed for 3-5 minutes. If it is a performance by two children, it is recommended to choose rumba or cha-cha. If it is a group dance, you can use cha-cha or cowboy.
If it is a group dance, try to change the formation only once and adopt the principle of proximity, which is easier to remember. Connect the basic steps they know in series and change according to the ups and downs of music. In the climax of music, you can choose some expressive movements or several shapes. You don't need too many actions, you need to carefully select one by one and constantly adjust.
For a duet, you need to choose more movements and more movements, so that it doesn't look monotonous on the court. You can also choose some complicated action combinations, especially practicing open movements and modeling, which is easier to show off.
But for the group dance with a large number of people, it is best for everyone to occupy only a small area to avoid the disorder of formation and to be easier to train.
There are generally three forms of choreography for children's Latin dance group dance. One is to let each pair of children finish the routine hand in hand and enhance the effect by changing the queue combination. The other is a combination routine, combined with a two-person combination routine. In addition, a variety of five sets of combinations can be interspersed together, and the stage effect is better, which is more suitable for older children with a certain foundation.