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Why can't the popular Korean women's group conquer the male market in China?
This is really an interesting sentence. It can be said that the Korean men's team really captured a large part of the women's team market in China. Relatively speaking, Korean women's groups can be regarded as insignificant in China's male market. Why?

Compared with domestic customs, the export of Japanese cultural creativity to China has the advantage of "generalization as a whole". To grasp the cultural creativity of Japan, it was slowly exported to China in the 1980s, while many men in China generally gradually accepted the second dimension of Japan from childhood, from Japanese anime to theme songs, Japanese dramas and Japanese pop songs around them, so the connection was smooth. Moreover, most China people who reject Japan have long been accustomed to Japanese island movies and Japanese anime, but this is not contradictory to my opposition to Japan, that is to say, I have long known that there are certain differences between them.

Turning to South Korea, it took 10 years for South Korea to be introduced into China, much later than the time when Japanese cultural creativity was introduced. Moreover, Korean entertainment is dominated by Korean dramas and Korean music, which is not as appropriate and logical as Japan's starting from the second element. Many Korean dramas design scripts and characters for female clients. Male customers who like watching TV series should have a relatively low occupancy rate, and even have a psychological state of exclusion, which is slightly lower in China.

Besides, the destructive relationship of our country, ethnic issues, such as restrictions on South China and the deployment of Sadr's anti-missile system, will all hurt Koreans' sense of South Korea.

The most attractive Korean girl group is Kpop. If you think Kpop is more musical than Jpop, then you have to be proficient in music or your ass will be crooked and full of nonsense. The only music that Kpop can compare with Jpop is Trot, but even Trot is a poor version at best.

Imagine that listening to a song and watching a MV are completely different in terms of economic development costs and economic development costs. People can read books, play games and exercise while listening to songs. , but it is unlikely to watch another MV.

And whether you agree or not, Kpop's traditional folk dance design concept is generally to infinitely increase the release of male hormones and euphemistic hints. Some classic folk dances of Korean dance, such as buttock bumping, standing up with legs apart, squatting, ass shaking, etc., are all suggestive gestures.

This gesture is "disorderly" to the traditional culture and art of China and China, and will be rejected. Why is this South Korean myeongdong not a big problem? Because the influence of women in Myeongdong, South Korea is poor.

Therefore, in the eyes of many female fans, Chinese dance looks very feminine and powerful, and enviable male hormones are released throughout the body. In the eyes of men in China, it is the only weapon that can scare away after gambling and drugs.

At present, there are about two types of straight male cancer market in China, which are popular in our straight male cancer market. There are probably two kinds of popularity: one is naive and appealing, probably the idol of first love; One kind is an idol with a good attitude and popularity. It's really not important to pay attention to the ability to work on the performance stage.

For the above two types, the former either favors the more appealing Japanese cultural system or has a very low tolerance for the black material of idols. The femininity of Korean idols is really different from that of China people, in order to be more feminine and more feminine. Naivety makes people feel pure but not true.

10 How old is the child? Whether it is makeup or characterization, it gives people the feeling that Aunt Simon plays a little girl. The step-by-step ps filter under the exquisite packaging of Korean idols is not comparable to the close touch and shaping feeling of Japanese, nor to the powerful setting that the second-dimensional virtual idol will never collapse.

The latter is also incomparable. Han can really show his big-name star, even if it's just a high-rise house. The socio-economic development of South Korea is really depressing, which is not in line with China's favorite design concept. Especially small idols, even if they are broadcast live, are watched by artists' agents, and they can be blamed if they are slightly wrong. Where do you get the realism of fans?

At this level, Korean idols can't compare with local Internet entrepreneurial idols like Meng Meiqi, or even with a group of coveted head anchors.

After all, games and entertainment equipment are also products, and only by closely combining with market rules can we occupy the market. Although the economic structure of Korean group artists' training mode is strong, there is no good compliance with laws and regulations in the customer market segment of straight male cancer in China, so it is normal to fail to catch it.

Summary:

Generally speaking, as the backbone of idolatry, 15 to 25-year-old children only account for about 17% of the population of Henan Province. Excluding men and women who are not idolized, the total population of irreversible idolization is actually very small. In other words, there are very few Korean k-pop powders in China, and even fewer people want to pay, and this small market will be divided up by dozens of Korean groups. Han Yu occupies only a small part of the women's market, far from occupying it, not to mention that k-pop is only the overseas popular culture of non-mainstream girls in China.