No. 1 if you want to sing pop music well, a singer must first be full of emotions!
If you want to sing pop music well, first of all, the singer must be "full of sound and emotion"! ! !
Voice: refers to the skill of vocalization (that is, singing with those movements)
Emotion: an emotion or an atmosphere to be expressed when singing (generally regarded as whether to participate or not, whether to have the temperament of a singer)
Even a person with superb vocal skills will still have defects in his voice, because in vocal performance, people's voice is always improving. Without emotional support, he is at best a voice machine, which is flawed.
On the other hand, if you use temporary courage to vent your feelings, you will often be inseparable from karaoke and shouting.
Myth: Voice and emotion can't be well combined. Blind training leads to becoming a numb sounding tool. Excessive enthusiasm is too easy to catch up with the breath of street singing, and it will be difficult to change in the future!
No.2 discusses the singing rules of pop music from two aspects: sound and emotion
Let's discuss the singing rules of pop music from two aspects: sound and emotion.
Of course, in the process of literal expression and action training, voice is the main thing, and emotion is the auxiliary thing, but I hope everyone can balance it in the process of using performance.
Improving pronunciation skills is mainly divided into four classes: breath, pronunciation, transmission and articulation.
Emotion: at first, it was mainly the quality, qi, words and music that could hear a good voice. In the process of performing arts and enjoying songs, you should learn to go from sensibility to rationality and then back to sensibility.
Many people practice singing blindly, but he doesn't know that in the process of singing, the four major departments of the voice are working. This is called singing, and practice is effective. But at the same time, the quality of song singing is to appreciate a whole and an emotion, not to test the level of these four subjects!
Example 1: Just because a person practices his voice well does not mean that he sings well.
Column 2: People who like Andy Lau but don't like Jacky Cheung are not singing, but singing!
No.3 what is breath?
Now that we have talked about four courses, let's explain them one by one:
First of all, what is breath?
Singing must use qi, and qi in pop music consists of two actions: one breath and one breath. Never have a third action, such as pause, inhale again, scream again, steal gas, leak gas, etc. )
As far as breathing is concerned, singing is the art of breathing. Never put the plow before the oxen. At present, most methods of practicing Qi in the market place too much emphasis on inhaling, which will greatly weaken the singer's performance ability and communication ability. )
To practice the essentials, if you want to use qi, you must inhale and exhale, work alternately, stabilize the air port, and act coherently.
Practice method:
1, weak continuous exercise
Pronounce the "silk" sound, breathe the "silk" for 20-30 seconds, and practice 3-5 groups each time with 5-7 sounds.
Change the lyrics to "diaosi" to complete the whole song.
Requirements: light, thin, continuous and long.
3. "DuDu" exercises (such as children playing)
Lips relaxed, trembling.
Beep for 20-30 seconds in one breath, take 5-7 breaths as a group, and practice 3-5 groups each time.
Change the lyrics to "Du" to complete the whole song.
Fourth, the role of breathing.
The act of breathing. Let's introduce chest-abdominal breathing. First of all, let's get to know the upper abdomen and lower abdomen in breathing.
Lower abdomen: abdomen (three fingers below the umbilicus), lower abdomen groove (semi-circular zone formed by the bottom and edge of the lower abdomen), circles formed by hip bones above and below the waist on both sides of the body, and the back is in the same position.
Upper abdomen: diaphragm and its surrounding area. Including the upper abdomen, stomach, lower lung lobe, two ribs, two ribs on the chest and two ribs on the back.
Action:
1. Take three deep breaths, make sure that the breathing and inhaling actions are sufficient, and find the rhythm of breathing, lasting for 5 seconds.
2. Take a deep breath three times to ensure that the breathing and inhalation actions are sufficient, but the breathing is still 5 seconds, and the shorter the inhalation, the better.
3. Repeat the action of 2 for three times, just hold your breath and don't breathe (at this time, your breathing is still and only your muscles are working).
4. Reverse the breathing and muscle suction actions in actions 2 and 3 (key), and start to take a deep breath again. Breathing three times is 10 second, and the shorter the inhalation, the better.
5. Keep the action of 4 and slowly extend the call 10 ~ 30 seconds. When talking on the phone, breathe as short as possible and push the vocal cords to pronounce vowels (A, E, I, O, U, this is pinyin).
6. Keep the movement of 5, slowly turn vowels into lyrics, and keep the position of vocal and breathing movements to sing.
Exercise:
1: Long Legato Practice
Do the quick count 1, 2, 3...9, 10 for 20-30 times, with 5-7 breaths as a group and 3-5 groups for each exercise.
Requirements: Work separately from breath, vocalization and articulation, and strive to articulate clearly and evenly.
2. Strong skipping practice
Or count from 1 to 10, every second, take a breath twice, take 5-7 breaths as a group, and practice 3-5 groups each time.
Requirements: short, fast, even and clean.
3. Practice 1 and 2 alternately in one breath. For example, in exercise 2, count from 1 to 5, then practice 1 5 times, and so on.
You must pay attention to the above exercises. First of all, we must know the muscles that work with breathing. Secondly, follow the above actions to make these muscles work correctly.
Myth: Practicing Qi is the ability to breathe when practicing singing, not longer than others. Take multiple breaths as a group, not one breath.
No.5 what is vocalization?
Let's talk about vocalization.
Vocalization is a human instinct, but speaking and singing are acquired.
What is vocalization?
Qi pushes the vocal cords through the trachea, making them vibrate. This process is called phonation. Breathing, trachea, vocal cords and muscle groups are all the muscles that human beings need to make sounds instinctively.
Since the sound is made in this way, the breath it needs has been explained above. As long as the trachea keeps the upper body upright and disease-free, when we talk about vocalization in the future, it generally refers to the work of vocal cord muscles.
It is necessary to change from instinctive vocalization to purposeful and controlled vocalization.
First of all, to feel the vocal cords working, we can make a "bubble sound" when relaxing, which is a bit like burping. (We will explain it with audio and video.)
Secondly, after experiencing the "bubble sound", sing with the vocal cord working state and voice position of "bubble sound".
Exercise: Pronounce five vowels "A, E, I, O, U" with "bubble sound" as the prefix. Remember to practice with breath.
Misunderstanding:
1. confuse the original vocal ability with the acquired vocal ability.
There are too many similarities between speaking and singing.
No.6 why do you use bubble sound?
Why use bubble sound: bubble sound is the best starting point for the positive state of vocal cords (just like the start of an airplane).
When practicing vocal music, we should pay attention to feeling, don't trust feeling too much, that is, we should insist on training with the feeling of practicing movements.
Speak below your throat (relax your throat and mouth and make a bubbling sound gently, which will make you feel deeper than usual)
Recite with the feeling and position of speaking under the larynx, and then perform singing training.
Requirements: The prefix of each word should have bubbling sound (vocal cords are dynamic). Practice slow songs first, and then use them on different songs. The whole voice should be in a state and relaxed.
Summary no.7
After the first few lessons, if you know all the movements, the next key is to separate the four tasks.
Respiratory movement; Vocal action; Pronunciation has been mentioned, and the rest is "sound transmission"
Go back and experience the practice of the previous lecture.
For example, breathing exercises in breathing exercises are of course, but please don't forget to use "phonation" as long as there is sound, and "enunciation" as long as there are words.
Practicing singing in this state is a basic introduction.
No.8 joint movement
Spelling [Practice in front of the mirror] Actually, it's best to look in the mirror when practicing in the last class.
1. Show at least four front teeth when singing. Of course, the more relaxed the better.
2. Raise the outside of the lip upward/obliquely 1/4 (the highest point of the lip line, nose).
3. Have a surprised expression on your face.
4. [Most important, most difficult] Loosen your teeth,
To prepare for the action, it is the power to open and close the mouth that needs the big teeth [with the innermost alveolar teeth]
The jaws are released, not opened. Can you accurately distinguish these two movements?
5. The upper part of the mouth works (bounded by the combination of the upper and lower lips), and the lower part of the mouth relaxes.
Hold your chin with an immovable object and practice keeping the angle between your neck and chin above 90 degrees 120.
6. Keep your mouth big in front and small in the back, and trumpet-shaped.
No.9 is big before and small after
The articulation mentioned in the lecture is mainly to increase the space in the front of the mouth, but many friends blindly pursue opening their mouths when singing, which leads to the blind expansion of the back of the mouth and the whole mouth becoming barrel-shaped or even funnel-shaped, which is not in line with the physical essence of sound propagation and violates the cordial characteristics of pop music.
So, at the same time, keep your back small and make your mouth trumpet-shaped.
You can see that this is bigger than the symbol. To form it, there must be a vertex and two sides. The apex is on the vocal cords where we are actively working, or the point where we breathe through the glottis (remember: the floor of the mouth is on the vocal cords, not in the mouth).
Those two sides, the bottom, are our tongues, which should be spread to the left and right and kept straight (this action can be seen clearly in many singers' live performances)
The top, that is, our upper mouth cover, should also be unfolded and relaxed, forming a corresponding angle with the tongue, with the front big and the back small.
10 top cover
The upper lip cover licks your upper incisors with the tongue and the tip of the tongue, moves inward along the center line, and then touches the root of the tooth, a protruding muscle [where the particles and words are located, which will be explained in detail below], a concave hard palate, and a soft palate all the way to the tonsils. In singing, we call it the upper lip cover
Because only it can work/change by itself without moving the mouth or the upper part of the mouth, the action of this muscle is very important in the microphone.
You can listen to his voice. Second place Bryan Adams.
After being used with pronunciation, the upper mouth cover and tongue can slowly concentrate on the mouth until the glottis. This requires everyone to practice hard, but we don't have this habit!
Usually, our pharynx naturally protects the larynx, but when singing, we just want to relax the pharynx and expose the larynx (relax the pharyngeal muscles but the larynx muscles need to work), and the larynx is no longer one.
No. 1 1
The first lecture 10 has basically talked about the four major parts of singing. In other words, if you can make these four parts work at the same time and make them gradually become a habit when you sing, then congratulations, you really sang.
At the same time, I don't know if you have found out in practice that these actions will affect each other at work. One is to relax Quan Song, and the other is to tighten everything. To solve it, in principle, we must achieve the unity of contradictions.
In almost all muscle work movements in singing, muscles should work actively and relax relatively naturally. I hope you will spend more time understanding this and practicing it.
How to solve the mystery of bubble sound in issue 12! ! !
Everyone has practiced using bubble sounds in singing, and the effect should be obvious, but some people will ask:
I changed when I practiced. Why is singing the same as before? A: Do you still practice singing? Do you sing normally? This is obviously a misunderstanding. The most important thing is to learn and practice before using! ! ! !
Some people will say that singing with bubble sounds is not good? A: Then I can't tell him. I didn't say it was good to use it. This is a simple vocal technique. Whether the basic action song is good or not is the listener's feeling. Singing skill refers to the singer's feeling!
A singer with many fans, singing is not necessarily scientific, understand? You should sing with bubble sound and express the song naturally and beautifully with your feelings! !
Can you sing a good song by practicing bubble sound? How long will it take to practice? A: Any advanced road in the world will end in a dead end. To achieve the goal, it is important to have a clear direction.
Bubble sound is not everything. When you are proficient, you don't need to practice alone, because its muscle state has been integrated into your singing skills. At this time, you need to have new moves, so that your singing skills will really improve and progress in technology.
No. 13 why practice gas! ! ! (Solution 1)
First of all, you must use a different breath when singing, which is different from life.
How is it different from life? Basically, the breath used in singing is opposite to the usual movements. Why? To put it simply, because the vocal cords don't work when breathing works, it can also be said that the direction of breath force is basically the same as that of vocal cords, and vocal cords are active, working and powerful in correct singing movements. At this time, the direction of breathing force is opposite to that of vocal cords.
What's the difference in quantity? This is easy to understand. Generally, everyone has inherent vocal habits, tone, speech speed, volume, etc ... but when singing, height, strength, light and shade, speed, thickness ... can be changed and must be changed, so the breath that constitutes one of the vocal elements is more fragile until it is swallowed up.
14 how to practice! ! ! (Solution 2)
1. Take three deep breaths, make sure that the breathing and inhaling actions are sufficient, and find the rhythm of breathing, lasting for 5 seconds.
2. Take a deep breath three times to ensure that the breathing and inhalation actions are sufficient, but the breathing is still 5 seconds, and the shorter the inhalation, the better.
3. Repeat the action of 2 for three times, just hold your breath and don't breathe (at this time, your breathing is still and only your muscles are working).
4. Reverse the breathing and muscle suction actions in actions 2 and 3 (key), and start to take a deep breath again. Breathing three times is 10 second, and the shorter the inhalation, the better.
5. Keep the action of 4 and slowly extend the call 10 ~ 30 seconds. When talking on the phone, breathe as short as possible and push the vocal cords to pronounce vowels (A, E, I, O, U, this is pinyin).
6. Keep the movement of 5, slowly turn vowels into lyrics, and keep the position of vocal and breathing movements to sing.
Let's practice first Next time, talk about essentials and norms. Come on, come on.
No.65438 +05 practice tips! ! ! (Lecture 3)
Breath in vocal music is about the repeated alternation of two movements, one breath and one breath, which mainly shows breath, so everyone should pay more attention to breath instead of emphasizing breath. There are still many fans and even professional singers who "throw watermelons and pick up sesame seeds".
Tips for practicing qi:
1, pay attention to breathing and inhale naturally.
2. Stop before you go
3. Take multiple breaths as a group, and don't try to be brave in one breath.
Practice method:
1, weak continuous exercise (see lecture 2 for breathing movements)
Pronounce the "silk" sound, breathe the "silk" for 20-30 seconds, and practice 3-5 groups each time with 5-7 sounds.
Requirements: light, thin, continuous and long.
2, strong skipping practice (ditto)
Say "ha" in one breath 10, and practice 3-5 groups at a time with one second interval.
Requirements: short, fast, even and clean.
3. "DuDu" exercises (such as children playing)
Lips relaxed, trembling.
Change the lyrics to "Du" to complete the whole song.
Requirements: pay attention to coherence, tone and emotion, which are consistent with the songs expressed.