1. The feeling of kneeling for composition and listening to pipa music in Pipa Travel is the eternal swan song of Bai Juyi, a poet in the Tang Dynasty. It has been praised for thousands of years and quoted by countless pipa poems. After reading Bai Juyi's Pipa Trip, the author of this song has a feeling that the pipa girl turned out to be a master in Chang 'an. She studied pipa under Mu and Cao, but later, because of her advanced age, she remembered the tragic life experience of Jia's wife and made rich reverie and play to the past. Music begins with a freely recited tune, just like a random sequence of Daqu in the Tang Dynasty, which is tight and loose, strong and weak. It seems that the pipa girl is telling the resentment in her heart and lamenting the sorrow of being reduced to the world. Then there is the lyrical adagio, just like Daqu singers, whose tunes are euphemistic and beautiful. This is a grand music and dance scene that Pipa girl remembers in Beijing's past years, which makes people feel deeply. "Float back to the light snow, send Youlong a ride with a smile", graceful dance, not without some palace resentment Chun Qing's sadness. Then, the melody moves up four degrees and plays. At this time, a cadenza with free rhythm was inserted, and there was a loud push-pull sound, just like the cry of a maid-in-waiting, sad and sad. After the music enters the unfolding stage, the melody sometimes flows and sometimes meditates, and the range rises and falls. Pipa uses a variety of techniques to interpret it. The following Allegro, like a big song, was broken by people, and countless voices were used to promote the festival. "The strings and drums are lifted with double sleeves, and the snow is dancing." It is played with powerful sweeping wheels and dense sixteenth notes.

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2. Listen to classical music and write a sentiment composition of 100 words. After listening to "Mountains and Rivers", I feel that mountains and rivers have flowed since ancient times; Proud and affectionate; This music is full of charm.

Close your eyes and listen quietly. Music shows the charm of Guzheng, a classical musical instrument in China. I have heard the allusions of "mountains and rivers", and I also know that this song expresses the artistic conception of "benevolent Leshan, wise men enjoy water".

But maybe I haven't realized this state yet, but I just thought of a beautiful picture. "gurgling, the cold current between you and me; Cold, loose roots. "

This is a pleasant feeling. Then there is "dazzling and thrilling."

Then, the melody of "the canoe has passed, the situation is erratic, sometimes the aftermath hits the stone, and sometimes it spins slightly" is ups and downs, which makes people fascinated. This is the picture that our ancestors thought of.

Water flows down from the mountain, sometimes like smoke, sometimes like heavy rain, sometimes like a bead curtain. Gradually, it rained like a rainstorm, and then it was as heavy as an aftershock, but it soon recovered.

Water children suddenly stirred up water mist, which filled the air like an ethereal fairyland. Suddenly, the voice was unusually heavy, and it seemed to growl, not so gentle, which aroused thousands of layers of water in my heart, but the most important thing seemed to be the music of water beating on stones. Slowly, slowly, it quieted down again, it was too small, and a piece of music was over.

I fell down, opened my eyes and my ears were silent. I heard the noise of the city again. I want to close my eyes again, stay away from the city, travel through time and space and come to the ancient mountains and rivers again. I also want to be a bosom friend of Boya in Class 62, Grade 6, Tannan Road Primary School, Shijiazhuang: czzfly 10.

3. Listen to music and write a 500-word associative and realistic composition. With the melodious trumpet sound, this orchestra began her colorful movement. First, the soft violin kicked off, and this wonderful note seemed to drift on the newly melted river. When passing by, the grass generate gave birth, and the willows pulled out new branches. With the sunshine, the notes rose to the sky, and the gloomy winter turned into the blue of spring. The beating notes became more and more lively, and finally ~ another group of restless little guys suddenly flew into the sky. Before long, they began to fall, jingling, jingling and popping. These beating melodies didn't last long ~ The music stopped jumping, the melancholy of saxophone shook the eardrum, the fallen leaves on the ground were brownish red, the sunset was tomato red, and the streets and alleys were all rosy faces. After all, beauty covers autumn. At this time, the depth of the horn covers everything. Winter has come and the north wind is howling, but the tune still exists in a cheerful form, as if to say: if winter comes, can spring be far behind? Christmas abroad, Spring Festival at home and winter are all lively seasons, not bleak and not biting, at least in music. The reappearance of the trumpet heralds the end of the music, and the feeling at this moment is completely different from that when I first heard her. I started to feel low-key, but now? Full of longing for the future.

4. Elective course China Traditional Instrumental Music Teacher asked about the feeling of writing a traditional instrumental music. Write a pipa? Yang Yu 1982 wrote "New Feather Turning Green Waist", which was written by Zhi Zhi.

Green Waist, also known as Liu Yao and Lu Yao, is a famous song and dance in the Tang Dynasty. It is said that during the Zhenyuan period of the Tang Dynasty, musicians entered new songs.

The music is fresh and euphemistic, and I like it very much, but the music is too long, so I ordered the musicians to record the main highlights, hence the name "Lu Yao". Later, there was also a green waist solo on the pipa.

This song was written by the author according to the description of the dance "Green Waist" in the Tang Dynasty, deliberately pursuing the charm of the Tang Dynasty to play on the pipa. The music is divided into five sections, simulating the structure of Daqu in Tang Dynasty.

Five subheadings, except the first one from Pipa by Yuan Zhen, a poet in the Tang Dynasty, the other four are from Li Qunyu's Dancing in the East for Nine Days. The first part is called "loose sequence and multi-twist", and the rhythm is free.

The first paragraph of the second part is called "Light Green Waist Dance", which starts from the middle sequence with beautiful and elegant melody and slow rhythm, fully demonstrating the lightness and grace of the court dance. The second paragraph is called "slow state can't be poor", starting from slow and gradually getting faster. After the rhythmic separation, the mood is more active, and the gestures of * * * are dizzying.

The third section is called "Wan Ru Youlong Elevator", which is a medium-sized board with a muddy momentum. By shaking your fingers and hooking the wheel, it shows that * * * shuttles like a shuttle and swims back and forth like a goldfish. The third part, entitled "Complex Posture and Melody to the End", is also called "Flower Eighteen". Melody is ups and downs in the wide range of pipa, with strong sweeping and fast sixteenth notes, which shows the vivid scene of rapid somersault at the end of "Green Waist Dance".

The whole song has a beautiful and smooth melody and changeable rhythm, which is quite ancient. 1 100 years ago, Bai Juyi moved to Sima, Jiujiang County and lived by Poyang Lake.

One autumn night, the poet was awakened by the sound of pipa. Following the pipa, the poet found himself, and Poyang Lake shed two lines of clear tears. The sound of the piano and tears sank to the bottom of the lake, and the noisy strings can still be heard here after thousands of years.

I was awakened by the sound of pipa and walked by the lake. The sound of a thousand years ago seemed to be in my ear, as if it were yesterday. At that moment, Bai Juyi walked on the singer's string, and the lute sounded in the poet's poem, and the plucker twisted it gently and slowly. The people on the string were drunk and unhappy, and the pipa sounded in my heart and disappeared into the poem. Only Jiangzhou Sima was left in front of the case, and tears were wet.

At night, I bid farewell to a guest on Xunyang River. Maple leaves and mature rushes rustle in autumn. I, the host, have dismounted, my guest has boarded his boat, and we raise our cups, hoping to drink-but, alas, there is no music.

New wine, tea before tomorrow, white horses that are not drunk but want to get drunk, birds in the middle of the lake, new buds by the lake, playing tricks on the drunken eyes of unknown poets. Are you there? Are you drunk? Are you leaving? Are you awake? The poet and the autumn wind, ask and answer.

The autumn rain in the south of the Yangtze River tears the sky and the earth. The poet's glass can be lifted, but it can't be put down. Although we drank a lot of wine, we were not happy. When we were leaving each other, the river mysteriously widened in the direction of the full moon.

We heard a sudden sound, a guitar crossed the water, the host forgot to go home and the guests left. For thousands of years, stone lions have been standing by the lake. Do you remember the white Sima? Besma doesn't even remember you. That day, the poet who came home late was really drunk, and the liquor burned his chest. In his chest, there is only ambition that is hard to pay, and the liquor blurs his eyes. In his eyes, there is only a vague figure.

Her first guitar note made me sigh. Now, after listening to her story, I feel even sadder. We were all unhappy until the end of the day, when we met. We understand. What is the relationship between acquaintances? .

Pipa is not far away, but spring has come. Poetry has flavor. Poetry at the moment has the fragrance of wet grass.

As soon as the poet arrived, Qingxi Springs all over the mountain began to sing, and the sky was mighty, and the wind was looking for chapters and sentences. The poet stretched out his hand and pulled out a new poem. There were too many poems, and the poets began to scatter casually. I followed, and when I leaned over, it was an eternal classic.

There are too many poems, and the poet has built a home for them. Bai Juyi Caotang is a paradise for poetry.

Late in the morning, the poet lay here high and stretched himself, which was actually very poetic. I sat alone in front of the thatched cottage, waiting for the poet and the late spring of Bai Sima.

The pipa is still there, and I clearly hear the cheerful plucking sound, which is more urgent than the poet's footsteps, more relaxed than the poet's mood, and more romantic than the poet's poems. The poet came back, with poems, wine and flowers.

A flower, a glass of wine and a poem can't tell who is more intoxicating and who is more brilliant. I can't tell who will flourish in my fingers and who will spread for longer.

There are flowers and wine, and Bai Sima is drunk in front of the horse of the poem, and the poem is speechless. Poetry is the poet's initial and final destination, and poetry is the poet's eternal spring. Tonight, when I heard you playing the guitar, I felt that my hearing was illuminated by wonderful music.

Don't leave us. Come, sit down. Play it for us again. I will write a Long song about the guitar ... Bai Juyi compiled poems 15 volumes during his tenure in Jiangzhou, among which Pipa is about 800, with 6 16 words, which is the most popular.

Dance of Yi Nationality is a pipa solo composed by Wang Huiran on 1960, with the background of Yunnan Yi nationality's haicaiqiang and cigarette box dance. With beautiful lyrical melody and rough and powerful rhythm, the music vividly depicts the charming night scenes of Yi villages and the joyful scenes of young men and women dancing enthusiastically.

This song is full of national characteristics and has a strong flavor of the times. It is deeply loved by many musicians and has been adapted into guzheng, sanxian, dulcimer, Ruan solo and orchestra. Yin Biao adapted it into a guitar solo, and participated in the China International Guitar Art Festival held by 1987 in Zhuhai, which was highly praised at home and abroad and became a famous guitar song with great influence in the guitar field.

The music begins with the wheel finger, and after a quiet and beautiful introduction, the melodious Bawu sound is played with two strings. This tune, taken from the Yi folk song Haicaiqiang, seems dim and quiet in the Yi mountain village where night falls, and the Bawu sound symbolizing the flower of love has already sounded.

Then, the theme of music appeared, which was adapted from the Yi folk music "Dance of Cigarette Boxes". With the most brilliant alto on the pipa, the soft melody is played by the soft push-pull sliding technique with two tones, which vividly depicts the girls' light, playful and slightly shy dance movements.

Two of them are interspersed with more exciting melodies played with long wheels, full of songs, showing the surging power of girls. Then, Allegro began.

The strong and rough tone depicts the masculine and brave temperament of the dancing boys.

5. It's not the first time to listen to Pipa "House of Flying Daggers", but this class is still deeply touched. I like pipa very much. I like its crisp and penetrating high notes, soft and clear midrange, rich and solid bass. Perhaps only this instrument can show the impassioned performance of House of Flying Daggers so incisively and vividly in the performance of buckle, wipe, bounce and sweep. It was in that beautiful music that I once again wandered in the magnificent historical picture of the dispute between Chu and Han.

From the "array" at the beginning of the song to the "winning back to camp" at the end of the song, from the close combat and sword fighting in the song to the Wang Bing defeat at the end, it is tragic, and it can be gripping everywhere from the previous drums to the deep sadness afterwards. "Mountain will be angry, and unfavorable will not die. What can I do if I don't die? " In this pipa with great content, style, momentum and vivid artistic image, I heard Sakyamuni's plaintive "Chu Ci" in the rhythm of swords and guns, and Xiang Yu, the hero at the end of the road, uttered "the sound of lamenting generosity", "the sound of osawa chasing horses", "the sound of a king in Wujiang River" and "Yu".

This led me to search for the fierce battle in my mind: at the end of Qin Dynasty, Chu and Han contended, and the overlord of the land fought a final decisive battle with Hanwang Liu Bang, who surrounded the ten Wan Chu armies with 300,000 Han troops. Xiang Yu fought alone. At night, under siege. When Xiang Yu heard the song, he thought that the West Chu had been lost, and the Chu army was homesick and his fighting spirit collapsed. It's cold outside the tent, and the lights in the tent are flickering. Yu Ji forced a smile, dancing, dressing and singing were all decent. The song was sad, and the overlord could not help but burst into tears. Before the song was finished, an urgent report came. Taking up the rear, Yu Er, the great army, drew his sword to commit suicide so as not to drag him down. There are only a thousand people left around me, leading more than 800 cavalry. They only rode more than one hundred times when deus ex crossed the Huaihe River at dawn. When they arrived at Yinling, they fell into a swamp. There are only 28 riders left in Dongcheng. Wu Zhui wailed, and the sky was silent. For a time, dark clouds covered the sky and the river roared. The overlord cleared his heart and led the remnants to a desperate duel. Finally, because he was outnumbered, he was forced to ride to the bank of Wujiang River, leaving him alone. Overlord's hair is messy and his face is covered with blood. He looked up at the sky and shouted that the sky would kill me. What can he do? The overlord was ashamed to see his elders in Jiangdong, and drew his sword and killed himself in Wujiang. . Although the whole song is based on the military action of the Han army, through the magnificent repertoire, in a tragic sound, the bitterness of the performer and the sigh of the audience are faintly audible.

Perhaps a simple performance can't give me enough infection, but standing in the dust of history, calm down, listen carefully to the elegant pipa sound, and then savor it in my heart, I feel that the song "House of Flying Faces" is becoming more and more extraordinary. It can be said that House of Flying Faces touched countless people who are in the ordinary world but full of longing with the strings of history. Therefore, there is a classic.

"House of Flying Daggers" brought me not a winning or losing war, but a magnificent historical picture, a great spirit, or a little sigh after listening to it. Liu Bang won and Xiang Yu lost, but this result has nothing to do with us. A shocking pipa won the hearts of the people with its unique and exquisite performance. ...

6. Pupils look at pictures, dance and play pipa compositions. Two years ago, the school took the band as one of the artistic features and planned to form a band. I usually like listening to the pipa, so I signed up.

Don't look at the big pipa and the transparent nails with five fingers. It is not easy to combine these two things to play beautiful music, and it takes a lot of effort. I remember the first time I learned pipa. One day when I came home, my mother asked me to take out my lute and said solemnly, "Come, I want to see what you have gained after learning to play the lute." So, I picked up the pipa and sat on the chair, crossing my legs to prevent it from slipping. I press the strings with my left hand and play them for my mother with my right hand. After a while, the right hand wrapped around the nail hurts, the sweat on the head flows downwards, and the back hurts a little, but the pop-up sound is still very uncoordinated and there is a harsh feeling. But I didn't lose heart. Keep playing. I also use my right hand to rotate with the fitness ball to make my right hand more flexible. Pick up the pipa and continue to play. In this way, I practiced for two hours, and my back ached. My mother comforted me and said; "Playing the pipa is the same as doing other things. The hardest part is actually in the beginning You must have perseverance and perseverance. " After listening to my mother's teaching, I made up my mind to practice the piano well. Then I picked up the pipa and continued to practice hard. After the teacher's careful guidance and my efforts, I finally learned to play some simple music after a few months! A year later, I also participated in the "China Star" art competition held nationwide and won the second prize.

7. Whoever has heard of pipa will write an appreciation article about it. My brother is very grateful. House of flying daggers is a famous large pipa. Its magnificent content and style are rare in classical music.

This song is based on the fact that when Chu and Han fought a decisive battle in Gaixia (now southeast of Lingbi County, Anhui Province) in 202 BC, the Han army ambushed on all sides and completely defeated the Chu army, forcing Xiang Yu to commit suicide in Wujiang River. Gaixia decisive battle is a famous battle in the history of our country.

At the end of Qin Dynasty, Chen Sheng and Guangwu rose up. Under the violent blow of the surging peasant uprising, the Qin Dynasty declared its demise.

At this time, Liu Bang's Han army and Xiang Yu's Chu army fought for the Central Plains and dominated the world. By 202 BC, Chu and Han had been at war for several years. Because Xiang Yu, the overlord of the place of Xi Chu, was arrogant and indecisive, he missed the opportunity to destroy Liu's army again and again, but Liu Bang survived several times of total annihilation and pulled himself together again.

By the time of the decisive battle in Gaixia, Liu Bang surrounded Xiang Yu's10,000 people with the absolute advantage of 300,000 troops. In the middle of the night, Sean played the flute and the soldiers sang Chu songs, which made the Chu army feel cornered, forcing Xiang Yu to lead 800 cavalry to break through and flee overnight, while the Han army pursued them with 5,000 cavalry, and finally launched a duel on the Wujiang River. Xiang Yu committed suicide by drawing his sword because he was outnumbered, and the Han army won a great victory.

Pipa's Ambush on Houses shows the fierce situation of this ancient war by means of music, which is a vivid and touching sound and picture of the ancient battlefield. House of flying daggers first appeared in the Manual of Chinese Pipa published in 18 18, and later it was renamed Huaiyin Pingchu in the Thirteen Sets of Daqu Pipa Manual edited by 1895.

But this is a traditional piece of music circulating among the people. As early as the end of16th century, Wang Youding of Ming Dynasty recorded the vivid scene of Tang Ying, a famous pipa player, playing Chu and Han in Four Zhao Tang Ji.

The article writes: "A Song of Chu and Han", the two armies dueled, the heavens and the earth moved, and the tile house flew down. Xu and examine it, there are golden sounds, drums, swords, crossbows, chariots and horses. Over time, those who have grievances are difficult to understand, and they are Chu Ci; Those tragic voices are the generous voices of Wang Xiang's elegy; Trapped in daze, there is the sound of chasing horses; To Wujiang, there is the throat of the king; I rode for Wang Sheng, which made the listeners feel excited and sad at the same time, and finally they couldn't cry.

It's so touching. This passage shows that the content, structure and musical image of House of Flying Daggers are generally consistent with those described in Chu Han, which proves that its history is very long.

Appreciating Skills Pipa "House of Flying Daggers" adopts the traditional large-scale divertimento structure in China. The whole song * * * has thirteen small paragraphs, and the title of each paragraph is very general.

These titles are: 1. Camp; Second, blow; Third, key meetings; Fourth, formation; Fifth, go to the team; 6. ambush; Seven, Jiming Mountain outpost; Eight, Jiulishan War; 9. Wang Xiang was defeated; X. Wujiang committed suicide; Eleven, the military played Qi; Twelve, the generals will strive for merit; Thirteen, win back to camp. The whole song can be divided into three parts. The first part describes the preparatory work of the Han army before the war, focusing on the magnificent lineup of the Han army.

* * * Includes the first five paragraphs. "Hunting Shadows" is actually the introduction of the whole song.

The rhythm is free and changeable. From the very beginning, he took the lead with the method of "rowing by turns", which rendered a strong atmosphere of war.

The sonorous rhythm is like inspiring drums, and the passionate and high-pitched voice is like the bugle that shakes the valley, vividly depicting the unique drums and bugles on the battlefield. Since then, people have used various expressions to express spectacular scenes such as people's buzzing, drumming, three-way sound, the sound of military guns and the galloping of iron horses, which appropriately summarized the typical tense and intense environment of ancient battlefields.

"Blowing" is the only paragraph in the whole song with strong melody and strong lyrical atmosphere. Pipa simulates the March of ancient wind instruments with the long sound played by wheel fingers.

This interlude is very similar to the magnificent scene of ancient marching, depicting the image of the disciplined Han army, which is mighty, from far to near and striding forward. This piece of music has a lofty spirit in shaping the artistic image of music.

There are some changes and trade-offs in the actual performance of the three paragraphs, namely, "Pointing to the Desk", "Arranging" and "Walking". Their common features are neat and compact rhythm and elastic pitch jumping, which show Liu Dajun's high morale before the war, rapid formation change in the drill and the vigorous pace of soldiers.

The orderly structural arrangement of music makes the emotional development step by step, which fully paves the way for the transition to fierce fighting scenes. The second part includes six, seven and eight short paragraphs, which is the central part of the whole song.

Its image depicts the fierce scene of the decisive battle between the Chu and Han armies. The music of Ambush and the artistic conception it depicts are very distinctive. It shapes the melody of development with relaxed rhythm and sound pattern, and creates an atmosphere of tension and terror.

Give a person a kind of gloomy feeling, there are ambushes everywhere, and the Chu army is approaching under the shadow of night. In the "Little Battle of Jiming Mountain", Pipa used the stunt of "stopping the string", which vividly showed the scene of small-scale fighting between the two sides.

"The sound made by the brake string is not pure music, but an effect containing metallic sound, just like swords, spears and halberds colliding with each other. The gradual acceleration of speed and the progress of melody make the mood more tense.

The Battle of Jiulishan is the most important part of the whole music. The musician used a variety of pipa techniques to describe the cries of thousands of troops and horses and the earth-shattering fierce battle.

Pipa is very good at simulating noisy and fierce fighting sounds, which makes people immersive and infectious. The whole song depicts the conflict between the two armies of Chu and Han. At this point, the outcome has been decided and the contradictions have been resolved.

The third part includes the last five paragraphs. In the first two paragraphs, he committed suicide in Wujiang River after failing to write Xiang Yu, and the low musical atmosphere was in sharp contrast with the previous * * *. Among them, Wujiang commit suicide must have a tragic melody, which shaped the artistic image of Xiang Yu's generous elegy.

The last three paragraphs describe the scene in which the Han army emerged as a winner. However, the current performance is generally abridged, some omitting the whole third part, and some abridged the last three short paragraphs of "All the Army Plays Kai" to concentrate the artistic conception of the music and avoid verbosity.

House of flying daggers is the representative work of Wu Qu, a great pipa player in China traditional instrumental music. China's traditional pipa music is generally beautiful in melody, soft in rhythm and skillful.

8. "House of Flying Daggers" Pipa Edition: How to write House of Flying Daggers is a famous large pipa. Magnificent and passionate, it perfectly expresses the famous battle between Chu and Han with musical narration. Pipa's playing skills are fully demonstrated in this song, and the gripping melody makes the listeners all excited and excited.

At the end of Qin Dynasty, Liu Bang and Xiang Yu launched a struggle to dominate the world. By 202 BC, Chu and Han had been at war for several years. By the time of Gaixia's decisive battle, Liu Bang surrounded Xiang Yu's10,000 army with 300,000 superior troops and launched a duel on the Wujiang River. Xiang Yu committed suicide by drawing his sword because he was outnumbered, and the Han army won a great victory.

Pipa's Ambush on Houses shows the fierce situation of this ancient war by means of music, which is a vivid and touching sound and picture of the ancient battlefield.