Feng Kai, whose real name is Feng Kai, was born in Nanhai, Guangdong Province,1July, 929 in Zhengzhou, Henan Province. 1949 Up to now, she has worked as a full-time screenwriter in China Youth Art Theatre and China Children's Art Theatre. He used to be the secretary of the Secretariat of the Chinese Writers Association, and now he is a full-time resident writer of the Chinese Writers Association. He is also a member of the editorial board or consultant of various publications and a visiting professor at some universities.
1947 published the first novel "My Classmate" in the school magazine of Hilida Middle School in Hubei Province, and 1956 published the first poem collection "The Story of Little Soldiers". Before 1965, he was mainly engaged in children's literature creation. Since 1976, he has created a large number of poems, novels and reportage works and won many literary awards all over the country. Some of his works have been translated into English, French, Russian, German and other foreign languages, and have also been included in textbooks for universities, primary schools and secondary schools. Among them, the poem "Premier Zhou, where are you" expresses the people's nostalgia for the older generation of proletarian revolutionaries with sincere feelings and touches the hearts of countless people. The world discovered in the novel and the TV series of the same name adapted from it are regarded as China's lost "educational poems" because they involve juvenile delinquency for the first time. His works are full of life interest, exquisite conception, poetic and philosophical, and are well received by readers.
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A writer's position in the history of literature and his influence on readers depend on his works.
"In my creation, I am never satisfied with one form and always want to try more styles. I think that mastering one more form is like a soldier having another weapon ... "I have visited Ke Yan many times, and she always says so. Ke Yan wears clean and elegant clothes, simple and generous. She is quick, and her big eyes are full of wisdom. The language is refined, rhythmic and organized. She has a strong memory, and some famous Chinese and foreign sentences and sayings blurt out. Lively personality, rich feelings, emotions can be seen at any time.
Ke Yan, handsome and approachable, is an ordinary man, a famous poet and writer. So a writer said to me, "Ke Yan is the best in our generation." Yes, if China's literary world is a hundred flowers garden, then Ke Yan's works are quite distinctive and eye-catching flowers in this garden.
"Ke Yan" is a pseudonym. Regarding this pen name, Ke Yan explained: "We ancient people in China called green trees Ke; Of course, the rock is a big and hard stone. It is difficult to plant trees on rocks. Therefore, any tree that can survive on rocks must find soil through cracks in rocks, and its roots must be deeply rooted in the soil. Its vitality must be doubly tenacious ... I use it as my pen name because I know that writing is a very difficult thing. I am determined to take root in the earth and climb hard all my life, so that my work can be as full of vitality as a small tree on a rock. " Ke Yan realized her literary dream when she started with solid creative practice, and won a place in the history of contemporary literature. In her creative career of more than 40 years, her efforts have achieved fruitful results in children's literature (poetry and drama), poetry, prose, reportage, novels, film and television and other fields. Therefore, people call her the all-rounder of China literature in the 20th century.
There are many conditions for the growth of a writer, which are probably restricted and influenced by the family or personal living environment.
Ke Yan is a Manchu, formerly known as Feng Kai. He was born in July 1929 in a railway worker's home in Zhengzhou, Henan Province, and his ancestral home is Nanhai, Guangdong Province. At that time, the Northern Expedition failed for only two years, and the broken China was full of white terror and darkness. Ke Yan's grandfather and grandfather both worked as small officials, and his father was an upright intellectual. He has a rebellious character since he was a child. In order to oppose feudal marriage, he broke up with his family and ran away resolutely. In the extremely difficult years, he struggled and lived tenaciously. He worked hard, worked hard, worked part-time and worked hard, and finally became a railway technician and engineer. He loves reading and literature, saves a little money by scrimping and saving, and often buys literary books. He loves talents, worships knowledge, loves Lu You's poems and respects his noble patriotic sentiments. He has always despised those rich and powerful people who bring disaster to the country and the people, and often used a dissatisfied tone to ridicule or insult those uneducated officials, big and small, who climbed up by bragging and flattery. "I don't want to seal Wan Huhou, I wish I knew Jingzhou was in North Korea" is one of the famous sentences he often used to educate his children. His way of being is: "A gentleman doesn't flatter when making friends, and he doesn't study when making friends." This arrogant attitude towards life has made his life bumpy and frustrated, and he is often at odds with his boss, constantly being transferred, demoted or unemployed. When he was young, he also wrote many short stories and translated Vandermaus' French detective stories, which were all the rage at that time ... The value of his literary activities mainly lies in his influence on Ke Yan. Ke Yan's mother was also a traitor to feudal ethics, and she was kicked out of the house because of her free love. She is a woman who is proficient in writing but has a strong sense of art. She is eager for knowledge and dreams of a bright future, but the hard life has suppressed her enthusiasm and pursuit. In addition to occasionally reciting some Tang and Song poems to express her feelings, she also pinned her unfinished ambitions on her children, and often told them all kinds of stories about her lofty ideals and loyalty and filial piety, hoping that they would make progress and learn expertise. Parents' personality, character and hobbies have left a deep imprint on their words and young hearts. Ke Yan said: "I like literature, admire talents, respect knowledge and pursue spiritual life since I was a child, all of which are inseparable from my family influence."
Workers on the railway, like trains, keep running and never stop at the station. Ke Yan is loved by her father and takes her everywhere. In this way, Ke Yan has seen many great rivers and mountains of the motherland and the sufferings of people along the railway since he was a child.
Ke Yan's childhood was lonely and empty. She is naive to want to play freely in her children's kingdom, but her parents, brothers and sisters who struggle for food and clothing all day can't meet her simple requirements. So she often ran out to play alone, was bullied and beaten, and complained in front of her mother in tears. Mother loves her daughter very much and refuses to let her go out, so she promises to tell her stories. In this way, she began to contact with folk oral literature such as Mulan Joining the Army, Legend of the White Snake, Lu Yao Knowing Horsepower, Girl Without Hands, Meng Jiangnv Crying for the Great Wall, and Goddess Casting a Bell. She never tires of hearing these stories, and the more she listens, the more she likes to hear them. Some stories have been told several times, but she still pesters her mother to tell them. The story in my mother's heart has long been finished, and even famous articles such as Pipa, Song of Eternal Sorrow have been taught by heart. The story has become a wheel and is repeated all day. Father felt sorry for his mother, so he found a "juvenile library" and asked her to read it to his daughter. From then on, five-year-old Ke Yan knew that there was a "little match girl" and a "scarecrow" in the world, and she hoped to have a purple sister and a beautiful big sister like Yongming. ...
When Ke Yan greedily loved all the stories in the world, she went to Changxindian Railway Workers' Children School to study. She is the youngest in the class, but she studies the hardest. She thinks there are many lovely characters waiting for her in the book, and that beautiful and interesting story can't be ignored. In the second grade, books became good friends. She began to read all available books indiscriminately, skipped unfamiliar words, and was fascinated by the stories and characters in the book and eagerly pursued them. The little hero in The Education of Love makes her understand that children are not just free takers of parents, but little women make her feel the warmth and strength of friendship, Ye Shengtao tells her right and wrong, Bing Xin makes her childlike innocence yearn for the sea and poetry, Zhang Tianyi's Dalin and Kobayashi leave opposing images of the poor and the rich in her young mind, and Green and Andersen describe a magical and beautiful world for her. ...
Later, she went to Jiang 'an Rotary Primary School, a child of railway workers in Hubei. After the outbreak of War of Resistance against Japanese Aggression, her father took part in the Yunnan-Myanmar Highway Project, and she also went to Yunnan. At the age of nine and ten, she has been in Baoshan and Xiaguan primary schools with beautiful mountains and rivers in Yunnan. Ke Yan's ten brothers and sisters live on their father's salary. Life is already very difficult. At the time of national disaster, the family burden of this ordinary civil servant is even heavier. Prices are rising day by day, and my father is often unemployed ... but no matter how hard life is, my mother makes sweaters, sews and sells junk, and she is still struggling to provide education for her children. In order to reduce the burden on the family, Ke Yan and her sisters worked hard to get into public schools and get scholarships. During that time, life at home was extremely miserable. When my father loses his job, the family will have to stop eating and have no food to eat. She and her mother and sister often go to the streets to sell old clothes, knit sweaters and sew socks for others ... No matter how bitter it is, there is always a flame of knowledge burning in young Ke Yan's heart. Under the dim little oil lamp in Yunnan, she read many books silently. The works of Goethe, Heine, Pushkin, Tolstoy, Shakespeare, Balzac, Mo Bosang, Hemingway, Ba Jin, Bing Xin, Zhang Tianyi and many fairy tales are the original sources of her understanding of society and life. Beauty and ugliness, sublimity and meanness, honesty and hypocrisy are separated in her mind. Human sympathy, sense of justice, light and freedom, as well as the roots of natural beauty have penetrated into our hearts. Even those novels about fugitives can make her worship heroes, hoping to see the bumpy road when she grows up and kill the rich and help the poor. At that time, she didn't understand class oppression, but the reality of the disparity between the rich and the poor made her vaguely dissatisfied with the old society. She still remembers the folk songs recited at that time:
Miss oil wiped her hair with water,
Make shoes, walk barefoot,
Carpenters have no place to live,
The old man selling salt drinks light porridge,
Weaver girl, light back,
Wheat growers eat vegetable chaff,
The mat maker, lying on the bare bed,
On the dead side of the coffin ...
The uneven songs made her feel uneven. She hangs on books every day and makes blind dates with the characters in the books, despising the rich ladies and dude who have no ambition and specialize in eating, drinking and dressing up.
Ke Yan had a hot personality when he was a child, much like a boy. She knew from an early age that if she didn't work hard, she wouldn't get a scholarship, or she couldn't get into a public school, she would drop out of school. So, like her brothers and sisters, she worked tirelessly and even successfully advanced placement many times. In the meantime, this little girl, who is only about ten years old, has shown her literary feelings-when her father received a letter full of literary colors, he excitedly said to his family, "Our family is leaving Xie Bingxin!"
[Bibliography of Works]
The Story of Xiao Bing (Poem Collection) 1956, from Tianjin.
The most beautiful picture album (poetry anthology) 1957, children.
Dahonghua (Poetry Collection) 1957, Children.
Shuangshuang Looking for Grandma (Script) 1959, from Hubei.
Auntie of Little Confusion (Poems and Plays) 1960, writer.
Book of Relatives (Script) 1960, Drama.
I said to Uncle Lei Feng (poetry anthology) 1963, son.
Tell it to young pioneers (poetry anthology) 1965, children.
Premier Zhou, where are you (poetry anthology) 1978, from Sichuan.
Ke Yan's works are selected from 1979, son.
Qixin (Reportage Collection) 1980, from Sichuan.
Remember, please remember (drama) 1980, Sichuanese.
Selected Poems of Children in Ke Yan 198 1, Humanities.
Ke Yan's works (poems, novels, etc. ) 1983, from Guangdong.
Can the Moon Be Wrong (Children's Poetry) 1984, Xin Lei.
Looking for the world back (novel) 1984, the masses.
Chinese question and answer (poetry anthology) 1986, Sichuan literature and art.
Cancer ≠ Death (Reportage Collection) 1987, Sichuan Literature and Art.
Eternal charm-Soong Ching Ling in the eyes of a poet (reportage) 1988, Baijia Publishing House.
A writer's position in the history of literature and his influence on readers depend on his works.
"In my creation, I am never satisfied with one form and always want to try more styles. I think that mastering one more form is like a soldier having another weapon ... "I have visited Ke Yan many times, and she always says so. Ke Yan wears clean and elegant clothes, simple and generous. She is quick, and her big eyes are full of wisdom. The language is refined, rhythmic and organized. She has a strong memory, and some famous Chinese and foreign sentences and sayings blurt out. Lively personality, rich feelings, emotions can be seen at any time.
Ke Yan, handsome and approachable, is an ordinary man, a famous poet and writer. So a writer said to me, "Ke Yan is the best in our generation." Yes, if China's literary world is a hundred flowers garden, then Ke Yan's works are quite distinctive and eye-catching flowers in this garden.
Ke Yan, whose real name is Feng Kai, is a famous contemporary female writer and poet. Born in Nanhai, Guangdong, 1929, born in Zhengzhou, Henan, Manchu. He has published more than 50 books, mainly including poems "Little Confused Aunt", "Premier Zhou", "Where Are You", "Captain Reportage", "The Most Beautiful Album", "Strange Letter", "The Story of Spring", "Selected Works of Ke Yan", "Poems of Children in Ke Yan", "Cancer ≠ Death" and "Novels and TV Plays of the Same Name".
Because of Ke Yan's achievements in literature, she was elected to various associations and societies and held many social positions. Such as: China People's Committee for the Protection of Children; All-China Federation of Literary and Art Circles; Director and Secretary of the Secretariat of the Chinese Writers Association; Vice President of China Reportage Society; Vice President of Beijing Association for Concerned Youth Education, vicious editorial board member and consultant of various publications, and the candidates are professors from China Youth Political College, Shandong University and other universities.
From 65438 to 0949, he began to create professionally. He was a full-time screenwriter of China Youth Art Theatre and China Children's Art Theatre, and a resident writer of Chinese Writers Association.
Ke Yan writes in a variety of styles. In the past 30 years, he has published the most beautiful album, a book of his loved ones, Aunt Xiao Confused and Premier Zhou. Where are you? There are 30 books, including Strange Letters, Cancer ≠ Death, Looking for the World to Come Back, News of Spring, Selected Works of Ke Yan and Children's Poetry of Ke Yan.
After 1929-) 1978, Ke Yan created reportage such as Captain, Strange Letter, Cancer ≠ Death, Pursuit of Beauty, Inviting Representatives and so on, which quickly reflected some problems in real life. They not only pay attention to the praise of light, but also do not avoid the shadow under light; It not only depicts the success of the hero's career, but also describes their distress and anxiety, and integrates philosophy with poetry.
The Captain, published in 1979, is a famous work of Ke Yan reportage, and introduces the deeds of behan Ting, captain of Hanchuan ocean-going cargo rudder belonging to Shanghai Branch of China Ocean Shipping Company. Ting is the first generation of ocean-going crew in China. His works put together fragments of his life and wrote his growth path after decades of storms. The work shows the new situation of China's reform and opening up with the heroism of a captain, and has a strong flavor of the times. The style of the work is free and bold, and the image of the protagonist behan Ting is vividly portrayed. He is not only a passionate patriot, but also a professional expert. His works highlight his deeds of winning glory for the country with his distinctive master posture and superb professional knowledge.
Ke Yan, who started with children's literature, often consciously or unconsciously feels the world with children's innocent eyes and hearts in his reportage works. Therefore, the childlike innocence and delicate feelings that female writers often have constitute the distinctive features of her works. However, The Captain is contrary to her gentle and delicate style, which makes the whole text full of masculinity and lofty aspirations. However, "true and pure beauty" still shines in it. For example, at the end of the work, the sincere affection shown by a call for the motherland is closely related to the readers and naturally resonates with people.
Brief introduction of Ke Yan
Ke Yan, whose real name is Feng Kai, is a famous contemporary female writer and poet. Born in Nanhai, Guangdong, 1929, born in Zhengzhou, Henan, Manchu. He has published more than 50 books, mainly including poems "Little Confused Aunt", "Premier Zhou", "Where Are You", "Captain Reportage", "The Most Beautiful Album", "Strange Letter", "The Story of Spring", "Selected Works of Ke Yan", "Poems of Children in Ke Yan", "Cancer ≠ Death" and "Novels and TV Plays of the Same Name".
Because of Ke Yan's achievements in literature, she was elected to various associations and societies and held many social positions. Such as: China People's Committee for the Protection of Children; All-China Federation of Literary and Art Circles; Director and Secretary of the Secretariat of the Chinese Writers Association; Vice President of China Reportage Society; Vice President of Beijing Association for Concerned Youth Education, vicious editorial board member and consultant of various publications, and the candidates are professors from China Youth Political College, Shandong University and other universities.
From 65438 to 0949, he began to create professionally. He was a full-time screenwriter of China Youth Art Theatre and China Children's Art Theatre, and a resident writer of Chinese Writers Association.
Ke Yan writes in a variety of styles. In the past 30 years, he has published the most beautiful album, a book of his loved ones, Aunt Xiao Confused and Premier Zhou. Where are you? There are 30 books, including Strange Letters, Cancer ≠ Death, Looking for the World to Come Back, News of Spring, Selected Works of Ke Yan and Children's Poetry of Ke Yan.
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