(2) When invited to dance, the man should solemnly walk up to the woman, bow and say with a gentle smile, "May I invite you to dance?" It is advisable to bend down to about 15 degrees, not too much. It's indecent to go too far.
(3) When you intentionally invite a woman you don't know to dance, first carefully observe whether she has a boyfriend to dance with. If there are, it is generally not appropriate to invite them to avoid misunderstanding.
(4) In general, two women can jump together, but two men can't jump together. In Europe and America, two women danced together to announce that there was no male companion at the scene; When two men dance together, it shows that they don't want to ask their female partners to dance, which is disrespectful and impolite to women. So only when two young women have been spinning and dancing on the dance floor, two young men will dance together, follow them, then invite them to dance together, and then form two pairs respectively.
(5) If the woman invites a male partner, the male partner shall generally not refuse. After the music, the male partner should send the female partner to her original seat, and when she is seated, she will say, "Thank you, goodbye!" " "Then you can leave. Don't ignore after the dance.
(6) The inviter's expression should be modest and natural, and don't be nervous and artificial, which makes people feel disgusted. But it can't be vulgar. For example, inviting people to dance with a cigarette in their mouth will affect the good atmosphere of dancing.
(7) When a man dances with a woman, both sides should act gracefully, stand opposite each other, and pose for the dance. The distance between the two people should be about one and a half punches, so as not to cause the other person's disgust. A man should never pull a lady too close or hold her left hand too tightly. The distance between the two people is too close, which is easy to cause the lady to think that it is intentional cuddling, which is indecent. Pay special attention to this point.
(8) When dancing, a man should not ask his name, but know where the other person works. They are forbidden to say three things and four things and ask questions. If you don't want to dance for a while, you can go outside and pay attention to your beautiful language. When dancing, you should not look around, but have a good heartbeat. After a dance, I immediately thanked my partner and left the dance floor. The man should politely escort the woman back to her original seat. When two men invite a woman to dance at the same time, we should carry forward the spirit of comity.
(9) When a man asks for dancing, a woman can't ignore it, let alone pretend, strut, disdain it, or even scoff at it and keep people away. This is an uncivilized and impolite performance. In case you don't want to jump, smile and explain your reasons. For example, "Sorry, I can't jump." In this case, men can't persist any longer. A man should be a gentleman: "Sorry to bother you!" Don't show unpleasant expressions on your face, let alone swear. After a woman refuses a man's invitation to dance, she can't immediately accept another man's invitation.
(10) During the break, there is no competition for seats. When a lady is found standing, the man should take the initiative to give up his seat to the lady without a seat to show his grace.
1, don't rush for success. Beginners tend to make the mistake of only seeking quantity and progress, but not paying attention to the quality and standardization of movements. It's easy to learn many movements and routines in a short time. These irregular movements and routines are undoubtedly like "dummies", which will be difficult to correct after a long time. Therefore, when learning movements, we should be gradual and meticulous.
2. Don't blindly ask for "flowers". At the beginning of class, students easily fall into the misunderstanding of measuring dance skills by "steps" and blindly pursue steps, thinking that "the more steps, the better". Such a "ostentatious gesture" can't stand the observation of the referee and the appreciation of the audience in a real game. If students can lay a good foundation, and then selectively learn some flower steps and routines according to their own characteristics, they can develop their strengths and avoid their weaknesses, so as to achieve "icing on the cake."
3. Avoid ignoring posture. When learning standard dance or Latin dance, students should pay attention to the beauty of body shape, stretching straight, elegant and generous, which will attract referees and audiences and be pleasing to the eye. Therefore, when dancing, you must hold your head up, chest up and abdomen in, waist up, shoulders flat, knees relaxed, thighs and hips clamped and lifted.
4. Avoid only learning its "shape". When students learn dance, if they are only satisfied with the combination of flower steps and routines, but ignore the charm of dance, choreography style and the application of various basic dance techniques, the sports dance they have learned will be lifeless, lack of expressiveness and difficult to impress others.
5. Avoid neglecting music. At the beginning of class, students often only pay attention to the study of technical movements, lacking the expression and understanding of music rhythm, and there is often a disconnect between movements and music in learning. Therefore, when learning sports dance, we should strengthen music cultivation, deeply understand the interpretation of dance characteristics, integrate music into our own routines, and give full play to the role of music and dance.
6. Avoid changing partners frequently. Sports dance requires the rhythm of two people to be synchronized and harmonious, and dance is a tacit cooperation. If you can coordinate in age, height, figure, appearance, temperament, grace, sense of music, sense of dance, expressiveness and mutual cooperation, it is the best partner. However, at the beginning of school, there is often a problem of "partner discomfort", so we take frequent substitution tactics to keep ourselves in a state of adapting to each partner, which is easy to cause stagnation and slow down the learning progress. So you should choose your partner comprehensively, objectively, cautiously and accurately, and gradually adapt to it in the process of study and practice.
7. Avoid changing teachers. When students learn dance, they always feel that their understanding is better than others, and they will not change teachers after learning it several times. Even if I think this teacher has too few steps, I will change teachers. It is a wrong idea to change the teacher's grades. In our present life, we often see and hear that some teachers can dance and talk, while others can talk and can't teach. Whether a teacher is good or not depends not only on his understanding of dance, but also on his professional quality, as well as his daily organization, teaching ability, students' performance in all aspects, competition results and so on. That's all that matters.
8. Avoid greed. When some students began to learn sports dance, they saw the synchronized and harmonious rhythm, brisk and smooth movements and graceful rotation of excellent players. On a whim, they threw themselves into it, thinking that learning dance was a relaxed and happy thing. Do you know that "relaxed and happy" comes entirely from "diligent study and hard practice" and can gradually reach the realm of chic and freedom?