At the end, I want to say: My life/I am a surprise bride. )
1935 September 10, mary oliver was born in Fengshuling, Ohio. His father is a teacher and his mother is a clerk in a primary school. Because of "family disorder", Oliver's childhood was "very difficult" and she was often abused. Sensitive, she had to escape into poetry, "creating a world with words" and taking poetry as her "redemption". Oliver showed her determination to make writing her lifelong career very early. She began to write poetry at the age of 13, and entered Ohio University every year from 1955. After finishing her first year there, she won a scholarship from Vasa University and transferred to Vasa University. However, after only one year of study, she gave up her studies and concentrated on writing.
In the following decades, Oliver lived in seclusion in the mountains for many years. Most of his works focused on Shan Ye's nature, exploring the deep and secret connection between nature and spiritual world, and were called "reclusive poets" in contemporary America. Oliver was deeply influenced by Whitman and Zen in the ideological pedigree. His creative themes cover the themes of nature, belief and existence. His poems are short and pithy, meaningful, full of spirituality and philosophy. Oliver is not always appreciated by critics, but she is still one of the most popular poets in America and is loved by many people. She won the Pulitzer Prize and the National Book Award.
20 18 mary oliver's first Chinese version of poetry anthology "Love That Lovely Thing" was published.
Maria Oliver, a Pulitzer Prize-winning poet, died on Thursday at her home in Howe Bissandel, Florida. She was 83. Her works split the critics with simple language and careful attention to the natural world, which attracted wide attention.
Her literary director, Bill Richbloom, confirmed her death. Ms Oliver was first diagnosed with lymphoma in 20 15. Ms Oliver is a prolific writer. His works exceed 20 volumes, and he won the Pulitzer Prize of 1984 with the collection of Primitive Americans. , Brown Company. She won the National Book Award of Selected Poems of New Poetry published by Lighthouse Press with 1992.
Ms Oliver's works often appear in The New Yorker and other magazines, which is a phenomenon: a poet's works sell well. Her books often appear in bestsellers of the Poetry Foundation, which uses data from Nelson BookScan, a service that tracks book sales, and compares her with Billy Collins, a former American poet. The best-selling poet in this country.
Her poems are composed of simple language and barrier-free images, which have the nature of teaching and are almost homogeneous. It is this, coupled with their relative simplicity, that seems to make her works popular with the general public, including clergy, who quote it in their sermons; ? Poetry therapists find their exciting sensitivity very suitable for their work; ? Composers, such as Ronald Pereira and Augusta Reading Thomas, incorporated music into it; ? Celebrities like laura bush and Maria Shriver.
All this, together with the public's reading of her, gave Ms. Oliver a rather late life, a reluctant, bookworm rock star aura.
In her work, Ms. Oliver is busy observing animals and plants at close range, because many of her titles-Mushroom, Egret, Swan, Rabbit and Waterfall-prove this. On one level, these poems are perceptual still lives: they often live in forests, swamps and tidal pools in Provincetown, Massachusetts, where they have lived for more than 40 years, and they provide an impeccable description of the land and its non-human tenants in a concise, formal and conservative dialogue style.
In Spring, she wrote:
I looked up at it.
Pale flowers in the rain. They are like flax.
Soft and clean as holy water. At the same time,
My dog ran out with its nose in its mouth.
A damp and mysterious tunnel.
He said the smell now.
Become stiff and lively; ? He said the beast
Now it's full of oil,
Sleeping sweat is a sign of dreams. rain
Touch me with shiny hands.
He said: My dog is back, barking hard.
Every secret agency is the richest consultant,
Deep in the black land.
Shine and cheer!
Ms Oliver is often compared to walt whitman and Robert Frost because of her persistent communication with nature. Because of her quiet and restrained observation and extremely private personal style (she gives a lot of reading, but rarely gives interviews, saying that she hopes her work can speak), she is compared to Emily Dickinson.
Ms Oliver often describes her career as an observation of life. Judging from her writing, it is obvious that she thinks this is a quasi-religious profession. Her poems-poems about nature and other themes-are full of pulse and almost mysterious spirituality, such as the works of American transcendentalists or English poets such as william blake and gerald manly Hopkins.
Readers are also attracted by Ms. Oliver's poems because they have a sense of intimacy. Reading one is to accompany her for a walk in the Woods or on the shore. During these walks, poems often appear in front of her, and she distributes pencils in the Woods near her home to prepare for this possibility.
Throughout Ms. Oliver's career, the critical acceptance of her works has been uneven. Some critics were delayed because of the apparent conciseness of her poems, and her populist influence was delayed in the following years. James Dickey commented on her first series "No Sailing" in The New York Times Book Review on 1965. She wrote: "She is fine, but not as good as expected", and added:
"She never seems to be as skilled as she is in writing poetry. Some of them, but always outside them, combine them from existing literary elements. "
Recently, David Orr, a poetry columnist in The New York Times Book Review, even dismissed it. In 20 1 1, he mentioned that Ms. Oliver was a writer. "Her poems can only be said that no animals seem to be hurt when creating." (This comment was refuted by Ruth Franklin, a native of new york, who wrote in an admirable article about Ms. Oliver on 20 17: "Considering that Oliver's works revolve around violence in nature, this joke has begun to become boring." ?
What do Ms. Oliver's supporters think is the seemingly inconspicuous surface of her work? The dark and dreary lower layer, together with the surface, constitutes a clear exploration of the individual's position in the universe.
Writer Alice Gregory said in an article on the website of the Poetry Foundation: "Her corpus seems very simple." ? "However, if you let the huge language cover up the soft connective tissue, then you will miss a lot. Such rude attention will not give you the strengthening effect that Oliver provides. " ?
Mary oliver was born on1September, 935 10. He was born in Edward of Cleveland and Oliver of Vlasak, and grew up in Maple Heights, Ohio. Cleveland? Her father is a teacher and her mother is a secretary in a primary school.
In Oprah Magazine of O: 20 1 1, Oliver rarely interviewed Ms. Oliver. She talked about the sexual abuse she suffered as a child, but she didn't elaborate.
"My family is very abnormal, and my childhood was very difficult," she said to Ms Shriver. "So I created a world with words. This is my salvation. " ?
When she was a teenager, she ran away from home-she would study at Ohio State University and Vasa College for a short time, but didn't get a degree-and Ms. Oliver spontaneously drove to Rip, stipe and Edna Saint Vincent Millay's former residence in Austerlitz, New York, near the Massachusetts border. For the next six years, Ms. Oliver lived in Stie Poulteau and helped Millay's sister Norma organize her thesis.
In the late 1950s, when Oliver visited Lepu, stipe, he met the photographer Molly Malone Cook, who later became her life partner and literary agent. Ms. Cook died in 2005. No immediate family members survived.
Ms Oliver teaches at Benington College and elsewhere. Her other poems include Styx, Ohio (1972), House of Light (1990), Leaves and Clouds (2000), Evidence (2009) and Blue Horse (2065438+).
Her prose books include two books about poetry skills, Dance Rules (1998), Poetry Manual (1994) and Longevity: Prose and Other Works (2004).
Considering that it seems to be contradictory-shallow and profound, inspiring and sad-this poem by Ms. Oliver may be regarded as a poetic Portman Castle, which combines the original joy and the original melancholy of life.
For her, everyone's heart is a kind of ecstasy similar to madness. In one of her most famous poems, When Death Comes, she wrote:
At the end, I want to say: my life.
I am a surprise wedding bride.
I am the groom, holding the world in my arms.
When it's over, I don't want to know
Whether my life is particularly real.
I don't want to find myself sighing and scared,
Or full of arguments.
I don't want to simply travel around the world.