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Thin calligraphy works
The original calligraphy font of Song Huizong (Evonne). Song Huizong and Evonne are not only good at painting, but also have high attainments in calligraphy. On the basis of learning from Xue Yao and Chu Suiliang, Evonne's calligraphy has created a unique "thin gold body", which is thin and smooth, with one side like bamboo, and complements his meticulous painting.

Thin gold book refers to its gold, wealth and righteousness, and also boasts of its strength. Zhao Ji has many calligraphy works handed down from generation to generation. All kinds of calligraphy works, such as Kai, Xing and Cao, remain in later generations, with vigorous and elegant brushwork and distinctive personality. Among them, Square Calyx Poetry is a masterpiece of Bo Jin Shu with sharp brushwork and elegant style.

However, Song Huizong's calligraphy also has the shortcomings of being gentle and frivolous, which may be caused by the times and his own artistic accomplishment. However, its unique artistic personality of thin gold body is imitated by later generations. Not only created a huge calligraphy school.

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Artistic feature

Evonne's art advocates both form and spirit, and advocates the combination of poetry, calligraphy, painting and seal. He is the founder of meticulous painting, painting flowers and birds, landscapes, figures, pavilions and pavilions, which is the similarity of everyone. His pen is beautiful and flexible, stretching freely and full of peaceful atmosphere. He pays attention to sketching and is famous for his exquisite realism. According to legend, he painted his eyes with raw lacquer, which is more vivid and breathtaking.

References:

Baidu Encyclopedia-Song Huizong

Why is Song's calligraphy called Shoujinti? Although Song Huizong and Evonne were bad emperors in politics, they were brilliant in art. He is good at not only writing, but also calligraphy and painting. Later generations praised him for his "exquisite calligraphy and painting, which is second to none in ancient and modern times." His calligraphy is full of calligraphy, calligraphy and cursive script, the most famous of which is his original "The Book of Thin Gold". This kind of art refers to a regular script, which is thin and strong. It uses all the extension methods such as painting orchids and bamboo, with sharp pen and elegant calligraphy. The structure is perfect and beautiful, and the law is strict from beginning to end, just like ladies dancing in harmony. Wandering around the court without disorder fully embodies the characteristics of court life. "Bo Jin Shu" is not only unique among many calligraphers in the Song Dynasty, but also unique in ancient times. This makes Song Huizong different, even though he can't dominate the political arena.

Why did Evonne calligraphy in Song Dynasty call Song Huizong the eighth emperor of Song Dynasty? Although he is politically incompetent and fatuous, he has high attainments in calligraphy art. He created a calligraphy font, which was later called "Handwritten Gold Book". In his paintings and calligraphy, he used a flower promise similar to the long word "Tian", which is said to symbolize "a person is in the sun". This is also the most famous flower gambling in the history of China. Next, please enjoy Song Huizong's thin gold body and calligraphy.

Song Huizong loved art very much, and when he was in office, he promoted the painter's position to the highest position in the history of China, and established the Hanlin Painting and Calligraphy Institute, later the Palace Painting Institute. Taking painting as the examination method of imperial examination promotion, poetry produces many new creative stories every year. For example, the title is "Ancient Temple in the Mountain". Many people painted the cornices of temples in the deep mountains, but the one who won the first prize did not draw any houses, but only painted a monk carrying water in a mountain stream. Another topic is "Step on Flowers and Return to Horseshoe". The first one didn't draw any flowers, only one person rode a horse, butterflies flew around horseshoes, and so on. All these have greatly affected the development of artistic conception of Chinese painting. Song Huizong's careful observation of nature once wrote: "proud as a peacock must raise his left leg first" and other theoretical articles about painting. Collect cultural relics of past dynasties extensively, and make subordinates edit famous art history books such as Xuan He Shu Pu, Xuan He Hua Pu and Xuan He Bo Lu Gu. It has made considerable contributions to the study of art history. Evonne also likes to inscribe poems on his favorite calligraphy and painting, which is called "imperial painting" by later generations. Because many paintings don't leave the author's name, he is good at painting himself. It is not difficult to tell whether these paintings are Evonne's works. There is a view that his original works include Poetry, Willow Duck, Late Autumn Pond, Bamboo Bird and Four Birds. The Lotus Golden Rooster and Mera Mountain Birds are royal paintings. Zhao Ji, Huizong of the Northern Song Dynasty, has a school of calligraphy of his own, which is called "thin gold calligraphy". What is the difference between this and traditional calligraphy? As rulers, Song Huizong and Evonne seem to have achieved nothing. Later generations commented that Song Huizong would never become a monarch. Because Song Huizong Evonne's calligraphy attainments are very high, if you want to find an emperor to compete in history, there is probably only Li Yu, so Song Huizong is also called Little Li Yu. Judging from the comparison of calligraphy, Song Huizong Evonne's calligraphy seems to be better than Li Yu's.

Song Huizong and Evonne don't have many calligraphies, but each one is a classic. Because Song Huizong created the thin gold body, so far no one can surpass him in this kind of calligraphy. The calligraphy works of Shoujin style handed down from generation to generation include Shoujin Wenzi, Two Poems Borrowed from Wind and Frost, Summer Poems, Ou Yangxun Hans Zhang Postscript, etc., each of which is a classic.

Like most calligraphers, Song Huizong has a certain preference for thousands of Chinese characters. His two thousand-character works, Mo Bao, can show his profound calligraphy skills and extraordinary artistic charm. One of them was written for Tong Guan, with 10 words per line, and about 100 lines before and after, each word being one inch in size. Calligraphers in Song Huizong learned from Xue Yao in the Tang Dynasty. As the saying goes, the master leads the door, and practice depends on the individual. Song Huizong's calligraphy attainments also surpassed Xue Yao's. His calligraphy structure is very open, and his strokes are vigorous and unique. Contemporary appraisers of calligraphy and painting also praised Song Huizong's calligraphy and painting, thinking that his calligraphy structure is very handsome and correct, his writing style is fine but not heavy, and his brushwork is very delicate and energetic.

In a word, Song Huizong's calligraphy attainments are very high, far exceeding his achievements as a monarch. He is a romantic by nature and has had countless women in his life. He was called the brothel emperor by later generations. Perhaps this romantic personality is more conducive to Song Huizong's search for inspiration for poetry and painting. Judging from Song Huizong Evonne's calligraphy, he should be regarded as a former master.

Song Huizong Evonne, a man full of artistic talent, may be the husband pursued by those women, but he was born in a royal family, that's all. In other words, Song Huizong's Poem on the left is a classic, which was written by Song Huizong and Evonne in his forties. Whether it is the strength, momentum or some structure of the font itself, it is the first poem of Song Huizong and Evonne.

In Song Huizong's poems, the scene and artistic conception described in the whole poem are very quiet and beautiful, and the language is relaxed. "Colorful flowers are more and more brilliant among the green leaves and quietly open in the courtyard. In the early morning, a few dewdrops were scattered on the petals, crystal clear, and the flowers actually showed a shy posture. Under the setting sun, the red light of the sunset glow makes the flowers particularly pale, as if they were going to melt. " The artistic conception of this poem is so intoxicating, which shows the talent of Song Huizong and Evonne in poetry creation. As for the style of Fang's poems, there are 20 lines, each with two big characters. People can clearly understand the brushstrokes of each of Song Huizong's paintings, the natural and elegant fonts themselves, and the handsome "thin gold body" make people shine at the moment. Chen Bangyan later wrote a postscript to a poem by Evonne in Song Huizong, saying, "This copybook is like calligraphy and painting. It's like walking in the blue and listening to the wind and rain. " Chen Bangyan not only praised Song Huizong Evonne's poems, but also described Hui Zong's original "thin gold body".

Although there seem to be only 40 simple words, calligraphers who are familiar with the "thin gold body" know that the thin gold body looks simple, but it is really difficult if capitalized. In this way, Song Huizong Evonne's poem became the first poem in the history of China.

Who has better handwriting, Zhao Gou or Evonne? Song Huizong, of course. Very good!

Song Huizong Evonne Calligraphy:? Shoujinti was created by Song Huizong Zhao Ji, which is an original creation in the history of calligraphy. Thin gold book is a unique font, with its erratic and fast strokes and thin handwriting, it is thin without losing meat. At the corner, you can clearly see the traces of Tibetan front and exposed front. Song Gaozong Zhao Gou deserves to be Song Huizong's own son. He is brilliant enough to catch up with his father. His calligraphy is comprehensive and unique, and looks like everyone else. Zhao Gou's calligraphy is good, true, line, cursive, free and easy, natural and fluent, and won the charm of Jin people. Luo Shenfu's Zhao Gou cursive calligraphy works are skillful in brushwork, round in brushwork and leisurely in flying. ? In terms of calligraphy art, Evonne and Zhao Gou can be called masters of father and son. From this point of view, netizens should have an epiphany. Which factor is important to practice calligraphy? Evonne's Calligraphy: There are great limitations in why thin gold calligraphy becomes a minority font instead of the mainstream thin gold calligraphy. First, calligraphy has become slender, and printing and typesetting are not as square as regular script. Secondly, its style requires a higher level of scriptwriting and is not easy to get started. Basically, it is difficult to write a thin golden book without a solid basic skill of calligraphy. In addition, its style also needs tools, which can be written with ordinary brush. Thirdly, its calligraphy environment is also restricted, and its use environment is restricted by its calligraphy style.

Evonne's style of painting and calligraphy? Zhao Ji studied Huang Tingjian's calligraphy at the beginning, followed by Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from others and express their opinions, and finally created a unique "thin gold book" style. Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is dull"; It also has a strong personality color, the so-called "such as bending iron and breaking gold." This calligraphy style has never appeared in previous calligraphy works. Chu Suiliang's fine brushwork is only a small part of the same, but most of them are different. Compared with Xue Yao's ci in Tang Dynasty, it is the closest. Perhaps Evonne came from Xue Yao's poem Shi Li, but his writing is obviously much more mature than Xue Yao's. This is a very mature style of writing.

On the one hand, Evonne's paintings have absorbed the rich meteorological and realistic spirit of the Yellow School, and at the same time, they have combined the crazy interest and ink rendering techniques of the Xu School. His flower-and-bird paintings are excellent. It is described in detail in Resources.