This situation spread over time, resulting in white and thin actresses with "bamboo poles" everywhere on the screen.

To tell the truth, an actress with this appearance looks beautiful at first glance, but she has no connotation and temperament. They are not so much beautiful women in ancient costumes as modern beauty in ancient costumes.

To say the classical beauty of the country, we must look at the film and television images interpreted by mainland actresses in the early 1980s and 1990s.

Zhao Mingming is the goddess of costume in Chinese mainland in 1990s. Her dignified appearance is called the most classic beauty actress by many viewers.

Zhao Mingming's face is close to a round face, which is a very standard round face. The five senses and three hospitals are symmetrical and arranged in a stretch, and a pair of beautiful eyes are black and white, as clear and bright as spring water. This kind of face, the facial features are not eye-catching, but it is durable and has a long flowering period.

Because of the early release, there are not many film and television works left for the audience, but the roles she created are amazing, such as Kouer in Women Are Not the Moon, Zhao in Phalaenopsis, and Zhao in The Swallow of the Han Palace, all of which are impressive.

Zhao, especially Zhao in "Flying Swallows in the Han Palace", is absolutely beautiful, graceful, with round eyes and soul-grabbing.

In fact, Zhao Mingming's appearance is not perfect, and her mouth is a little crooked, but overall, the flaw can't cover her up. The small defect of crooked mouth has not affected her to become a generation of classical beauty.

"Only the peony is the real national color, and the capital moves when bloom". The emergence of Chen Hong, no matter in which era, is dazzling.

When Chen Hong was young, she was known as "the first beauty in Chinese mainland", and she was especially good at ancient costumes. Since 1986 Liao Zhai, Chen Hong has been invincible in costume dramas with her natural beauty.

In her film career, she has played countless great beauties, such as the story of Diesim in The Romance of the Three Kingdoms, Chang 'e in The Pig with Beautiful Spring, and the adult Taiping in Princess Taiping, and each role is brilliant.

Although Chen Hong's appearance is beginning to age now, she is breathtaking at her peak. This pure natural face can be said to be an all-round hanging flower in today's entertainment circle.

In the early 1990s, Fu Yiwei was famous all over the country for her role as Su Daji in The List of Gods, and her pair of "Sableye" was praised as the most beautiful eyes in Asia.

In the play, the "Fox" played by Fu Yiwei is young, beautiful and absolutely beautiful. Her vicious and cruel image was vividly interpreted by her. The Su Daji she created had both spirit and appearance, and became the most vivid banshee model in the eyes of many audiences in the future.

Fu Yiwei's appearance is very quiet and reserved, with a dignified and virtuous oriental femininity, and there is a graceful atmosphere in her gestures.

In the characterization of costume drama, she can always highlight her unique classical beauty. From Xue Baochai in the movie A Dream of Red Mansions to Su Daji in The List of Gods, and then to Chen Yuanyuan in The Eight Wonders of Qinhuai, she has successfully created one beauty image after another.

Private life aside, Fu Yiwei's face value and acting skills are absolutely convincing. Although she lost her foothold after becoming popular, her classic roles in movies and TV are indelible to the audience.

He Qing's face is a standard oval face, with a straight nose, braided teeth and a pear-shaped smile. She smiles like a lily in the sun, gentle and moving, with a general romantic gesture and full of classical charm.

1984, 20-year-old He Qing was caught by director Yang Jie on his way home to catch a train, so he made a guest appearance as the Bodhisattva Ji Ling in The Journey to the West. Four years later, He Qing once again played the tragic character "Qin Keqing" in the North Film version of A Dream of Red Mansions.

1996, He Qing played Xiao Qiao in Romance of the Three Kingdoms. Xiao Qiao is a peerless beauty in the last years of the Eastern Han Dynasty in China, and she is often active in many literati's poems. Her gentle and beautiful image was greatly praised by later generations.

He Qing's gentle beauty, full of affection and pity, fits the role of Xiao Qiao very well.

After 1996, He Qing played a generation of famous actor "Li Shishi" in Water Margin. Although she lingers in the dusty land, she has rare kindness and affection, and a smile makes people forget the custom.

At this point, He Qing has also become the only actress who has performed four great classical novels.

1986 CCTV version of Journey to the West spread all over the country. There are many beautiful women in the play, but what impressed me most was Zhu Lin's role as the king of the daughter country. Because of her late debut, Zhu Lin has been playing this role for more than 30 years, which is why some viewers will say that the king of her daughter country looks old-fashioned.

However, in my opinion, Zhu Lin is the most beautiful at this age. She looks dignified and elegant. When looking at people, these eyes seem to have a magical power.

Zhu Lin plays the king of the daughter country, gorgeous and noble, and his eyes are always full of emotion, especially when he shouts out the voice of "Brother".

Although it has been 36 years since the 86th edition of The Journey to the West, the role of Zhu Lin as the king of the daughter country still haunts my mind.

Lin Fangbing, who was born in a water town in the south of the Yangtze River, has both the dignity and elegance of southern women and the boldness of northern girls.

At the beginning of his debut, Lin Fangbing was active in the film circle with various images. 199 1 year, she moved to the TV circle and played Yang Guifei for the first time in the TV series Tang.

Yang Guifei was a stunning beauty in the ancient Tang Dynasty. In the hearts of many viewers, her beauty is unparalleled, so this role is doomed to be difficult to adjust.

However, few people questioned Lin Fangbing's performance of Yang Guifei, and even some viewers said, Where does her performance belong, and who is behind me? Where was the past before me? .

For this role, Lin Fangbing increased from 90 kilograms to 130 kilograms, presenting a beautiful face for the audience, rich and light, noble but innocent, the most beautiful beauty in the Tang Dynasty.

"The clouds of her hair, the petals of her cheeks, the golden ripples on her head when she moves, are covered by warm hibiscus curtains on spring nights. But the night in spring is very short and the sun rises too fast. Since then, the emperor has given up his early hearing. " Only by reading Lin Fangbing's interpretation of Yang Guifei can we understand the meaning of Li Bai's poem.

Zhou Jie is known as the "Oriental Beauty God". Her appearance embodies the characteristics of classical beauty: full and round cheeks, delicate and small mouth, bright eyes, at first glance, gorgeous and incomparable.

Thanks to her outstanding appearance, Zhou Jie acted as the heroine before 13, and participated in many large-scale national dance dramas after 15. At the age of 2 1, her role of "Li Fei" in the movie "Listening to Politics through Curtains" became popular on the screen, and then she played Yang Guifei, one of the four most beautiful women in China, in the movie "Yang Guifei" directed by Chen Jialin.

Yang Guifei, played by Zhou Jie, is not as famous as the Lin Fangbing version, but she is also very classic. In the film, Zhou Jie not only contributed to the stunning beauty of the four towers, but also presented a magnificent and melodious dance to the audience.

Because I originally studied dance, Zhou Jie's dance is very ornamental. Even though she added a lot of color to her role at that time, she was still fascinated by her profound dancing skills, delicate and elegant dancing and light and agile posture.

As the most talented and temperamental actress in 1990s, Li Jianqun's beauty lies in her poetic and self-flaunting. Her appearance is not aggressive, and it is a very gentle and attractive classical beauty.

Li Jianqun has a wide range of interests and is versatile. She is not only good at acting, but also widely involved in fashion design. She created many of her TV plays in the past.

Many film and television dramas, such as Tang Huangming, Wu Zetian, Taiping Heavenly Kingdom, Kangxi Dynasty, etc., all contributed superb acting skills and superb services.

Because of classical beauty and brilliant talent, the beauty played by Li Jianqun is more radiant and transcendent than ordinary actresses.

The appearance of Tao Huimin is the appearance of Jiangnan, a classical beauty in my imagination. Yingying's every move is elegant, every movement is elegant, her face is beautiful, her temperament is gentle, and she speaks out of turn and whispers, which is eye-catching. If she just turns her head and smiles, there are hundreds of spells to perform, which is a kind of charm!

Born as a traditional Chinese opera actress, she not only has an excellent figure, but also has a beautiful antique charm in her gestures and eyes, which makes people look for a long time.

Tao Huimin has created many classic characters in his film and television career, the most famous of which is Bi Xiugu, the "Chinese Cabbage" in 1990 TV series Yang Naiwu and Chinese Cabbage.

In the play, Tao Huimin performed the horrible "Chinese cabbage" with her beautiful appearance and pure and delicate acting skills, and it was particularly heartbreaking to cry with her big eyes.

Until now, many viewers still can't forget the exquisite and elegant "Chinese cabbage" when they see her.

Among the classical beauties, Angel has a very unique charm, that is, "combining rigidity with softness". Her appearance is noble, with a hint of heroism and sadness at the same time.

In the early days, Angel's cheeks were rounder, so his sense of heroism was slightly weaker. In the middle and late period, charm and heroic spirit mixed together and became a classical beauty with strong temperament, so you can easily control such great beauty as Mu Nianci and Nishang.

Moreover, angels are born in Beijing opera blues, and the action scenes are very beautiful. She flies with Weiya, some actresses are like stakes, and Angel is as beautiful as the nine fairies.

Qiong Yao also chose Angel as the heroine of her play because she saw her extraordinary appearance.

I have to say, when I was a child, Angel was really beautiful, and her hazy eyes seemed to contain a spring water, as if there was a beauty filter.

Lin li's appearance is very consistent with the graceful beauty of Jiangnan women. Her eyebrows are picturesque, her eyes are like water, her teeth are like shells, her lips are like grease, and her smile is like water and song, and she is as beautiful as a fairy.

Because she played the role of Du Bingyan, the daughter of Yangzhou's richest man, in 200 1, lin li's stunning appearance still fresh in the audience's memory, especially the scene where the veil was lifted at the beginning, which was simply fascinating.

Li Lin studied Chinese opera, with excellent manners and figure, dignified and elegant, natural and graceful, and decent manners.

When you smile at Li Yuhu, it is charming and provocative, and sweet to the heart.

Looking back, the previous actresses were one in a hundred, regardless of their appearance or figure. Although their appearance is not perfect, they all have different styles and recognitions. They seem to be born for this role.

On the other hand, today's actresses have more and more delicate faces, but more and more vulgar manners and temperament, and there is no so-called "classicality" in them.