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The scene of Daxiong entering the Jingxiang bathroom was boycotted, and netizens said that there were fragments of skirts. What are the problems with Riman?
From the overall production level, Japanese animation is indeed better than our domestic animation in special effects and plots, because people really developed early, but Japanese animation also has some defects. If these defects are not corrected, they will definitely explode in the future. For example, there was a clip recently in which the hero in Doraemon entered the bathroom in Jingxiang.

The male protagonist in Japanese anime is normal, and there is nothing particularly strange, but as long as the female protagonist is a female character in Japanese anime, there is almost nothing abnormal in real life. For example, there are some * * * characteristics, especially big eyes and pointed chin, and then I like this kind of miniskirt, and then there will be all kinds of strange clothes. This has a lot to do with the animators. That's how he drew cartoons. If he didn't have his own characteristics in character design, Japanese cartoons might not exist now.

Japanese anime has always set the male master as a loser, that is, at the beginning, the male master was basically incompetent, and the female master had been taking care of him. Then suddenly one day he got a magical opportunity, and then he woke up and found a worse and worse person, usually a vegetable, but when he was strong, he became strong. Finally, when he hit the boss, he hit the boss himself. Basically, the procedure is like this.

Japanese animation also has some good points, such as the special effects producer's choice of script. Over the years, people have developed excellent works earlier than we have. A large part of our domestic animation is imitating others, but we believe that with our profound cultural accumulation, we will become more and more sophisticated in the production of special effects in the future, and we can completely surpass them, because China has never served anyone in cultural accumulation.