This means that "Journey Without Confusion" has not even reached the passing level, and even one foot has entered the ranks of inferior dramas.
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The drama is in an awkward position, whether it is the number of raters or the results.
Actually, it wasn't like this at first. When the play was first broadcast, it still attracted a lot of people's attention and the evaluation was very good.
You know, there are Mesozoic drama actors like Chen Jianbin, Mei Ting and Tu, and there are big coffee actors like Gao Ming and Liu to keep up the show. Why is this the result?
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There are many reasons!
First, the values are incorrect.
Feng Chunsheng wants to climb through Zhuo Yuan Group. Although he was repeatedly hit, he actually became a winner in life in the end. Moreover, in order to pave the way for his success, the screenwriter opened his mind and wrote Lao Zhuo to death.
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Not dying early, not dying late, just happened to catch up with the emotional crisis and divorce of Feng Chunsheng and Zhuo Xiaoting, laying the foundation for Feng Chunsheng's upper position.
You know, Feng Chunsheng is bent on getting ahead, even regardless of his family. Under the temptation of Judy, he hardly kept the bottom line. In the final analysis, this person has a big personality problem.
But the TV series tells us that he succeeded. Even if there are such real cases in life, they can be regarded as literary works, which cannot provide this value orientation.
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Someone here has a problem, too. It can be said that third parties are everywhere, and we can count them.
Zhuo Xiaoting is a third party on Feng Chunsheng and pure emotional issues;
On the emotional issue between Malik and Wang, it is simply a third party;
Qiao Nana is the third party on the emotional issue between Jane Xing-burning and Qiao Qing-shallow.
Judy is the third party in the relationship between Feng Chunsheng and Zhuo Xiaoting. ...
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It is impossible without "three"!
I really want to know, in a play, the director has designed so many "third parties". What do you want to spread?
Second, the plot jumps and the logic is unreasonable.
Simply promised the old headmaster to go back to his hometown to teach, but I don't know why, but he broke his word and stayed in Beijing, selling mala Tang to survive and starting his own business.
The direction of this story is very confusing, because there is no reason to stay, and I don't know how she explained it to the old headmaster.
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Wang went to Japan for medical treatment. Before leaving, Jane and Ma Liewen had a good impression on each other, but they kept their distance. But the camera flashed, and with Wang He's recovery, they came together.
Without any preparation and explanation, the two became lovers, and the audience shouted, did the editing miss an episode?
However, some viewers reminded me that there was "one year later" in the subtitles. If such a key story can be explained with a few subtitles, then there is no need to shoot 40 episodes, and 4 episodes are enough.
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The finale also embodies this logic. Seeing Wang commit suicide, her heart was touched. She went to Tbilisi, where she finally met her and lived. This doesn't make any sense at all, because Simple doesn't have much money, there are elderly parents at home, and his younger brother Jane Xing doesn't worry. How did she get the capital and qualification to live in a foreign country? Besides, her job is just a librarian and her salary is very low.
Third, lack of originality, copying Jane Eyre.
The hero and heroine in A Journey Without Confusion completely copy the image of Jane Eyre, who is a simple person, Rochester is a Marxist-Leninist and Wang is a crazy woman.
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The route of simplicity and Marxism-Leninism is highly consistent with Jane Eyre: a young girl goes to be a tutor and silently falls in love with the overbearing president and head of the household, while the head of the household under the aura of the Virgin still has a crazy wife and a rebellious daughter who outputs melodramatic remarks 24 hours a day. ...
Even the scene in Jane Eyre in which the crazy woman finally committed suicide by arson was transplanted to Wang.
I'm just wondering, can the screenwriter have some other ideas and stop writing if he doesn't copy it?
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Fortunately, there is still a little difference. The crazy woman in Jane Eyre died, and Wang Yi in A Journey Without Confusion was lucky. She was only slightly injured in the gas explosion.
This is an insult to the power of gas explosion.