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Why are the clothes of the new king and queen of Bhutan similar to those of China?
Bhutanese costumes are indirectly influenced by Hanfu through Tibetan costumes. Han nationality has the characteristics of collar, right collar and lace-up clothing. Men often wear knee-length robes made of thick cotton or wool, which are called "Gho" and commonly known as "Cooper". In order to keep the tradition of Bhutan, the King of Bhutan stipulates that everyone must wear traditional clothes when going to school or working. Bhutanese men wear "Gho", a knee-length robe, while women wear "Kira", a long-sleeved coat and a salon-style dress. It is said that in order to set an example, King Bhutan even put on a straight "Dong" when exercising.

There is also a white coat inside the "Dong" of Dong and Qila. The sleeves are longer than the robe and then folded outward. White cuffs and wide robes look chic. The sleeve width is moderate, which does not hinder the work. The robe is rolled up and the waist is fixed with a belt. The waist can hold a lot of things, without weaving pockets. This kind of half sleeve makes Bhutanese men look very free and easy when waving their arms, and it also has the function of lengthening their bodies visually. The wide waist design can hide the lower abdomen and has the function of storage, which is both practical and beautiful. The monk boots "Chira" worn by Bhutanese women look a bit like Fengxian Xiao at first glance. That is, the upper skirt includes underwear, robes, belts, long skirts and pins. The upper body is the same as that of a man. Put on a long and narrow long-sleeved collared underwear, then wrap it in a long skirt with a rectangular cloth, fix it with a necklace pin around the neck, wrap it around the waist with a wide belt for two or three times, and then put on a long-sleeved coat. The cuffs of the underwear are folded back like men. Underwear colors can be freely matched, and you don't have to wear white like men. Women wear long skirts, so they wear short boots. The straight line of long skirt and short coat visually lengthens the leg lines, similar to Korean women's clothing. In addition, the higher booties make Bhutanese women look more slender and have more perfect leg proportions. In addition, narrow sleeves also have a slimming effect visually. Ms. Bhutanese wearing "flag-pulling", the lady on the left omits the undershirt. The fabric they wear is an improved design. Ms. Bhutan, who is "a small fan flying firefly", saves a plug-in for this lady. The fabric she wears belongs to the traditional blue and traditional striped design, which is elegant and expensive. Traditional fabrics are the same as the costumes of different dynasties in China. The styles of "Dong" and "Zila" are fixed, so the pattern and color matching of fabrics have become the focus of fashion. Traditional weaving in Bhutan is dominated by stripes and plaids, which may be because stripes and plaids are easier to calculate in hand-woven environment. Due to a large number of mechanical weaving from India, women's wear has more choices in color, pattern and fabric. Due to the influence of Buddhism, the traditional cloth in Bhutan is picked up wild silkworm chrysalis and woven with cooked wild silk, which is tough and durable. In terms of color, before the opening of1960s, due to limited resources, most colors were dyed blue and black in a natural way. But there are too many color changes now. The three ladies in the picture are wearing improved colors and patterns. In the picture, the lady is wearing a dark blue dress, which omits the plug-in. It is a blue striped cloth with traditional colors and patterns, which feels very formal and elegant. China has a culture of 5,000 years, and each dynasty has different costumes. So if Hanfu is restored, there are too many choices and changes. China has been famous for its brocade for thousands of years, and the large overseas demand for China fabrics has also created the famous Silk Road. If Hanfu can be restored, I believe it will also promote the development and continuation of traditional fabric design. Traditional costumes set off the temperament. Due to the hot weather in Washington at the end of June, some women who couldn't stand the heat gave up their outer gowns and only wore inner shirts or outer gowns (the lady in pink on the left in the picture). Some men fold their robes around their waists to show people the casual way of wearing traditional clothes. China's traditional Chinese painting can sometimes see such a casual scene, which is somewhat natural and unrestrained and heroic. Even the lady who fanned the fan gives people the association of "fanning fireflies with a small fan". Can only say that traditional clothes are really beautiful! Against the backdrop of traditional costumes, Bhutanese men look very imposing, and women look very gentle and beautiful, which really makes people lament the beauty and elegance of traditional costumes and their edifying effect on temperament. Because Bhutanese are mostly descendants of Tibetan and Mongolian ancestors, they are almost identical to the Han nationality in appearance, but they have deep contours and beautiful looks. We can't help but hope that if our Chinese nation can also restore the orthodox Hanfu, it would be great! Bhutanese in traditional costumes really look better than the semi-naked Americans around them. Asians in traditional clothes are so pleasing to the eye. Or chic, or beautiful, or dignified, or heroic, the same style can make so many levels of changes, everyone feels different! As for heat dissipation, because silk fabrics are warm in winter and cool in summer, it is actually heat dissipation in summer, and the so-called mood is naturally cool. At the scene, we found all the craftsmen, regardless of painting, sculpture, weaving and other artists, sitting cross-legged on the floor. It is said that the ancients had to meditate before doing things to get things done. China's ancient exhortations have indeed been confirmed in Bhutan, a country that has preserved its traditional culture and lifestyle.