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What's the evaluation of dog sticks against Japanese dramas?
As a film and television drama without big stars, big names and big scenes, "Dog Stick" had very high ratings when it was broadcast that year. As a historical family drama, it is quite good to be recognized by the audience.

Dog Stick tells the legendary story of a group of hot-blooded sons and daughters fighting bloody battles in War of Resistance against Japanese Aggression.

A conscience drama is inseparable from the director's efforts. As a screenwriter of this play, Guo Jingyu also plays the role of general director. Through on-the-spot interviews, combined with Mr. Dai's first draft, Mr. Xiao Shaoquan's second draft, the history of War of Resistance against Japanese Aggression in Chengde, my hometown, and the stories told by my childhood mother, the 70-episode Dog Stick is not as full of loopholes as today's assembly line, which can eliminate collusion and try to avoid illogical phenomena.

The script is the soul of a TV play. It is because of a good script that Dog Stick can have wonderful ratings, full of twists and turns and drama. It is a conscience drama that can make the audience laugh and cry. Compared with various high-sounding anti-Japanese dramas that have emerged in recent years, Dog Stick is a clean stream in anti-Japanese dramas, at least it does not exaggerate the ability of people who fight devils, such as the hero Dai. But there are still some plots that I think are a little exaggerated. That is, Natulu fled from the army to Jehol. In a rage, he rushed to the enemy and bit his neck, but he almost bit his neck like a vampire. Compared with reality, it is a bit exaggerated.

In addition, through the efforts of actors,

Yue Lina's first postpartum play was Dog Stick. In order to complete the role, she began to lose weight desperately, regardless of her health. Therefore, Yang Zhigang turned down many films and devoted himself to them. In the "Dog Stick" photography group, the stars are dedicated, and so are other actors.

In the play, Yu Yi, who is feminine in appearance and resolute in heart, is played. In order to play this "sissy" role well, Yu Yi has made great efforts, practiced flower-and-bird painting and learned to play the flute. In the play, both girls have to be able to sing. Yu Yi and the Peking Opera teacher have worked hard, and specially bought a costume "head" of Peking Opera, looking for feelings repeatedly in the mirror. ?

With good scripts, excellent directors and responsible actors, the success of this family historical drama is self-evident.