This cannot simply say the color of each still life. Because you should pay attention to the influence of light, interlining and nearby still life when mixing colors. In other words, we must pay attention to the relationship among intrinsic color, light source color and environmental color. For example, when the yellow light comes, the bright side of the object will definitely be affected by the yellow light. If the color of the interlining is bright, the reflective surface of the object will definitely be affected by the color of the interlining. Probably the color tone can still be established, that is, the light is bright, the backlight is dark, and the boundary line is the darkest. But it must be painted in combination with cold and warm colors. For example, if the bright part is cold, then the dark part should be warmer, and vice versa.

Add less white except for highlights, otherwise it is easy to paint powder. The deepest place is blue and red or crimson, not black. Pay attention to purity when using orange. This color burns easily, you can add a little white. Dark green, dark green, violet and violet should be used with caution, because it is easy to get dirty. Write down the following points: 1. First, observe the warm and cold colors of the whole group of still life, determine the main color, start the manuscript with monochrome, and lay out the overall relationship.

2. Use a large stroke background or interlining. First, observe the inherent color of the interlining. Contrast color or complementary color can be added in the dark part to make the interlining "gray". Even for light-colored interlining, try to use as little white as possible, otherwise it will be "pink". White can be replaced by high purity color in the same color.

3. First of all, we must observe the still life. The difficulty of color is the color change of the still life itself in different environments, and it is necessary to show the influence of the environment on the still life. This is the so-called environmental color. When drawing, start with darkness. You should draw a projection first. When mixing colors, you should first adjust the inherent color of still life (be careful to use colors accurately, and don't adjust the color too much, otherwise it will be dirty), and then you must add environmental colors. Generally speaking, the "dividing line between light and shade" in sketch is the inherent color part of still life in color. At the intersection of dark and bright parts, there must be the original color of still life.

4. After laying a big relationship between light and shade, shape it with color. (Remember to add ambient color. ) pay attention to the transition. Transition to the bright part, don't just add white, add some blue and purple appropriately, because natural light is cold.

5. Finally, use a small pen to improve the light or outline the details. Add a little blue to improve the light, sky blue is the best, just add a little, don't make the highlight too big, or it will be fake. Even if it is a white object, don't paint the bright part pure white, but add the ambient color. Add less white except for highlights, otherwise it is easy to paint powder.

6. fruit. The drawing of fruit is different from that of bottles and jars. The fruit should be painted clean and pure in color, so as to show the freshness of the fruit. Draw fruit that people want to eat, and it will never be dirty! ! The fruit placed at the back can be painted "gray", but the purity should not be too high.

7, the deepest place with blue and red or crimson, don't use black. Pay attention to purity when using orange. This color burns easily, you can add a little white. Dark green, dark green, violets and violets should be used with caution, because they are easy to get dirty! !