Wang Zongxin, the curator, exhibited the cross-border artistic creation of various innovative technologies through the application of community interactive programs, 3D printing, somatosensory capture, slit scanning and interactive electronic systems. At the same time, he conducted a social speculation to explore the long-term pursuit of quick success and excessive packaging in Taiwan Province Province, which led to many absurd and false phenomena. There are many interesting interactive devices in this exhibition. Through programming and screen display, you can see your interaction with digital technology, which is not only full of freshness, but also a cool experience. (Source: DosomethingStudio)

The following are the introductions of several scientific and technological works:

Work 1: Gomo, a fake dating software (network interactive program)

Artist: Wu, Zeng Zhongyue

The creative idea of the work is to simulate dating software, and a picture appears on the screen of the website. Are the people, things and things displayed "real" or "fake"? Let readers intuitively judge the authenticity of various social phenomena in the shortest seconds on the Internet. Through the decentralized behavior of the community, discuss the events that the masses care about from a negative perspective. The public can participate in the discussion, put forward their own arguments, and then let the public judge whether their personal opinions are true or not. Interactive results and discussions are the sum of all negative energy words, and this big data can be applied to a wider range of topics.

Op. 2: Error/Composite Media (50cmx70cmx50cm)

Artist: Li Ji Wang Zongxin

The works are stored in containers made of plants and become eternal flowers through 3D printing, which reverses the idea that plants should be put in pots. With the passage of time, vegetation naturally flourishes and withers; But the plastic products molded by calculus will not die. The viewer creates a beautiful image of an object according to habits and experiences, and indirectly abandons the original connection between matter and behavior. Everyone, everything, everything has a unique image, which is interpreted over and over again without a unique explanation.

The same unique/video interactive equipment (700cmx 150cm)

Artist: Wang Zongxin

Visitors stand in front of the works and reconstruct dozens and hundreds of themselves with similar styles according to the data calculated by interactive video equipment. There is an insurmountable contradiction between "design" and "consumption". Although we choose to wear different clothes and accessories, these elements have been transformed into data in the database. The so-called self-style is just the arrangement and combination of one database. It is difficult for us to show our true uniqueness. No matter how different we are, we are just the same and unique.

Op.4: SUPERFAKE/ Electronic Interactive Device (400cmx230cmx60cm)

Artist: Chung

The work will capture the viewer's dynamics through the sensor, and immediately project the body on the glass, and the picture will change from transparent to foggy. The audience on both sides can't see each other clearly, only blurred images. When people in social networks face each other, the images they create are not real personalities. Even so, the public still has a prying heart, hoping to meet with surprises. Who told us that we are all presented as "super fake" in this generation?

Op. 5: Tracking Shadow/Video Devices (Full HD)

Artist: Wang Zongxin, Zhang Yating, SUPERADD.

The works are behind-the-scenes dance films and documentary images, which express consumers' pleasure and satisfaction through consumption respectively, and this satisfaction is a praise of materialism. I spend money, so I am. It's really beautiful and addictive.

Op.6: Continuous Microscope/Video Interactive Device in Slit (500cmX200cm)

Artist: Wang Zongxin

Based on the principle of "slit photography", the work sets a light in space. When the object stays in this light, it will be recorded and flow to the right, resulting in a unique trajectory. Make use of the interaction between the viewer and the work to become a unique image and metaphor. In this digital network era, the whispers and reactions of any sound will be recorded, regardless of time and space. Data like 0 and 1, although fragmented, can also glimpse some contours.

Op. 7: Producer &; Consumer/Photography (500 cm x 200 cm)

Artist: Wang Zongxin, Timur, Lin Yongzheng (3CM)

This work implies the relationship between producers and consumers with mirrors. Byakki Smoker has a complete apple in his hand, but the real back is a rotten apple. To express the relationship between consumers and producers incorrectly is to be vague and ambiguous. Under the over-packaging of materialism, the public often accepts it without reflection. Are we victims? Or the perpetrator?

Op. 8: online store/composite media (400cmx250cmx 150cm)

Artist: Wang Zongxin, Oakley

After e-commerce gradually replaces physical channels, consumers have changed their consumption habits, but seemingly convenient and fast transactions often hide a sense of crisis. No matter how many descriptions and pictures are difficult to confirm, they will still wonder, "Did you really buy a sweater?" The work is a physical store, and the viewer can really touch and put on clothes before deciding whether to buy it. However, the checkout method is the payment process of e-commerce, which satirizes all contradictions, but it is infinitely strange.

Do you think society is hypocritical? Want to experience the false image presented by technology? The presentation of science, technology and art is unimaginable. Take a break and go to Sanchuang Life Park to watch "Super Fake" and you will feel the charm of science and technology.

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