Representing Chang 'an and the whole hometown with "Chrysanthemum in My Hometown" is vivid and tangible. Moreover, this is naturally developed from the narrative of climbing mountains and drinking alcohol, and it is an association drawn from the allusion of Tao Yuanming sitting on a chrysanthemum because of lack of alcohol. With the festival characteristics of the Double Ninth Festival, "Nine Days" is still posted in the title and "Chang 'an Hometown" is pointed out, which can be said to be timely and closely related to poetry.

So far, this poem is relatively dull. However, this writing is to force out the key last sentence. This sentence is an imagination. It turns out that there are all kinds of imaginations about chrysanthemums in my hometown. The poet doesn't write anything else, but imagines that it should be opened next to the battlefield. This kind of imagination puts the word "March" in the title of the poem, and it seems that we can see a vivid picture of war by combining the characteristics of the Anshi Rebellion and the era when Chang 'an was trapped: in Chang 'an city, there are wars, bloody streets and broken walls, and clusters of chrysanthemums are still blooming alone. The imaginative writing here has obviously broken through the simple pity for flowers and homesickness, but pinned the poet's sympathy for the people suffering from war and his desire to pacify the Anshi rebellion as soon as possible. This conclusion is unpretentious, but it is ingenious in simplicity and profound in meaning.