Advantages of Leonardo da Vinci:
The frequency of collapse problem is low.
The fusion special effects page is very powerful.
I believe that many people, like me, are used to Adobe's family bucket, and Pr/AE/Ps software is often churned up and down. Because Da Vinci can't interact perfectly with AE like Pr, he has never made up his mind to transfer to Da Vinci.
In fact, Leonardo da Vinci also has its built-in fusion special effects page. Unlike AE, fusion is based on node operation. Compared with the more familiar hierarchical structure, many people may be afraid that Fusion is complicated to learn.
To be honest, after a period of study, I found that using nodes is more logical than using layers, and it can also make your operation more intuitive. Fusion has no problem with the effect that AE can achieve.
Fusion and Leonardo da Vinci are really seamless. From the clip page to the special effects page, you only need to click the mouse to switch directly, and there will be no file link problem between Adobe programs before.
For some people, one of the main problems of integration may be in language, because it has not been fully localized.
Generally speaking, using Leonardo da Vinci makes people feel like using the premiere and aftereffect in the same program, and it is free.
Unparalleled color matching ability
As a trump card, Leonardo da Vinci's color matching ability goes without saying.
Interestingly, I used to only do editing and packaging, because the ability of color matching and color management of conventional editing software is really not so good. But after I switched to Da Vinci, I naturally learned his various color matching functions.
After a period of practice, the color matching of my video works has reached a new level, and I have also gained many new customers. I no longer complain about the time it takes to learn a new software.
In addition, in Leonardo da Vinci, the process of editing and color matching can be better linked together, and it is not necessary to spend a lot of time on such work as the bottom set.
In the early years, Leonardo da Vinci was considered as a pure color matching software, but now it seems that Leonardo da Vinci is completely a late-stage full-process software.
Less templates, more creativity.
The expansion of editing business is mostly based on the specific editing methods mastered by editors. The more unique and novel the technique, the easier it is to establish your own brand style, which has nothing to do with the software.
One problem that I have heard many people complain about is that Da Vinci does not have as many editing templates and animation presets as Pr/Final software.
Because the editors who use Da Vinci's works are not really mainstream in the editing market, Da Vinci really needs time and user accumulation in the preset field.
With the popularity of Da Vinci in the industry, many professional editors and bloggers have developed and shared their own Da Vinci animations, subtitle templates, transition presets and so on on various domestic platforms.
But on the other hand, is it necessarily a good thing to have too many templates and presets?
Maybe these routine things limit your imagination. Leaving more blank space may stimulate your creativity, although it takes time and effort!
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