2. Hu Jingzhi, Editor-in-Chief: A Course in Western Literary Theory (2nd Edition) (Volume II), Beijing: Peking University Publishing House, June 2003. Wang Lili wrote the seventeenth chapter "eser's Aesthetic Response Theory", about 1.6 thousand words. 1, Palace in Matteo Ricci's Memory, translated by wanglili, Sun School, Taiwan Province Province: Fu Jen Catholic University Press, 199 1 September, about 300,000 words.
2. Postcolonial Theory and Cultural Criticism, Beijing: Peking University Publishing House, 1999, 1, in which Wang Lili translated the chapter "Three Feminine Texts and Imperialism Criticism" with about 20,000 words.
3. Meditation Culture, Beijing: China Radio and Television Press, April 1998, in which Wang Lili translated the chapter "Knowledge Forms of Culture" with about 20,000 words.
4. The Golden Temple in Shenyang: Shenyang Publishing House, 1.989 1.00, in which Wang Lili translated Chapter 11, which is about1.50,000 words. 1, the "heresy" factor in Hu Feng's editing strategy, Academic Monthly, 2004,No. 1 1.
2. "Reflection on big events and reduction of small details", in Reading, No.6, 2004.
3. An Analysis of Hu Feng's Theoretical Problems (I), published in China Modern Literature Research Series,No. 1 2003.
An Analysis of Hu Feng's Theoretical Problems (Part Two), China Modern Literature Research Series, No.2, 2003.
4. The beginning of the intertwining of literature and ideology-the debate about the state form and the Hu Feng incident, Journal of Peking University (Philosophy and Social Sciences Edition), No.5, 2003.
5. The collision between Hu Feng and the turn of literary ideology-centered on the three debates in the 1940s (I), Journal of Hainan Normal University, No.4, 2003.
Hu Feng's Collision with the Turning Point of Literary Ideology —— Focusing on the Three Debates in the 1940s (middle), Journal of Hainan Normal University, No.5, 2003.
Hu Feng's Collision with the Turn of Literary Ideology —— Focusing on the Three Debates in the 1940s (Part Two), Journal of Hainan Normal University, No.6, 2003.
6. The overall thinking characteristics of Hu Feng's literary thought, contained in Literature Review, No.6, 2003.
7. Aesthetic cunning-Hans Robert Jauss's transcendence over Adorno, Journal of Guangdong Institute of Education,No. 1, 20065438.
8. Photographic literature's adaptation and resistance to technology, published in Literary Newspaper × Photographic Literature Herald on April 20, 2006, 5438+0.
9. Modern Literature and Readers in China, Journal of Peking University (Philosophy and Social Sciences Edition),No. 1 2000.
10, Questioning the True Meaning of Love, Journal of Guangdong Institute of Education, No.4, 2000.
1 1, "How was the classic conceived?" China Reading Newspaper, June 2nd 1999.