First, the basic shapes of characters are inaccurate. Including head movement, head external contour, facial contour, facial features position, portrait, neck.
The relationship between children and shoulders and so on.
Second, I don't understand the head structure. Lack of anatomical knowledge, can not see the essence through the phenomenon, firmly grasp the bones and main muscles.
To express, we should make the body loose, and the lines and light and shade should not fall into reality.
Third, the three-dimensional concept is not strong. Because geometric plaster is clear and easy to distinguish, and its head shape is complex, it is often caught in local description.
It ignores the three-dimensional observation and performance and lacks the depth it deserves.
Fourth, the overall sense is not strong. Take pains to pick your eyes, nose and mouth. Hair and ears are sloppy, and they don't pay attention to the relationship between neck and shoulders.
The picture is messy and uncoordinated.
5. Don't pay attention to the position of parietal bone. Because hair covers the skull, it often shortens the space between the frontal bone and the parietal bone, which looks extremely uncomfortable.
All these show that some candidates can't grasp the whole sense, the basic shape and the complete processing picture.
Often obsessed with details. The artistic accomplishment needs to be improved, and the observation method and painting steps need to be improved urgently.
Steps and methods of painting.
The first step, conception and composition. Candidates should develop the habit of observing the characteristics of objects and brewing their emotions before painting. According to the object
Occupation, age, temperament, hobbies, etc. Consider how to behave and what kind of effect you want to achieve in the end. With a plan in mind, you will be bold and unrestrained when writing.
Don't rush to draw, pay attention to whether the position of the characters is appropriate and whether the space in front of the characters is large when composing. Although this is a cliche, it is a decision.
The key to decide whether the whole painting is complete and comfortable.
The second step is to pay close attention to the outline. This is very important. It is inconceivable that high-rise buildings will rise without a solid wall foundation. The outline is the wall base,
To grasp it accurately, we must grasp the basic shape of the head, the position of the five senses, the position of the boundary between light and shade, and the relationship between the head and the shoulder.
To draw an accurate outline, we must observe the whole, and use more auxiliary lines to help determine the position. Pay special attention to the characteristics when grasping the appearance.
Signed, painted like. The shape has begun to take shape, and the image is ready to come out. Just as artists at the gate of the park use scissors to silhouette, it is easy to shape characters.
When the image appears, we can recognize him even though we can't see the fine internal structure clearly. Some students don't pay attention to this step, and the shape is still very good.
Vaguely, I hurried to draw the five senses. How can the picture drawn in this way be close to the object!
On the basis of drawing the correct shape, the position of the five senses also needs to work hard. In addition to the absolute front, we should pay attention to the use of the central axis when painting the five senses.
According to the dynamics of the head, the external axis and the central axis are isolated lines. Many students don't understand this. If you draw a slightly sideways corner, your head can't keep turning. Of course, you think.
It's terrible. According to the basic law of three stops and five purposes, the position of five senses can find out the image characteristics of people in * * *, and draw thousands of differences between people.
Never. Pay attention to the length, width and thickness of eyebrows, eyes, nose and ears when sketching. If this step is not accurate, don't delve into it.
More can't light and shade. When drawing eyebrows, pay attention to the bone points of the upper and lower recesses of the eye socket and the thick eyebrows at the convex turning point of the temporal bone. When drawing eyes, the four corners of the eyes should be on a parallel line, otherwise the eyes will fluctuate and feel uncomfortable. It is important to draw eyes. There is a difference between the upper eyelid and the lower eyelid.
Generally, the upper eyelid is heavier because of its deep thickness and eyelashes, and the shadow is projected on the eyeball, which is often the deepest part of the whole painting.
If there is a god, it is easy to wrap your eyes in your eyelids. The lower eyelid should be bright, otherwise it will be like playing with makeup. The description of the mouth is also related to the expression of people.
First of all, we must determine the thickness of the upper and lower lips, but also pay attention to the fact that the lips can not be hooked too hard with lines, and the mouth is drooping and drooping, which is very subtle. Draw ears with your eyes.
Looking at the nose and mouth, some candidates are unwilling to draw more ears and even regard them as a burden. Either you can't do it and affect the space, or you jump.
Awesome, destroying the whole.
The dividing line between light and dark is the key to determine the depth and volume of the head. The cheekbone is the most prominent part of the boundary line, high and low, protruding.
Soft, look at the characteristics. Although the cheekbones in the bright areas are not so obvious, they must be drawn symmetrically with the dark areas. By the way, sketch
Symmetry is very important, such as two eyes, two ears, two nostrils and so on.
The natural color of hair is black. As long as you analyze it carefully, it is by no means dark, but there is also a contrast between light and dark. Hair is shaped on the skull.
Yes, hair style, light and shade should consider the structure. Try to make your hair fluffy and rich in texture.
The third step, in-depth characterization. At this time, we should take a good look at which parts are deepest and strongest, and start from these places.
Generally speaking, starting from the eyebrows, eyes, nose and temporal bone, we can grasp the characteristics and draw a big relationship at once, but we must avoid grasping a little.
Staring at the painting repeatedly makes the local painting too much and the relationship is unbalanced. What to draw first and then what to draw can be considered according to the characteristics of the object, such as some angles.
On the other hand, the cheekbones are prominent, some knife-shaped eyebrows are dense and full of personality, and some eyes are bright, so they will spread out.
In-depth, we should always maintain the overall relationship and understand that the quality of a painting mainly depends on the overall sense and integrity of the whole picture, such as
If we just put pen and ink on the five senses and think it is the finishing touch, while ignoring other aspects, the whole picture will be bad. When we watch the art exhibition,
Always stand at a distance and look at the whole painting, be interested in some parts, and then come closer. No one walks directly to the painting and stares at some parts when watching the exhibition.
Listen, isn't that ridiculous?
In depth, I first focus on the contrast between light and shade of the whole picture, and I compare it as the main contradiction. Then there is the ratio of darkness to darkness and light.
Compared with light, I regard it as a secondary contradiction. The main contradiction determines the secondary contradiction, grasping the big relationship and paying attention to the subtle relationship.
The whole picture has its own sequence and can be carried out in an orderly manner. Every time you go deeper, start from the most convex part and drive the second bright part. Draw an eye note
It means the relationship around the orbicularis oculi muscle. When drawing the mouth, consider the block surface of the orbicularis oculi muscle, and when drawing the nose, pay attention to the connection of the nasal bone, alar and cheek. At the same time, also
Consider the proportion of this part in the whole face. In a word, in the process of deepening, we should always consider the whole and give priority to each other.
The fourth step is to adjust. Generally, candidates always like to draw until the end, feeling out of breath. no
Take time to think about it and set aside 15-20 minutes to adjust the big relationship. In fact, this idea is very bad. The adjustment is both deep and deep
Generalization makes the overall effect of the picture more complete, subtraction should be done, trivial details should be merged, and big relationships should be strengthened. Adjustment is still the art of candidates
What kind of picture effect is the comprehensive embodiment of artistic accomplishment presented to the examiner, and what kind of picture effect is outstanding among many candidates?
Outstanding, this is worth pondering.
Draw a good portrait, especially a portrait. Avoid formulaic and conceptual mechanical characterization.
Imitation, like characters carved in a model, is always so bland and lifeless. To draw a portrait of a character, we must first have both form and spirit.
Pay attention to the portrayal of characters' inner character and emotion. As long as you pay more attention to the expression of emotional changes in eyebrows, eyes and mouth in your usual practice.
Painting at the most natural and vivid moment can make the picture come alive. I think both form and spirit are the highest requirement of portrait painting, not skill.
Only after proficiency is improved can we pursue it.
In short, to draw a good portrait sketch and gain a solid foundation and accurate modeling ability, you still need to draw more pictures to get it. As the saying goes,
"Practice makes perfect", the skill comes from hard study and hard practice. At the same time, we should pay more attention to template painting, improve our appreciation ability, and then make bold attempts in many aspects.
Work hard, constantly improve the level of painting and realize your ideals.