This woman is selfish, controlling, cynical, a sexual predator, usually vicious, and always a survivor.
This clever and witty seducer has appeared in Gone with the Wind, Fatal Temptation, Two Girls, and Basic Instinct, and has appeared in the popular novel Poison Rattan, the mystery in X-Men, and Inara in Firefly.
The female doomsday archetypes found in literature and art show attractive and mysterious women, and their charm lures lovers into a compromising, dangerous and often fatal situation.
The folklore and myth system of almost every ancient culture is closely related to the prototype of women's fate, which appears at the basic level of ancient cosmology, religion, philosophy, creation myth, ancient sacred books, folk stories and fairy tales.
In the latter, she is often an evil stepmother.
For example, among Hansel, Gretel and Cinderella, this woman appeared in Salome, Helen of Troy, Lesbia, Visakana, Sai Ren, Lilith, Mosini, Scylla, Midia, Isabella of France, Hoda Gable of Cristina (now Oslo), Marie Antoinette of Austria, and the most famous Lucrezia Borgia.
(in the public sphere), she dominated the legend of King Arthur. Morgan Lefeby, the siren in The Odyssey, played Lady Macbeth, a famous figure in Shakespeare's works. She manipulated her husband into committing murder to strengthen her pursuit of power.
In classical times, Cleopatra led the torch of female temptation.
Shakespeare also told the story of Cleopatra, who was the biggest seducer ever. He said, "age can't make her wither, nor can she get used to being stale/her infinite diversity."
The Ideal Portrait of Lady Macbeth (1870) was written by Thomas Francis Dixie.
Cleopatra was born in 69 BC in Ptolemy XII, the Pharaoh of Orestes, and became the last Pharaoh in Egypt, because her "contact" made Rome take control of Egypt after her death.
Cleopatra had two famous lovers: Julius Caesar and marc anthony-both very powerful Romans.
However, the tempter's ambition and temptation first enhanced the prestige of her empire, and later led to the collapse of her and Egypt.
In 1866, Jean Leon Graeme and Julius Caesar drew Cleopatra, a fable based on the seduction code of one of the most successful seducers in history.
Cleopatra and Caesar (1866) was written by Jean-Leon Gerome.
(public domain), the earliest story tells the power of hypnotizing victims with magic and potions.
So, the fate of women.
This woman often appears as a charming fairy queen. She brought mortals to West Germany for seven years.
Nowadays, she is often portrayed as a semi-mythical witch, witch, vampire, or a demon who controls men supernatural.
In fact, the art of * * all over the world is closer to the practice of "fashionable lies" and "coercion" than the mysterious power.
A common trick is to suggest that she is in a life-threatening situation and a victim in need of help, thus activating a man's self.
Girls in distress-a powerful strategy for women's fate.
One of the most common features is promiscuity and refusal to be a mother.
This feature is regarded as one of her most threatening characteristics-since she refuses to be a male mother, it is to control the immortality of men, so the church is worried that this may lead to "the ultimate destruction of men."
In medieval Europe, this type of women was a common figure, which highlighted the danger of unscrupulous female sexual behavior.
In Mozart's The Magic Flute, the images of Eve, the wizard Morgan Lefebye and the Queen of the Night in the Bible reflect the images of Ennis and Eve in her silent presidential enlightenment.
At this time, a complete Gnostic view of women's sexuality was revived, in which Adam and Eve were related to the concept of sexual energy in the Oriental Kundalini.
The basic precepts of the mysterious Jewish Kabbalah are combined with the mystery of Tarot cards and woven on the energy flow system described by Tantra, which we will discuss later.
She was very successful in the late Romanticism and Gothic novels, especially among the monks with Mathilde as the leading role, and played a powerful vampire in edgar allan poe's The Bride of Dracula.
Marquis de Sade believes that this man symbolizes "the best quality of women", and his novel Juliet is the first work in which women's fate triumphs over men.
When studying the life and times of historical women's fate, I decided to list all their main characteristics and psychological tendencies in order to better reveal the most common characteristics of women.
I need a cross-section of the devil woman, as close to random as possible, so I call me the name of the best/worst female fate in the history of Facebook.
With this list, I have defined three kinds of people: political and military leaders, intellectuals, artists and adventurers.
One common feature among all three types of fatal female archetypes is that they all use their bodies and brains to achieve their personal goals.
But before the selfish motives of practitioners appeared later, the ancient etiquette state and seduction art were once regarded as "lofty philosophy" with deep divinity and high academic association.
These advanced and serious psychological disciplines have a unified set of principles, which are recorded in detail in hundreds of forgotten books, scrolls and manuscripts.
From the cave shrine tens of thousands of years ago, men always pursue the same experience as women.
Besides relaxing our hearts, they also incite mystery, danger, awe, conspiracy and terror, said Alexandre Fran? ois Xavier Siglon, a young brothel woman.
(Gandalf's Gallery /CC BY NC SA 2.
Generally speaking, at the beginning, men want to be guided to a romantic, unpredictable and dotted road of setting off fireworks. However, after six or eight months, once oxytocin leaves the body, this is when the tempter himself appears. As the performance goes on, long-term success is guaranteed by strictly observing the principles of temptation and love, such as Amatolia.
English: The Art of Love is a series of teaching elegies in three books written by the ancient Roman poet Ovid in AD 2.
It teaches the basic skills and techniques of relationship between men and women.
According to Ninon Deluncross, "* * * has a hundred times more skills than commanding an army", and every ancient civilization has a formal art of seduction.
It all stems from the worship of the goddess. Elizabeth Prio once wrote: "The core theme of sex has been injected into human beings, full of profound mysterious impulses.
It is an ancient way to describe "mortals pray to angels on earth" and "hug them in heaven" in the Bible. At that time, sex and spirituality were the two poles of the same concept.
This is obvious in Vedic India (BC 1500-500). The center of sacrificial activities in the early Neolithic period was dedicated to all the goddesses with "known and unknown wisdom", and "the highest glory of the Yoni people" was "the fire of wisdom".
Sexual behavior, its social and political influence, its rules and taboos have had a far-reaching impact on society since prehistoric times.
Sex is a "sacred way" and * * * is sacred-* * * is always regarded as communication with God.
Early culture, religious architecture and art that had sexual relations with supernatural forces are intertwined with these descriptions.
Sexual images appear in statues, pottery, paintings, sculptures, dramatic arts, religious buildings, monuments and music.
According to records, ancient society extended their sexual desire and behavior to the surrounding landscape. On the important dates of the lunar calendar and etiquette calendar, people have achieved a high degree of sexualization and spiritualization in natural places that are regarded as full of magical fertilization energy.
The birth ceremony of Native Americans was held in this huge sandstone Yoni.
(Provided by the author) The sacred female wisdom and fertility mystery have been studied and ritualized for 10 thousand years, but in the past 3,000 years, this reverence for women's sexuality has been constructively weakened by the western patriarchal church.
This is not the case in the East. Women's energy was and is completely equal to that of men, but they are considered to have polarized spiritual attributes, which is obvious in the opposite interpretation of yin and yang symbols and sexual themes.
(in the public sphere), Taoism is the ancient equivalent of Indian tantric sex in China.
But the latter is the way of the goddess, and Taoist sexual rites pay more attention to improving the health and longevity of male practitioners.
Although the ancient sexual instructions in India's "Love Sutra" have increased and prolonged women's pleasure, the purpose of Taoism is to satisfy men's pleasure to the greatest extent.
Vedic culture in ancient India changed sexual rituals to a completely different level, most of which were considered wrong.
Kajuraho Monument, located in the deep jungle of 10 century, is a group of Hindu and Jain temples in Madhya Pradesh, which is composed of specially built sex temples and rooms.
Thousands of highly vivid images are carved on every square inch of the wall to enhance the ceremony environment.
From depicting men having sexual relations with animals to the collective sexual contact between a woman and 20 men, these ancient Vedic rituals are super dramatic and complex art, and * * * is timed, held and released at the key stage of the ceremony.
It is in this period of research and development that sex and spirituality are consistent, which sowed the seeds for the love guide "The Sutra of Love", which later became an international bestseller. (SA 2.0 CC) In all ancient systems that analyzed and classified love and sex, it was taught that in order to achieve effective and lasting seduction, women must first activate and then keep all male senses. This concept originated from abstinence in Hinduism and Buddhism. It developed in the middle of A.D. 1000, and is called Tantra, which means "tool of the body" and "knitting" or "knitting".
Although the whole exotic and pornographic industry has developed around the word tantric, its origin is very simple.
This is a spiritual journey of self-development, involving Kundalini energy, chakras, yoga and other profound fields.
Putting all these elements together, women can improve, reduce, manage and control the energy flow and release of themselves and their partners.
(Alice Popkorn /CC by NC SA 2) There were many sexual systems in ancient times, but most tantric systems started with a process called "staring at the eyes". You and your partner stare into each other's eyes and guide each other's energy by breathing.
Both ancient and modern eye gaze systems require participants to set a common intention and agree on potential results or goals.
Tantra seducers consciously develop and use their "own feelings" to strengthen their connection with the material world and change the reality of their partners.
Modern western tantra mainly focuses on sex, and its original intention is to understand the complete sexual experience. Meditation efforts in Hinduism and Buddhism try to combine the experience reality with the "center" of each of us, which is a universal fulcrum and is considered as the Kundalini full of powerful sexual energy.
This concept is regarded as the goddess of snake, who wraps around the bottom of our spine, waiting for us to release her energy through meditation, yoga and selfless acts of love.
Master Avdhoot Baba Shivanand described the rise of Kundalini as "the expansion of the brain", claiming that the "dormant" soul only uses "6% of the brain's ability" to explain the reality, while the enlightened spirit uses "94%".
Since this story was told, women have carefully designed and developed a psychological system specially designed to seduce men.
Therefore, male-dominated religion and philosophy seem to have developed a profound feminist view, depicting women as evil tempters trying to lead them astray.
Clever, knowledgeable and wise women are demoted as witches with extraordinary abilities, and they use this ability to deceive devout men.
The myths and legends about female vampires and banshees luring men to die are carefully fabricated by "men", which seems to be a terrible response to feminism, a defense system aimed at protecting men. Men's insecurity throws strong women on a bunch of "evil seducers".
Although many women may agree with this last view, more and more other women will think that I am completely wrong-because for many people, the fat woman prototype is a symbol of women's independence and acumen-grandma is a pioneer of modern feminists.
In today's world, the most important struggle is to keep others' attention for a few more seconds. In my opinion, the sexiest and most attractive quality a woman can possess is in the present, so pay attention to what we say, no matter how boring! Now this is a sexy attribute, you can take it home to your mother, because it is not fatal! Above: The female portrait of barto Lomé Vinetot is traditionally regarded as Lucrezia Borgia, a notorious fat woman.