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Aesthetic standard of lowercase letters
Quiet and simple

This aesthetic realm of small letters is represented by Wang Xizhi, pursuing a harmonious beauty. This kind of state, short meeting, fine balance, light and heavy balance, combining rigidity with softness, odd and correct, is used by Fiona Fang together, which requires both sides of the contradiction to maintain a reasonable harmony within appropriate limits, so-called gentleness, and then gentleness. But a dynamic harmony, a dynamic balance. The so-called neutrality and consistency, predictable position, let the formal beauty of art get the richest expression. This aesthetic realm has created a highly elegant and harmonious work. Take a look at Wang Xizhi's small letters. The external standard is full, which contains purity, purity and beautiful spirit without losing charm and charm. Moreover, the artistic conception of each lower case is different, just as Sun's Book Score said: "Writing is full of emotion, praising calligraphy and painting is full of curiosity, learning classics is full of nothingness, and teachers contend. Although the main theme has not changed, it has harvested many tunes, thus forming a three-dimensional style.

Simple and natural

The aesthetic realm of this kind of lower case is represented by Zhong You. This aesthetic realm pursues a simple, naive, natural and plain atmosphere. It requires the works to be thick but not frivolous, strong but not greasy, simple but not gorgeous, deep but not arrogant, implicit but not fantastic, and it does not care about carving or pretentious, thus showing a simple nature, simplicity, truthfulness and naturalness. They don't deny the role of written law and skills, but they emphasize the absolute freedom gained in the law. They advocate governing by doing nothing, governing by doing nothing and governing by doing nothing. This aesthetic has a great influence on later generations. Try to read Zhong You's short book, which is quaint and full of interest, simple and interesting, without any hue or affectation, full of mellow meaning and endless aftertaste. In fact, the capital letters in Yan Zhenqing, Fu Shan and Wang Duo are all.

Strict laws and regulations

This state in small letters is represented by Zhong Shaojing, and this aesthetic state pursues the beauty of rigorous modeling. This aesthetic world is thoughtful, meticulous, meticulous, ingenious, dignified and symmetrical, neat as the law, winning by skill, skillful as the ability and sharp as the first, thus showing a dignified and serious artistic conception. Take a look at Zhong Shaojing's Ling Fei Classic. It is a small piece of ink, vigorous and dignified, with sparse words, neat and fine, and adheres to the block method. Although its branches are white and have the beauty of artificial pruning, they can also have uneven changes in symmetry and neatness. Although it has the beauty of manual ironing, it can also have a strange change in the rigor of the law, and the structure is small.

This realm of lower case is represented by Zhao Mengfu. This aesthetic realm newspaper pursues a kind of exquisite swaying, subtle and feminine. This aesthetic realm is characterized by charming and beautiful posture, refreshing and unconventional, warm and mellow, which represents the typical southern style of calligraphy. Look at Zhao Mengfu's small letters, graceful and elegant, graceful and elegant, like a beautiful flower, whistling between moonlight and waves.

Strong and strong

Huang Daozhou is the representative of this realm in lower case letters. This aesthetic realm pursues a kind of masculine beauty, steep and vigorous. This aesthetic realm, with its simplicity, boldness, elegance and boldness, represents a typical northern style of calligraphy. Take a look at Huang Daozhou's lower case letters. The stippling is heavy, dense, odd-looking, vertical and square, bypassing the stone interest.