Copybook for calligraphy calligraphy in China Copybook for calligraphy 1 appreciate calligraphy.
China calligraphy running script Copybook for calligraphy 2
China calligraphy running script Copybook for calligraphy 3
China calligraphy running script Copybook for calligraphy 4
China calligraphy running script Copybook for calligraphy 5
Popularization of basic knowledge of calligraphy? Semi-cursive/running/calligraphy (China's calligraphy)
Running script sprouted in the Li Dynasty, formed in the Three Kingdoms at the end of Han Dynasty, and standardized in the Eastern Jin Dynasty, between regular script and cursive script. It interacts with regular script and cursive script in the process of development and finalization. Those who prefer regular script are called running script, while those who prefer cursive script are called running script.
There are three common angles and conclusions:
A, according to the relationship with regular script, cursive script, divided into? Grass? 、? Open letter? Two types
Two. According to the ethos of the times: Jin, Tang Shangfa, Song Shangyi and Yuan Tai.
Three: according to the aesthetic style: glamorous and gorgeous.
Attention to learning objectives can be divided into the following categories:
First, the original script, without special artistic writing training, is writing in a general sense, not calligraphy.
Secondly, the classic running script mainly refers to the running script in the Jin and Tang Dynasties, which appeared in the classic era of calligraphy art, laid the most basic artistic means and principles of running script, and was the root of all running script artistic creation in later generations.
Thirdly, the running script of literati in Song, Yuan, Ming and Qing Dynasties, which is based on the spirit of literati and classic running script. Some of these works are close to the classic running script, and some are too strong to match the beginner's model, but they are suitable as the main goal of finding a way to build style quickly.
Fourth, there were a large number of vertical books in Ming and Qing Dynasties. Starting from the Song Dynasty, vertical Chinese characters began to appear, and reached its peak in the late Ming and early Qing dynasties.
Fifth, the running script under the influence of Zhuanli North Monument. It is a new development after the revival of the Zhuanli North Monument in Qing Dynasty. Since the Qing Dynasty, some running scripts have gradually absorbed the elements of transferring to the North Monument and formed a new look. The writing of such works is often very different from the traditional running script, so it is difficult for learners to know the seal script and the North Monument at the same time.