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Appreciation of Calligrapher Liang Xiaolve's Works
Liang Xiaoliu, a native of Yingcheng, Henan Province, began to learn calligraphy at the age of 7, and studied under Wang Erwang and Yan Zhao. He is good at official script. Lishu strives to be dignified and elegant, graceful and agile, with Shi Chenbei as the skeleton, Cao Quanbei as the main brushwork, combining the brushwork of running script and seal script, blending with Wei Bei's sonorous style, and highlighting its own style. He has served as the chief reporter of the "Painting and Calligraphy Channel" of China Social News Network; People's Daily Life Times health columnist of painting and calligraphy; Writer of calligraphy and painting edition of China Architectural News; Director of Art Collection of Henan Channel of China Industrial Economic Information Network; Director of Henan Minxin. The art channel of com. He is currently the artistic director of Ginkgo biloba and the vice president of Xinyu Painting and Calligraphy Institute.

Excellence Award of the First National "Parker Cup" Calligraphy Tour Exhibition in 2003; 20 12 Prajna Paramita Heart Sutra was collected by Henan Branch of Confucius Cultural Foundation in China. In 20/3, Kloc was invited to be selected into China Century Classic Record Art Volume, Jianbao China Collection, Exhibition of Contemporary Paintings and Calligraphy Masters, Contemporary Artists China Modern Paintings and Calligraphy Masters Series, Beautiful China Stamp Album, Celebrating the 65th Anniversary of the Founding of the People's Republic of China and Building a Chinese Dream Stamp Album. Invited to participate in the recording of the talk show "China Meeting Room"! Inscribed plaques, couplets and nave for Wanshan Temple in Yuntai Mountain, zenrinji in Sanmenxia and Fuzi Garden in Mangdang Mountain.

Changes in Ziyun Pavilion —— On Mr. Liang's Calligraphy Art

Autumn is crisp, the market is full of people and traffic. After slanting into the Central Plains Antique City, it was quiet. I walked 120 steps on the second floor and met Ziyun Pavilion. I saw my master sitting in a spacious room, gathering some friends, talking about books and paintings. This is a very nice person. Liang looked around and poured a shallow cup of tea. It is reasonable to fight for a book. The pen is a book, with dense ink and stains. You are an aristocratic scholar, knowledgeable, philosophical and good at everything. In this case, Four Treasures of the Study such as Chen Bixi wrote Cao Li's seal script and criticized the vertical painting. I found a corner to sit down and enjoy his book. I lamented the lack of quality: "The official mission of the monarch is to pursue the past and the present, which is quite delicious in Han bamboo slips. However, the running script, with the rhyme of the two kings, is not allowed by Europe, but is chosen. You don't smell calligraphy and ink, but choose cursive characters from Huai Su and Zhang Xu, which is more flexible and generous. This is the result of Deng Sanmu's study. Add a new look (appearance) to Teacher Wu Changshuo. " Liang Jun smiled and said, "Your beauty lies in both form and spirit. Colleagues all think that the ink in the Han Dynasty was changed by Li, but it was actually painted. There are three kinds of pen and ink changes, one is that the Qin dynasty changed the mold into grass, the other is that the grass chapter changed into grass, and now grass comes from it, and everything is inseparable. My brother, regardless of the past and the future, chased the ancient Li of Han bamboo slips from a distance. From the cursive script to Li's calligraphy, the chapters and sentences that are not chaotic and not tired are all kinds of Wei Bei, and the gods come to catch them and immerse them in paper and pen, and then they know their three flavors. "

I have passed Liang Junshu's Four Walls Book, and I feel that pen and ink have become skillful, capricious and fluent in genre. Because of the relationship between Zhang Qian, Cao Quan, Zhang Menglong and Longmen and Zhang Heinv, Han bamboo slips and Chinese characters. I also read the potential and shape of the book, and the essays are like flies. Write vertically, if you split bamboo, the front will climb loose, take needle embroidery, ink heavy, and cut stone with a knife. It is not easy for Liang Jun to write a good hand, even though he is a media middleman. His right hand is writing, his left hand is boiling ink, and his hands are playing with dreaming kung fu. There are not many people who can stand loneliness today, and Mohai Wenshan is mature. Those who deserve praise are even less pitiful. He has a wide range of knowledge and is praised by insiders. I'm crazy about zigzag, which is not bad. However, the room is full of books curled up floating in ink. The turtle's back is full of cranes, and the feathers are broken. Has become a model of running water. As the saying goes, "ink has a new look after all changes." Guan Yu Liang Jun's calligraphy is true.