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In Jin Yong's novels, why did the characters' martial arts get worse later?
History will not forget that since ancient times, there have been outstanding people on the island. In the overseas snake island where Zeng Taolin is said to be blooming everywhere, there are piles of experts stationed. Their origins are mysterious, their teachers are complicated, or they can reflect the first-class level of Wulin today from the structure. However, due to its geographical location far away from Middle-earth and peculiar activities, it has been aphasia for a long time in mainstream Wulin. Ding Cheng (pseudonym), a Shaolin master in Putian, Fujian, said in an interview that the so-called decline of martial arts in this dynasty was completely historical prejudice.

In his view, the legendary masters come only once in a hundred years, and the time span is incomparable. ? Some people say that they worship the temple at the entrance of the mountain, but they say that the descendants of the martial arts leader can't take care of you. What is the experience? These benefactors listed the masters who entered the realm in history and asked us why we were second to none. How does this compare? Not to mention many Wulin legends of Xiantao snake gall, as the novelist said. The way of martial arts lies in hard training and inheritance. Cheng Guan, the master of Shaolin in Songshan today, is no less skilled than the master of Shaolin for thousands of years. I want to enjoy a little fame in Putian Shaolin, and it will not happen overnight. Besides, the world is just a little safer, so it is appropriate to recuperate and the lack of martial arts is reasonable. It's not that the monk boasted that he would come back to the temple in a hundred years. At that time, how Putian was, Wulin had its own conclusion. ?

As described in "Eternal Dragon Slayer", Zhang Wuji doesn't like to use weapons when facing the enemy, but he is often forced to use weapons behind his back. In fact, Zhang Wuji is one of the representatives of karate, and his strength lies in his internal force. So it can be said that in the era of "Eternal Dragon Slayer", the development of weapons gradually smoothed out the internal force gap, even an empty-handed boss like Zhang Wuji had to use weapons. Zhang Wuji is a man who can do martial arts at will. He can take the African claw he is learning to sell now and hit Ada Er with the Taiji Chuan sword he just saw. He has a high degree of control over martial arts, especially the setting of Gankun's big move is that all kinds of martial arts have no secrets in front of him.

When he defeated the extinct teacher, he knew that he had made great achievements in Jiuyang and moved to Gankun. His martial arts cultivation was far better than that of the extinct teacher. But in the face of heavenly sword, he still dare not use his own basic weapon, and he has to face Ada.

By contrast, in the face of mysterious parents who are skilled in martial arts but lack magic weapons, Zhang Wuji usually turns against each other empty-handed. Weapons of any dynasty are like swords, spears and halberds. No matter how impure and unbearable the materials are, chopping people and chopping vegetables are not the same thing. Why do martial arts experts think that they are stronger with their bare hands than swords with bad iron? If you really have the kung fu to go into the white blade empty-handed, no matter how advanced your later ironmaking level or sword-casting level is, won't you chop people?

The decisive point of weapon vs. empty-handed faction is never whether the weapon is strong enough or sharp enough! Of course, the development of Wushu is based on? Created a new martial arts and improved the old martial arts? As a standard. Theoretically, Dharma didn't start to develop greatly until it crossed to the east. Prior to this, neither sword of the yue maiden nor Wuqinxi had a systematic internal cultivation method. Even if it took a long time to reach the peak, the first peak should be the Tang Dynasty at the latest. The achievement in this respect in the Tianlong period seems to be a transformation of Xiao Feng, which simplified the dragon into twenty-eight palms. God's feet have been destroyed; Most of the northern ghost soldiers were destroyed, leaving only fragments; And the risk of getting lost.

In addition, both Mei Zheshou and Liuyangzhang must have been after the eastward crossing of Buddhism. Don't know how to subdue the dragon. The method of beating dogs with sticks was created by the first generation of beggars' gangs, which should be five dynasties and ten countries.

Murong didn't suddenly appear. Tianlong had it before. The two sects of Beggars' Sect have never stopped before, and they often learn from Shaolin. No one in Shaolin Sect has practiced Yijin Sutra for more than 100 years (but there are still sweeping monk); The glory of Dali lamented that it is the last time of martial arts, and only one Duan Yu has developed a six-pulse Excalibur, while others have only three or four fingers; There was only one bard in this period, which was a bit high-profile. Serialized, Jin Yong deliberately pursued different details of different novels, and Tianlong wrote it later, so the details were mysterious, and the details of martial arts developed all the way. For example, Eden can't carve words on stones, and monk Huangmei can carve a chessboard and play chess by hand, and write on stones casually. Eden is equal to paragraphs.

But in fact, the settings of different novels are different, and it is impossible to compare them together. Like the shooting sculpture in Wang Zhongyang's own martial arts? One yang refers to? In Tianlong, he became a martial arts family in Dali, and Hong Qigong created his own martial arts? Eighteen-handed dragon It has become a martial art handed down from generation to generation by beggars.

When Jin Yong revised it, he revised some settings, strengthened the connection between novels and revised some details. For example, the plot of carving things on stones with his fingers was changed to carving things with things, and the three versions of martial arts became more and more balanced as a whole. But there are still some details that have not been changed and become bugs.

Throughout the fifteen books, except King Xiao, everyone else relied on internal skill+moves+weapons. The overall combination of the three has high combat effectiveness, and the stronger the combat effectiveness, the development of weapons is limited by the context of the times. Shaolin Sect, however, has studied others for more than 1000 years, and its understanding of moves in the later period should be unbounded (internal skill and mental skill may not be available). Compared with Yue Lingshan, a fifth-rate master who has learned the fencing of the city wall is a far cry from a second-rate master. Second-rate monks from Shaolin Temple in Qing Dynasty jumped to Song and Ming Dynasties. Everyone can score 46 points except Xiao Wang and a few people with excellent internal skills.

Tianlong is not the first peak. When Duan Yu studied Six-pulse Excalibur, the monks in Tianlong Temple said that the last time, the martial arts declined, and no one had enough internal force to use Six-pulse Excalibur. If this paragraph is an example. Feng Xiao said that in the Tang Dynasty, you Han people were skilled in martial arts. I don't know how many warriors killed me and how many women captured me in Qidan. This should be the narrative of an era. At least the martial arts of the Tang Dynasty should be higher than that of the Northern Song Dynasty.

As we all know, soft fears hard, hard fears cold, cold fears constancy, and constant fears death. Although it is a cliche, it truly reflects the historical process of the development of Wushu in China. If you force me to be strong, I won't die! All kinds of essences profoundly show that fearless application is the real internal cause of the development of kung fu. However, the appearance of plank bricks and kitchen knives in history has broken the historical process of the development of this kind of martial arts. No matter how high the martial arts are, they are afraid of kitchen knives, which makes martial arts practitioners sad. The scars left by the kitchen knife on the back of today's leading figures in Wulin are shocking, which perfectly shows the tragic fighting of that year. But why the scar will stay in the backpack, I think very hard. When asked what he thought of the people in the Wulin today, especially the famous Kung Fu masters such as Huang Feihong and Ip Man, Liu Daodao, the leader of the famous kitchen knife gang in Shanghai, did not answer, but his expression was extremely disdainful.