Jia Guifei will come back to visit relatives and visit the Grand View Garden. Jia Guifei asked the two sisters to write a poem and a plaque. Baochai inscribed the plaque "Ninghui Zhong Rui", and Baochai wrote the poem:
Fiona Fang Garden is built in the west of the Imperial City, and the Sino-Japanese auspicious clouds cover the wonders.
When repairing the hairpin, I like to move Yingying out of the valley and wait for Feng's arrival.
The style of writing is late, and filial piety should be saved.
Rui Zao Cai Xian looked at the place where he was ashamed and dared to resign again.
Jia Guifei praised her poems as good as Lin Daiyu.
I think Xue Baochai's speech is always the kind of steel used in the blade, and more than half of it is used to show his knowledge:
(1) On Mother's Day, Baoyu wrote a poem about plantain, but he couldn't think of any allusions about plantain. Xue Baochai casually said that Baoyu even praised her as a lyricist.
(2) Jia Baoyu casually said that Wutai Mountain is a live play, and Xue Baochai immediately recited a set of "parasitic grass" in the opera. The phrase "coming and going naked inadvertently" catered to Jia Baoyu's good tune and made him angry, draw circles and praise Baochai's ignorance, which made Lin Daiyu very unhappy;
(3) Baoyu's recklessness and haste offended Xiangyun and Daiyu, so he set a clear ambition. Baochai casually told him the allusions in the Six Ancestors Tanjing, and Baoyu was deeply impressed;
(4) On one occasion, when Xichun painted, Baochai also planned out what color tools to use for her, from stone green pipes to yellow pipes to barrels and wooden boxes filled with ginger juice. Daiyu joked that she was willing to use iron pots to match the ingredients and stir-fry the color. Baochai said, how do you know that coarse-colored dishes will not be roasted on the fire, but will be fried as soon as they are fired? A small detail reveals Baochai's artistic accomplishment and life knowledge, and other ladies and gentlemen can only suddenly realize it.
Baochai is still an elegant person.
Although Baochai was born in the imperial business, she looks very simple. She doesn't like painting, let alone wearing gold and silver. Even her clothes are simple. Xue Baochai likes a simple and simple life. Therefore, when choosing a residence in the Grand View Garden, she chose the simple and simple Wu Hengyuan; The furnishings in her room are also very elegant. The eighth time she described her living environment as "one color and a half new but not old, but it doesn't look luxurious", and forty times she wrote "Wu Hengyuan" and entered the house. Just like a snowy cave, there is no color to play with. There is only an earthenware bottle in the box, which contains several chrysanthemums, two books and teacups. There are only green gauze curtains hanging on the bed, and the autumn mattress is also very slow. It can be seen that Baochai is a person who doesn't like to make trouble or show off.
Although Xue Baochai was liked by the Guo Rong government for her tact, she was defeated in love. She has an empty marriage body, but she can't get Baoyu's true love. In such a society, a woman who is good at doing things like Baochai can't escape the shackles of feudalism and is as unlucky as Daiyu. Because Jia Baoyu became a monk, she ended up alone and widowed for life. In that feudal society, a woman like Xue Baochai should never have married a rebel like Baoyu.
Lin Daiyu and Qingwen written by Cao Xueqin are pure, kind, lofty and upright, and they are all compared to straight hibiscus flowers outside. Lotus is a symbol of holiness in Buddhism and is enshrined by monks. It can be seen that the author compares them to "immortals" in the crowd. However, things that are too extreme and beautiful are often delicate, and "immortals" can't last long in the world. Moreover, the social environment was very bad at that time, just like the "wood" representing Lin Daiyu could only grow in the warm spring when it was in full bloom. Daiyu's cough and insomnia just needed to become a monk (the monk once advised her to become a monk), so as to avoid the troubled world and have a rest. Otherwise, not only the body, but also the personality will show many weaknesses. While appreciating their extraordinary inner qualities, the author deeply regrets their fragile and dust-free appearance. She once mocked Daiyu for being "sour" and Qingwen for being "quick-tongued", both of which were "immoral".
Because the "Qi" grasped by Xue Baochai and xiren is a secular "evil", they can adapt to various environments and are loved and worshipped by the world like "gold". On the one hand, the author profoundly exposed and condemned their inner sophistication, insidiousness and indifference; On the other hand, I also appreciate their virtuous, open-minded temperament and beautiful figure. Although these beautiful superficial phenomena are just their means to cater to the world, the author still divides into two parts, praising Baochai as "gorgeous and fragrant" and "heartless and moving" and calling Xiren "virtuous and elegant".
So in the author's eyes, all four of them have shortcomings and advantages. Or it can be said that honest people are surreal people like "a fairy in the world", "a fairy in Yuen Long" and "a flower god"; An artificial, vulgar and unrealistic person. So, can anyone combine the advantages of both sides? Yes, it is Jia Baoyu. He is pure in quality, emotional and handsome in appearance; He loves both beautiful mind and "beauty". The perfect combination of "internal righteousness and external evil" is Cao Xueqin's ideal natural person. Baoyu's name also implies that he has both Baochai and Daiyu's personality, indicating that the author's thoughts are neither secular nor gentleman's way, but learn from each other's strengths. Therefore, the consumption of Lin Daiyu and Qingwen can no longer be regarded as noble diseases, their lofty ideals as advantages, and the utilitarian thoughts of Xue Baochai and Xiren as virtues.
What kind of person is Daiyu? She knows nothing about the intrigue of secular society. She knows nothing about it. She is naive. In fact, A Dream of Red Mansions represents Cao Xueqin's point of view. The person whom Cao Xueqin admires most is the most primitive and innocent part of our human beings, without any pollution. So the girl Jia Baoyu likes is a girl who is not polluted. When we were reading A Dream of Red Mansions, Daiyu's feelings for Jia Baoyu were completely revealed. Although she often takes care of Jia Baoyu, she often ignores him and is often angry. Why should we vent our anger on the people closest to you? So why does Lin Daiyu take it out on Jia Baoyu so often because of anxiety? You can see that her anxiety comes from: First, she has no sense of security. After Daiyu fell in love with Baoyu, she knew that her marriage had no autonomy. So she's anxious. What is the second kind of anxiety? When she saw that Jia Baoyu was kind to other sisters, she couldn't feel it. She doesn't know that Jia Baoyu is particularly kind to her, and she will be anxious at this time. Third, the traditional China society thinks that it should be suitable for each other. Jia Baoyu has a piece of jade and Xue Baochai has a gold lock. So gold and jade match. Everyone thinks that the eight words of Xue Baochai's golden lock match the eight words written on Jia Baoyu's jade. Think about what a threat it is, because Dai Yu has so much anxiety that she will show jealousy. After talking about Dai Yu's character, we can understand the meaning of "Daiyu burying flowers" more easily. Dai Yu was too kind to Baochai and ignored her. That's why she likes burying flowers so much. A girl saw the fallen flowers, wrote such beautiful words and showed herself. Because her own life is the same as this flower, and her life is as youthful as this flower, but the wind blows and falls, which not only symbolizes her life situation, but also symbolizes her future. She is a blooming flower, and should wither when it shouldn't.
Introduction to A Dream of Red Mansions-Jia Baoyu
Jia Baoyu is the central figure in the tragedy. He lives in an elegant and rich village, surrounded by luxury goods and pearls. But he is not satisfied with this life, hates all kinds of mental shackles imposed on him by his family and longs for a free life. A group of pure and clever girls live beside him, their sincere enthusiasm and unrestrained personality infect him, and their misfortune and pain inspire him. Their love for freedom made him feel a series.
He denied the way of studying as an official and despised fame and fortune. He would rather read the Romance of the West Chamber and the Peony Pavilion than read the Four Books and Five Classics, not talking about the eight-part essay, not interacting with Jia Yucun's first-class fame and fortune, and not listening to such "nonsense" as "official career economy". He slandered monks and praised loyalty and filial piety, which was incompatible with a set of feudal education. Yuan Chun was made a concubine.
"Xiangyun Judgment" says: "What is wealth? Parents were disobedient when they were babies. In a blink of an eye, Xiangjiang died of Chu Yunfei. " The verdict summed up Xiang Yun's tragic experience of being born with wealth, being longer than suffering, losing his parents since childhood, and unfortunately living a miserable life in poverty. Because her life is full of changes, her personality also changes with the change of life situation.
Because she lived in the high wall and deep courtyard of feudal rule and was imprisoned in the feudal residence like the sea, the long-term standard feudal upbringing made Shi Xiangyun accept a set of stale traditional concepts. In the paragraph "Shi Xiangyun and Maid Cuilv Talk about Yin and Yang" written in the 31st time, Shi Xiangyun thinks that "heaven and earth are endowed with Yin and Yang, no matter good or evil, strange or strange, ever-changing, they are all obedient. How many lives come out, people are rare and strange, and the reason is still the same. " When Cui Lu put forward that "everything has yin and yang since ancient times", Shi Xiangyun called her "confused" and "fart", and then went on to elaborate his own point of view: "Everything has yin and yang, can there be another yin and yang?" The word yin and yang is just one word, when yang is exhausted, it becomes yin, and when yin is exhausted, it becomes yang; It is not the exhaustion of yin that gives birth to another yang, and the exhaustion of yang gives birth to another yin. "Shi Xiangyun's macro theory highlights the depth of her suffering from feudal idealism. Exposed the essence of its feudal class.
In this sense, Xiangyun and Baochai belong to the same ideological system. When she first appeared in the front of Jiafu, she shared a bed with Lin Daiyu, but when she was invited to join the poetry club for 37 times, she was dragged to Wu Hengyuan by Xue Baochai. On the 2nd1,when she saw that Jia Baoyu wanted to eat rouge, she slapped the rouge and scolded him, "How long will it take to get rid of this problem?" From this point on, the feudal Taoist spirit of this noble girl began to appear. Then, in the tone of Xue Baochai, he persuaded Jia Baoyu to make friends with people like Jia Yucun and take the road of career economy. Xue Baochai's style of speech angered Baoyu, and immediately dismissed it as "bullshit" like Xue Baochai, embarrassing her and driving her to another room. It can be seen that in Shi Xiangyun's bones, it is still a deep-rooted feudal thought.
However, Catkin Poems at the Last Poetry Meeting, with its unfortunate experience of being dependent on others, the decline of four big families and the turmoil in the Grand View Garden, clearly shows her reluctance to the feudal class's "spring gone" and her infinite attachment and sorrow for the complete fall of Heaven.
However, the biggest change in Xiang Yun's personality was in 1976. On a bright night of the Mid-Autumn Festival that year, Jia Mu led the whole family to hold a banquet in Daguan Garden to enjoy the moon. Although they played hard and had a good time, beating gongs and drums, singing poems and telling jokes, a cold and shabby atmosphere surrounded them tightly. Coupled with the whimpering and piercing flute from time to time, sensitive and sad Daiyu naturally felt sorry for her writing and leaned against the bar to cry. At midnight, the banquet broke up, leaving only Shi Xiangyun, who was in the same boat, to comfort Lin Daiyu. At some point, she couldn't help complaining to Baochai that she was haunted. "I hate sister Bao, and I've been saying that everyone should enjoy the moon in the Mid-Autumn Festival this year. It is necessary to start a club, and everyone has joined this sentence. Today I abandoned us and went to enjoy the moon by myself. " After the great changes in Jiafu, she was snubbed by Baochai and realized that Xiangyun was finally isolated from feudal forces. Together with Daiyu, she sang a desperate lamentation of the aristocratic class before the collapse of "crossing the crane shadow in the cold pond and burying the flower soul in Leng Yue". In addition, in Shi Xiangyun, we can also see a series of following images such as "heroic and broad", "needing the scenery of the moon" and outstanding talents.
As a successful artistic model, Shi Xiangyun's dialectical character thought plays a very important role in revealing the social contradictions expressed in his works.