The introductory part can be subdivided into two paragraphs, each ending in arpeggio. The introduction part at the beginning is the cooperation between the left and right hands. Although it's Allegro here, you can play it slowly with your left hand, giving your hands enough time to play. Every bar in this section ends with an arpeggio.

Playing this part well means practicing arpeggio well. In terms of melody, it can be clearly realized that it is upward, so when dealing with these two bars, the emotional changes should also be adjusted to experience the feeling from low to bright. Finally, the introduction is introduced into Adagio by several thick and powerful big pincers as a transition.

2. Flexboard is soft.

In adagio, the key assessment is to knead the string, relax the left hand when kneading the string, and pay attention to the moderate touch depth of armor.

In adagio, the key is to check the rising and falling tones of the kneading strings. In this paragraph, every glide should be played full and affectionate when it goes up and down. It is conceivable that Liuyang River's nine bends and eighteen bends hit the stone violently and vividly.

Pay attention to relax your left arm when you knead the string, not too much. The voice is mellow and elastic. When we practice music, we rub the strings with emotion and listen to the lingering sound while rubbing, at a moderate speed, not too much.

After the technical problems are solved, the performance should be smoother and more beautiful. It is suggested to sing while playing, because this song is adapted from a folk song. When playing adagio, you should sing while playing, so that the rhythm of your hand can follow the rhythm of singing, so that the melody, dynamics and dynamics can be coordinated.

3. Allegro is compact

Allegro can also be divided into two short sections, the first four exercises and the second finger exercises.

Four exercises: It is recommended to use metronome, and practice from slow to fast. When you practice slowly, you should add emotional exercises and strictly demand your good pronunciation. In playing skills, pay attention to the strength of your fingertips, the particles are full, and the back of your hand should not jump up and down.

The arpeggio technique is used in the second half of Allegro, and the arpeggio part needs to be lighter than the main theme. Arpeggio exercises control the depth at which fingers touch the strings. If you want a loud tone, you can try to touch the strings deeper with your fingers. In addition, if you want a soft tone, you can try to touch the strings lightly with your fingers.

You can practice each fingering individually, or in sections, and then combine them. Here, hooks and wiping brackets are very important. Pay attention to the skillful movements when wiping the bracket, especially the hook, and emphasize the repetition of the sound to reduce the noise. Every sound is required to be clear and smooth, so that the pop-up music has ups and downs and charm.

When we play the second half of Allegro, the melody linked to the first sound of each sentence is the main theme, which highlights the first sound of the thumb and has melody to form lines.

4. Repeated refining

The basic skills used in this piece of music are also kneading strings, sliding up and down and arpeggio. Pay attention to the rising syllable of the last sentence, from strong to slow, and finally end with a soft arpeggio.

Extended data

Origin:

Guzheng is an ancient musical instrument in China, which prevailed in Qin State during the Warring States Period and has a history of more than 2,500 years. It is said that Zheng was a weapon in the Warring States period, which was used to swing vertically to attack the enemy. There is also an old saying that "Zheng Heng is happy, and Li Cheng is a soldier". Later, a string was added, and it was found to be nice, so it developed into a musical instrument.

As time went on, the weapon became lighter and lighter, and Zheng, a huge and lightweight weapon, was abandoned. Therefore, at present, people see the Zheng in the form of musical instruments, with beautiful modeling and decoration.

In Ying Shao's "Customs and Righteousness" in the Han Dynasty, the article wrote: Zheng, "According to" Rites and Music ",five strings are used to control the body. Nowadays, the Zheng in Binhe and Liangzhou looks like a harp. I don't know who changed it. It was made by Meng Tian. "

According to Ying Shao's "Custom Pass" 2, the zither system before the Han Dynasty should be "five strings, building a body", but at that time, "the zither in Longzhou was shaped like a harp", and Ying Shao's "I don't know who" 4 recorded the rumor that "it was made by Montaigne", which shows that the zither with the shape of a harp has been circulated in the Han Dynasty.

Baidu Encyclopedia-Liuyang River.

Baidu encyclopedia-guzheng